Nana Asma'u was a devout, learned Muslim who was able to observe, record, interpret, and influence the major public events that happened around her.
Daughters are still named after her, her poems still move people profoundly, and the memory of her remains a vital source of inspiration and hope. Her example as an educator is still followed: the system she set up in the first quarter of the nineteenth century, for the education of rural women, has not only survived in its homeland--through the traumas of the colonization of West Africa and the establishment of the modern state of Nigeria--but is also being revived and adapted elsewhere, notably among Muslim women in the United States.
This book, richly illustrated with maps and photographs, recounts Asma'u's upbringing and critical junctures in her life from several sources, mostly unpublished: her own firsthand experiences presented in her writings, the accounts of contemporaries who witnessed her endeavors, and the memoirs of European travelers. For the account of her legacy the authors have depended on extensive field studies in Nigeria, and documents pertaining to the efforts of women in Nigeria and the United States, to develop a collective voice and establish their rights as women and Muslims in today's societies.
Beverley Mack is an associate professor of African studies at the University of Kansas. She is co-editor (with Catherine Coles) of Hausa Women in the Twentieth Century and co-author (with Jean Boyd) of The Collected Works of Nana Asma'u, 1793-1864 and One Woman's Jihad: Nana Asma'u Scholar and Scribe.
Jean Boyd is former principal research fellow of the Sokoto History Bureau and research associate of the School of Oriental and African Studies at the University of London. She is the author
Twenty distinguished American historians vividly reimagine twenty events of great drama and significance in our country's past.
"What is the scene or incident in American history that you would like to have witnessed--and why?" This is the thought-provoking question that editor Byron Hollinshead posed to twenty of our finest interpreters of American history with the invitation to write a personal essay answering it. The result is "I Wish I'd Been There," a book that trains a lens on crucial moments of our past and brings them to vivid life. With these peerless scholars as their guides, readers will be transported to the Salem witch trials, the Lewis and Clark expedition, the raid on Harpers Ferry, the assassination of Abraham Lincoln, the Scopes "monkey trial," the beginnings of the Vietnam War, the voting rights march to Selma, and other turning points of our national drama. Contributors include Mary Beth Norton, Joseph Ellis, Jay Winik, Carol Berkin, Kevin Baker, Robert Cowley, Carolyn Gilman, Geoffrey Ward, Robert Dallek, and William Leuchtenburg, among other luminaries of the historical profession.
"I Wish I'd Been There" is a marvelous concept, wonderfully and imaginatively executed. The result is an American pageant of character and event that will attract and delight readers of history.
Telling perhaps the most important forgotten story in American history, eminent historian Nell Irvin Painter guides us through more than two thousand years of Western civilization, illuminating not only the invention of race but also the frequent praise of whiteness for economic, scientific, and political ends. A story filled with towering historical figures, The History of White People closes a huge gap in literature that has long focused on the non-white and forcefully reminds us that the concept of race is an all-too-human invention whose meaning, importance, and reality have changed as it has been driven by a long and rich history of events."
From admired historian--and coiner of one of feminism's most popular slogans--Laurel Thatcher Ulrich comes an exploration of what it means for women to make history.In 1976, in an obscure scholarly article, Ulrich wrote, "Well behaved women seldom make history." Today these words appear on t-shirts, mugs, bumper stickers, greeting cards, and all sorts of Web sites and blogs. Ulrich explains how that happened and what it means by looking back at women of the past who challenged the way history was written. She ranges from the fifteenth-century writer Christine de Pizan, who wrote The Book of the City of Ladies, to the twentieth century's Virginia Woolf, author of A Room of One's Own. Ulrich updates their attempts to reimagine female possibilities and looks at the women who didn't try to make history but did. And she concludes by showing how the 1970s activists who created "second-wave feminism" also created a renaissance in the study of history.
From New Yorker staff writer and Harvard historian Jill Lepore, the dark, spellbinding tale of her restless search for the long-lost, longest book ever written, a century-old manuscript called "The Oral History of Our Time."Joe Gould, a madman, believed he was the most brilliant historian of the twentieth century. So did some of his friends, a group of modernist writers and artists that included E. E. Cummings, Marianne Moore, William Carlos Williams, John Dos Passos, and Ezra Pound. Gould began his life's work before the First World War, announcing that he intended to write down nearly everything anyone ever said to him. "I am trying to preserve as much detail as I can about the normal life of every day people," he explained, because "as a rule, history does not deal with such small fry." By 1942, when The New Yorker published a profile of Gould written by the reporter Joseph Mitchell, Gould's manuscript had grown to more than nine million words. But when Gould died in 1957, in a mental hospital, the manuscript was nowhere to be found. Then, in 1964, in "Joe Gould's Secret," a second profile, Mitchell claimed that "The Oral History of Our Time" had been, all along, merely a figment of Gould's imagination. Lepore, unpersuaded, decided to find out.
Joe Gould's Teeth is a Poe-like tale of detection, madness, and invention. Digging through archives all over the country, Lepore unearthed evidence that "The Oral History of Our Time" did in fact once exist. Relying on letters, scraps, and Gould's own diaries and notebooks--including volumes of his lost manuscript--Lepore argues that Joe Gould's real secret had to do with sex and the color line, with modernists' relationship to the Harlem Renaissance, and, above all, with Gould's terrifying obsession with the African American sculptor Augusta Savage. In ways that even Gould himself could not have imagined, what Gould wrote down really is a history of our time: unsettling and ferocious.
Howard Zinn was perhaps the best-known and most widely celebrated popular interpreter of American history in the twentieth century, renowned as a bestselling author, a political activist, a lecturer, and one of America's most recognizable and admired progressive voices.His rich, complicated, and fascinating life placed Zinn at the heart of the signal events of modern American history--from the battlefields of World War II to the McCarthy era, the civil rights and the antiwar movements, and beyond. A bombardier who later renounced war, a son of working-class parents who earned a doctorate at Columbia, a white professor who taught at the historically black Spelman College in Atlanta, a committed scholar who will be forever remembered as a devoted "people's historian"--Howard Zinn blazed a bold, iconoclastic path through the turbulent second half of the twentieth century. For the millions who were moved by Zinn's personal example of political engagement and by his inspiring "bottom up" history, here is an authoritative biography of this towering figure--by Martin Duberman, recipient of the American Historical Association's 2007 Lifetime Achievement Award. Given exclusive access to the previously closed Zinn archives, Duberman's impeccably researched biography is illustrated with never-before-published photos from the Zinn family collection. Howard Zinn: A Life on the Left is a major publishing event that brings to life one of the most inspiring figures of our time.
The nineteenth century was a time of unprecedented discovery and exploration throughout the globe, a period when the "blank spaces" of the earth were systematically investigated, occupied, and exploited by the major imperial powers of Western Europe and the United States. The lived experience of space was also changing in dramatic ways for people as a result of new developments in technology, communication, and transportation. As a result, the century was characterized by a new and intense interest in place, both local and global.The collection is comprised of seventeen essays from various disciplines organized into four areas of geographic concern. The first, "Time Zones," examines several ways that place gets expressed as time during the period, how geography becomes history. A second grouping, "Commodities and Exchanges," explores the role of geographic origin as it was embodied in particular objects, from the souvenir map to imported tea. The set of essays on "Domestic Fronts" moves the discussion from the public to the private sphere by looking at how domestic space became defined in terms of its boundary with the foreign. The final section, "Orientations," takes up the changing relations of bodies, identities, and the spaces they inhabit and through which they moved. The collection as a whole also traces the development of the discipline of geography with its different institutional and political trajectories in the United States and Great Britain.