From Fouad Ajami, an acclaimed author and chronicler of Arab politics, comes a compelling account of how a generation of Arab intellectuals tried to introduce cultural renewals in their homelands through the forces of modernity and secularism. Ultimately, they came to face disappointment, exile, and, on occasion, death. Brilliantly weaving together the strands of a tumultuous century in Arab political thought, history, and poetry, Ajami takes us from the ruins of Beirut's once glittering metropolis to the land of Egypt, where struggle rages between a modernist impulse and an Islamist insurgency, from Nasser's pan-Arab nationalist ambitions to the emergence of an uneasy Pax Americana in Arab lands, from the triumphalism of the Gulf War to the continuing anguished debate over the Israeli-Palestinian peace accords.For anyone who seeks to understand the Middle East, here is an insider's unflinching analysis of the collision between intellectual life and political realities in the Arab world today.
The Norwegians, who first arrived in territorial days, created lasting farming settlements, especially in the Red River Valley. Their Lutheran churches continue to dot the landscape. But their experience was also urban, as they entered the trades and industries of the Twin Cities. Today, the Norwegian influence is evident in Minnesota art, culture, cuisine, and speech. Norwegian culture permeates the state's character and helps define Minnesota's unique social, political, and business environment.
One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the killing rage--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change. bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.
In this highly volatile debate over the scientific treatment of race and gender, this is the first collection to examine race and gender together. In an effort to uncover the social underpinnings of hatred based on difference, this volume challenges arguments that such traits such as intelligence or aggression are genetically determined along racial or gender lines and provides alternative accounts of the origins of racism and sexism and-most importantly-the nature and consequences of intersection. Contriubutors include Beverly Greene, Gerald Horn, Ruth Hubbard, Gisela Kaplan, Lesley Rogers, and Choichiro Yatani. Simona Sharoni's Feminist Reflection on the Interplay of Racism and Sexism in Israel is representative of the level of analysis in this collection. A political scientist and an expert in conflcit analysis and resolution, Sharoni describes the intersection of racism and sexism as it effects Oriental jews, Palestinians, and Israelis, in the particular context of governmental military policies and social practices, and opens up new space for social and political change. Challenging racism and sexism is blobal in scope, and hosts perspectives from a wide range of disciplines, including biology, educational studies, history, philosophy, physiology, and psychology. Essay topics include the creation of race and sex as biological categories, derivatives of racism and sexism in psychotherapy, a study of the rape-lynch controversy, and myths and realities regarding school performance of Asian and Asian-American school children.
An unprecedented examination of how news stories, editorials and photographs in the American press--and the journalists responsible for them--profoundly changed the nation's thinking about civil rights in the South during the 1950s and '60s.Roberts and Klibanoff draw on private correspondence, notes from secret meetings, unpublished articles, and interviews to show how a dedicated cadre of newsmen--black and white--revealed to a nation its most shameful shortcomings that compelled its citizens to act. Meticulously researched and vividly rendered, The Race Beat is an extraordinary account of one of the most calamitous periods in our nation's history, as told by those who covered it.
Thousands of people have been honored for saving Jews during the Holocaust--but not a single Arab. Looking for a hopeful response to the plague of Holocaust denial sweeping across the Arab and Muslim worlds, Robert Satloff sets off on a quest to find the Arab hero whose story will change the way Arabs view Jews, themselves, and their own history.
The story of the Holocaust's long reach into the Arab world is difficult to uncover, covered up by desert sands and desert politics. We follow Satloff over four years, through eleven countries, from the barren wasteland of the Sahara, where thousands of Jews were imprisoned in labor camps; through the archways of the Mosque in Paris, which may once have hidden 1700 Jews; to the living rooms of octogenarians in London, Paris and Tunis. The story is very cinematic; the characters are rich and handsome, brave and cowardly; there are heroes and villains. The most surprising story of all is why, more than sixty years after the end of the war, so few people-- Arab and Jew--want this story told.
Few works in world literature have inspired so vast an audience, in nations with radically different languages and cultures, as the Ramayana and Mahabharata, two Sanskrit verse epics written some 2,000 years ago.In Ramayana (written by a poet known to us as Valmiki), William Buck has retold the story of Prince Rama--with all its nobility of spirit, courtly intrigue, heroic renunciation, fierce battles, and triumph of good over evil--in a length and manner that will make the great Indian epics accessible to the contemporary reader. The same is true for the Mahabharata--in its original Sanskrit, probably the longest Indian epic ever composed. It is the story of a dynastic struggle, between the Kurus and Pandavas, for land. In his introduction, Sanskritist B. A. van Nooten notes, "Apart from William Buck's rendition no other English version has] been able to capture the blend of religion and martial spirit that pervades the original epic." Presented accessibly for the general reader without compromising the spirit and lyricism of the originals, William Buck's Ramayana and Mahabharata capture the essence of the Indian cultural heritage.
In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of black people and black communities as agents of change and resistance. Black radicalism must be linked to the traditions of Africa and the unique experiences of blacks on western continents, Robinson argues, and any analyses of African American history need to acknowledge this.
To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright.