Swing and Big-Band
Mr. Leedy and the House of Wonder
The Story of the World's Finest Drums
Paperback ISBN: 1574242342
A traveling drummer from 19th-century Ohio, Ulysses Grant Leedy settled in Indianapolis and built the House of Wonder - a factory that set the standard for all drum companies to follow. This book takes readers inside Leedy's world: his people, his designs, and the growth of his amazing enterprise.
Third Ear-The Essential Listening Companion
Paperback ISBN: 0879306009
Written by one of jazz journalism's best and most knowledgeable critics, this book explores the full swing spectrum from its origins in the 1920s through its current retro resurgence. Features intriguing capsule biographies of 400 of the best musicians, from classic artists like Duke Ellington and Benny Goodman to retro swingers such as the Brian Setzer Orchestra and Lavay Smith and the Red Hot Skillet Lickers, with each artist's most notable CDs reviewed and rated, plus info on film appearances, books, and hard-to-find recordings. Includes insightful essays that explore this music's cultural impact, fun photos and swing memorabilia.
The Swing Era
The Development of Jazz, 1930-1945
Paperback ISBN: 0195071409
Here is the book jazz lovers have eagerly awaited, the second volume of Gunther Schuller's monumental The History of Jazz. When the first volume, Early Jazz, appeared two decades ago, it immediately established itself as one of the seminal works on American music. Nat Hentoff called it "a remarkable breakthrough in musical analysis of jazz," and Frank Conroy, in The New York Times Book Review, praised it as "definitive.... A remarkable book by any standard...unparalleled in the literature of jazz." It has been universally recognized as the basic musical analysis of jazz from its beginnings until 1933. The Swing Era focuses on that extraordinary period in American musical history--1933 to 1945--when jazz was synonymous with America's popular music, its social dances and musical entertainment. The book's thorough scholarship, critical perceptions, and great love and respect for jazz puts this well-remembered era of American music into new and revealing perspective. It examines how the arrangements of Fletcher Henderson and Eddie Sauter--whom Schuller equates with Richard Strauss as "a master of harmonic modulation"--contributed to Benny Goodman's finest work...how Duke Ellington used the highly individualistic trombone trio of Joe "Tricky Sam" Nanton, Juan Tizol, and Lawrence Brown to enrich his elegant compositions...how Billie Holiday developed her horn-like instrumental approach to singing...and how the seminal compositions and arrangements of the long-forgotten John Nesbitt helped shape Swing Era styles through their influence on Gene Gifford and the famous Casa Loma Orchestra. Schuller also provides serious reappraisals of such often neglected jazz figures as Cab Calloway, Henry "Red" Allen, Horace Henderson, Pee Wee Russell, and Joe Mooney. Much of the book's focus is on the famous swing bands of the time, which were the essence of the Swing Era. There are the great black bands--Duke Ellington, Count Basie, Jimmie Lunceford, Earl Hines, Andy Kirk, and the often superb but little known "territory bands"--and popular white bands like Benny Goodman, Tommy Dorsie, Artie Shaw, and Woody Herman, plus the first serious critical assessment of that most famous of Swing Era bandleaders, Glenn Miller. There are incisive portraits of the great musical soloists--such as Art Tatum, Teddy Wilson, Coleman Hawkins, Lester Young, Bunny Berigan, and Jack Teagarden--and such singers as Billie Holiday, Frank Sinatra, Peggy Lee, and Helen Forest.