This text discusses how the film, 'Do The Right Thing' epitomises Spike Lee's powerful impact on the representation of race and difference in America, the progress of black film-making and the rise of multicultural voices in the media, and how it confonts institutional discrimination head on.
Patricia Bosworth is an acclaimed biographer whose classic work on the life of Montgomery Clift was praised by Newsweek as the best film star biography in years. Her firsthand knowledge of the entertainment industry infuses her writing with an intimacy and vividness The Washington Post Book World calls extraordinary. In Marlon Brando, she evokes the magnetic sexuality, passion, and vulnerability of the icon -- and the man. Following its subject from the moody Oklahoma teenager to the Method-trained star to the eccentric recluse of his later years, Marlon Brando offers a penetrating look at the actor's evolving persona: the volcanic Stanley Kowalski in A Streetcar Named Desire, the sensitive rebel in The Wild Ones, the iconic Don Corleone in The Godfather. Bosworth probes Brando's alcoholic parents' influence on his acting, his decades of psycho-analysis, and his tumultuous personal relationships. Here, from rebellious unknown to reluctant idol to falling star, is the complex charismatic genius who changed the face of acting.
This book provides an insightful companion to Dylan's 1960s recordings, tracing the people, places, and events behind some of his greatest songs and revealing his many early influences, from rock and folk music to philosophy and symbolist poetry.
This paperback edition, incorporating corrections and updates, contains more distilled information on the theatrical arts of Asia-Oceania than any other single volume yet published. A broad-ranging pan-Asian essay lucidly explores the basic themes of ritual, dance, puppetry, masks, training, performance, while national entries provide the historical development of theater in twenty countries. Major theater forms of each country are accompanied by entries on significant playwrights, actors and directors. An index and reading lists make this work indispensable.
(Keyboard Instruction). Weighing in at nearly 400 pages, the Picture Chord Encyclopedia is the most comprehensive keyboard resource ever It includes easy-to-see photos, easy-to-read chord diagrams and treble and bass clef notation for over 1,600 keyboard chords, plus basic chord theory, a chord symbol chart, and more Also available in a 9 x 12 Edition (00290528, ISBN 0-634-03290-9).
Hilarious fun, this early comedy is filled with the merry violence of slapstick and farce. When two sets of twins, separated and apparently lost to each other, all end up in the rowdy, rollicking city of Ephesus, the stage is set for mix-ups, mayhem, and mistaken identity plus the timeless puns, jokes, gags, and suspense that makes this play a wonderful theatrical frolic and a brilliant tour de force of language and laughter."
Both a great American adventure and a rare entry into asheltered world, Under the Big Top describes one man's pursuit of every child's fantasy: running away to join the circus. Bruce Feiler's unforgettable year as a clown will forever change your view of one of the world's oldest art forms and remind you of how dreams can go horribly wrong -- and then miraculously come true.
"To this day, wherever great rock music is being made, there is the shadow of Bob Dylan," said Bruce Springsteen at the induction of Dylan into the Rock and Roll Hall of Fame in 1988. Or to quote John Rockwell, "Anyone who didn't live through the sixties simply cannot realize how important his albums seemed then; they defined a community." Dylan is a musical, literary, political, and religious icon whose lyrics and mystique have spawned countless articles and books. The Dylan Companion is a generous helping of the best, most pungent, and most insightful commentary on Dylan from all phases of his career right up to the present: personal recollections and professional assessments from the likes of Ken Kesey, Greil Marcus, Joan Baez, Andrew Motion, Lester Bangs, Kurt Loder, Allen Ginsberg, Pauline Kael, Geoff Dyer, Simon Winchester, and Robert Christgau-over fifty pieces celebrating the sixty-year-old performer who somehow manages to stay forever young.
Sir John Gielgud's career as an actor was perhaps the most distinguished of any of his generation, and, in a lifetime that spanned almost a century, he appeared in hundreds of theatrical productions and films, receiving virtually every honor given, including an Academy Award. Now, in this wonderfully insightful biography, fully authorized and written with first-ever access to Gielgud's personal letters and diaries, bestselling biographer Sheridan Morley not only traces the actor's fascinating career, but provides a fresh and remarkably frank look into John Gielgud the man, showing how his success as an actor in many ways came at the expense of his personal happiness. Born into a theatrical family, John Gielgud took to the stage as naturally as a duck to water, and almost from the beginning, those who saw him perform knew that they were experiencing something extraordinary. A determined actor, intent on learning and polishing his craft, he worked incessantly, taking on one role after another, the greater the challenge, the better. During his long and remarkable career, he took on every truly great and demanding role, including all of Shakespeare's major plays as well as many contemporary and experimental productions. At ease in both great drama and light comedy, he was blessed with a great range and a seemingly infinite capacity to inhabit whatever character he attempted. Basically a somewhat shy man offstage, however, Gielgud for the most part limited his friendships to those with whom he worked, and as a result the theater -- and later, film -- made up just about his entire life. That he was flesh and blood, however, was reflected in the fact that he did enter intotwo long-term relationships, the first with a man who eventually left him for another, but with whom Gielgud maintained a strong tie, and the second with a handsome, mysterious Hungarian who lived with him until he died, just a few months before Sir John. True scandal came into Gielgud's life only once. In 1953, just weeks after Gielgud had been knighted by the Queen, he was arrested in a public men's room and charged with solicitation. The British press had a field day, but Gielgud's friends and fellow actors rallied to his support, as did his thousands of fans, and the result was the eventual change of law in England regarding sex between consenting adults. While these and many other aspects of his personal life are discussed for the first time in this distinguished biography, it is Gielgud's career as an actor, of course, that receives the greatest attention. And while British audiences had the pleasure of seeing him perform in the theater for his entire life, Americans came to know him best for his work in the movies, and most especially for his Oscar-winning performance as Hobson the butler in the Dudley Moore film Arthur. As dramatic and captivating as one of Sir John's many performances, this authorized biography is an intimate and fully rounded portrait of an unforgettable actor and a remarkable man.