Step behind the wheels of steel and into the world of professional DJs. The World of DJs and the Turntable Culture is the only book that clearly and thoroughly teaches the tools, technologies and techniques of contemporary DJing. It also goes further, exploring the culture, history and aesthetics of hip-hop, dance music and turntablism. Souvignier traces the turntable's evolution from consumer playback device into a professional musical instrument, right up to the latest CD scratching decks. He also traces the evolution of the DJ from selector and record announcer to producer/performer. This book features exclusive interviews with GrandWizzard Theodore (the inventor of scratching) and other superstars including DJ QBert, Rob Swift (X-ecutioners), Armand Van Helden and mash-up maven The Freelance Hellraiser. The wide ranging topics covered include a mechanical history of turntables and a DJ technology roundup; Alan Freed, Dick Clark and payola; John Cage's Cartridge Music; Grandmaster Flash; Jamaican sound systems; the rise and fall of disco; house, techno and garage music; a dictionary of scratches; and developing DJ skills. The World of DJs and the Turntable Culture includes hands-on chapters that explain the basic tools DJs use, teaches the fundamental techniques, and explores the creative possibilities for DJs. There is a special focus on state-of-the-art gear, spotlighting the most exciting, cutting-edge features.
This unique anthology provides a wealth of material for actors and acting students, and a wonderful overview of the best recent plays for anyone interested in theatre. The more than 150 monologues cover a diverse range of subjects, and offer a variety of dramatic styles and moods. Each monologue is introduced with a short description of the plot, setting, and character type by the leading plauwrights of our time.Featured dramatists include: Christopher Durang, Wendy Wasserstein, Lanford Wilson, Wallace Shawn, Tina Howe, Caryl Churchill, Athol Fugard, Beth Henley, Sam Shepard, David Henry Hwang, Harry Kondoleon, John Patrick Shanley, Larry Shue, Michael Weller, David Rabe, Marsha Norman, August Wilson, Albert Innaurato, Jules Feiffer, Harold Pinter, David Hare, Jose Rivera, Tom Stoppard, John Guare, David Mamet, Charles Fuller, William Matrosimone, Robert Patrick, Miguel Pinero
Recogninzing the importance of performance in 20th century avant-garde art, this catalogue traces the careers of three artists who have each made a significant contribution to that history. Merce Cunningham, Meredith Monk and Bill T. Jones.
Published in full for the first time, a drama critic for the "New York Times" presents a series of interviews beginning in 1971 and spanning more than twenty years featuring the Nobel Prize-winning author's views on work, life, plays, and people.
Almost two decades after his death, John Wayne is still America's favorite movie star. More than an actor, Wayne is a cultural icon whose stature seems to grow with the passage of time. In this illuminating biography, Ronald L. Davis focuses on Wayne's human side, portraying a complex personality defined by frailty and insecurity as well as by courage and strength.
Davis traces Wayne's story from its beginnings in Winterset, Iowa, to his death in 1979. This is not a story of instant fame: only after a decade in budget westerns did Wayne receive serious consideration, for his performance in John Ford's 1939 film Stagecoach. From that point on, his skills and popularity grew as he appeared in such classics as Fort Apache, Red River, She Wore a Yellow Ribbon, The Quiet Man, The Searches, The Man who Shot Liberty Valance, and True Grit. A man's ideal more than a woman's, Wayne earned his popularity without becoming either a great actor or a sex symbol. In all his films, whatever the character, John Wayne portrayed John Wayne, a persona he created for himself: the tough, gritty loner whose mission was to uphold the frontier's--and the nation's--traditional values.
To depict the different facets of Wayne's life and career, Davis draws on a range of primary and secondary sources, most notably exclusive interviews with the people who knew Wayne well, including the actor's costar Maureen O'Hara and his widow, Pilar Wayne. The result is a well-balanced, highly engaging portrait of a man whose private identity was eventually overshadowed by his screen persona--until he came to represent America itself.
At the beginning of 1992, no one had heard of Quentin Tarantino. By mid-1995, Quentinmania was in high gear, and he was being hailed as the hip new Oscar-toting messiah of film making. In this irreverant personal biography and in-depth study, Jeff Dawson interrogates Tarantino about his early influences, his use of violence, and accusations of plagiarism. Dawson takes the reader behind the scenes of Pulp Fiction, Reservoir Dogs and Destiny Turns on the Radio, to get a glimpse of Quentin through the eyes of Harvey Keitel, John Travolta, Bruce Willis, Tim Roth and other Tarantino gang members interviewed for this book. Includes dialogue that didn't make it into the final cut, as well as the original plot twists for True Romance and Natural Born Killers that got axed by the censors. Includes great color and black & white photos throughout.
Paul Sills, the master of improvisation and found of The Second City and creator of Story Theatre - and who has influenced some of theatre's most important directors, writers and actors - adapts for stage one of the classic works of literature, Charles Dickens' masterpiece, A Christmas Carol. Included as well are some of the exercises devised for Story Theater by Viola Spolin, renowned for her work with games and improvisation and whose best-selling text has become the definitive guide to improvisational practice.