This book provides an insightful companion to Dylan's 1960s recordings, tracing the people, places, and events behind some of his greatest songs and revealing his many early influences, from rock and folk music to philosophy and symbolist poetry.
Paul Sills, the master of improvisation and found of The Second City and creator of Story Theatre - and who has influenced some of theatre's most important directors, writers and actors - adapts for stage one of the classic works of literature, Charles Dickens' masterpiece, A Christmas Carol. Included as well are some of the exercises devised for Story Theater by Viola Spolin, renowned for her work with games and improvisation and whose best-selling text has become the definitive guide to improvisational practice.
When Bobbie Ann Mason first heard Elvis Presley on the family radio, she recognized him as "one of us . . . a country person who spoke our language"--Southern, working class, a little wild. In "Elvis Presley," the bestselling author of the two modern American classics "Shiloh and Other Stories" and "In Country" captures all the vibrancy and tragedy of this mythic figure.
With heartfelt intimacy and a novelist's insight, Mason charts the intoxicating life of the first rock-and-roll superstar, whose music shattered barriers and changed the sound of America. Elvis the impassioned singer and charismatic youth embraced the celebrity brought him by a host of top-forty hits and movies. But Elvis the small-town boy and devoted son was in no way prepared for being catapulted into an unimagined stratosphere. This is the riveting story of an unforgettable man and his indelible legacy.
Outrageous, outspoken, and uninhibited, Tallulah Bankhead was an actress known as much for her vices -- cocaine, alcohol, hysterical tirades, and scandalous affairs with both men and women -- as she was for her winning performances on stage. In 1917, a fifteen-year-old Bankhead boldly left her established Alabama political family and fled to New York City to sate her relentless need for attention and become a star. Five years later, she crossed the Atlantic, immediately taking her place as a fixture in British society and the most popular actress in London's West End. By the time she returned to America in the 1930s, she was infamous for throwing marathon parties, bedding her favorite costars, and neglecting to keep her escapades a secret from the press. At times, her notoriety distracted her audience from her formidable talent and achievements on stage and dampened the critical re-sponse to her work. As Bankhead herself put it, "they like me to 'Tallulah, ' you know -- dance and sing and romp and fluff my hair and play reckless parts." Still, her reputation as a wild, witty, over-the-top leading lady persisted until the end of her life at the age of sixty-six.
From her friendships with such entertainment luminaries as Tennessee Williams, Estelle Winwood, Billie Holiday, Noel Coward, and Marlene Dietrich, to the intimate details of her family relationships and her string of doomed romances, Joel Lobenthal has captured the private essence of the most public star during theater's golden age. Larger-than-life as she was, friends saw through Bankhead's veneer of humor and high times to the heart of a woman who often felt second-best in her father's eyes, who longed for the children she was unableto bear, and who forced herself into the spotlight to hide her deep-seated insecurities.
Drawn from scores of exclusive interviews, as well as previously untapped information from Scotland Yard and the FBI, this is the essential biography of Tallulah Bankhead. Having spent twenty-five years researching Bankhead's life, Joel Lobenthal tells her unadulterated story, as told to him by her closest friends, enemies, lovers, and employees. Several have broken decadelong silences; many have given Lobenthal their final interviews. The result is the story of a woman more complex, more shocking, and yet more nuanced than her notorious legend suggests.
From iconic tortured artist/everyman Charles Bukowski, Hollywood is the fictionalization of his experience adapting his novel Barfly into a movie by the same name.
Henry Chinaski, Bukowski's alter-ego, is pushed to translate a semi-autobiographical book into a screenplay for John Pinchot. He reluctantly agrees, and is thrust into the otherworld called Hollywood, with its parade of eccentric and maddening characters: producers, artists, actors and actresses, film executives and journalists. In this world, the artistry of books and film is lost to the dollar, and Chinaski struggles to keep his footing in the tangle of cons that comprise movie making.
Hollywood is Dirty Old Man Bukowski at his most lucid. It overflows with curses, sex, and alcohol. And through it all, or from it all, Bukowski finds flashes of truth about the human condition.
The first major biography of the Carter family follows the musical pioneers who almost single-handedly established the sound and traditions that grew into folk, country, and bluegrass music--a style most recently popularized in the George Clooney hit movie O Brother, Where Art Thou? of photos.
Leslie Fiedler pronounced it the first American tragedy. F.O. Mathiessen considered it the "Puritan Faust." Until now, it appeared that Nathaniel Hawthorne's haunting drama of judgement, alienation, and redemption would be forever confined to the page. Now comes the stage version to do it justice. DeMaiolo's brooding choruses of superstition and doubt hover like the furies hungry for vengeance on the "voluptuous Oriental" woman whose fate would commingle with every life in Salem. The audience joins the chorus as they weigh the American contract of freedom against the fine print of convention and taboo. Performance rights available from Applause.
In a series of funny, tender, and touching dialogues, former Saturday Night Live writer Zweibel recalls his buddy-and-almost-lover friendship with SNL actress Gilda Radner, who died of ovarian cancer. Zweibel claims he "merely scribbled the dialogues playing in my head " and, indeed, these recreated conversations have a neurotic, sarcastic, and vulnerable air of aunthenticity. The actress and writer become fast friends on the SNL set and segue into personal revelation.
(Music Sales America). Matching guitar tablature edition for Pink Floyd's masterful and ground-breaking album. All songs are arranged with standard notation and tab for guitar, with chord symbols, full lyrics and chord boxes. Includes a generous selection of color photographs of the band in action and Gerald Scarfe illustrations. Songs include: Another Brick in the Wall * Comfortably Numb * Hey You * In the Flesh? * Is There Anybody Out There? * Mother * Run Like Hell * Young Lust * and more.
Concise enough to take to performances, this pocket guide to Kabuki provides a wealth of fascinating information about the plays, the actors, and their history. As only an insider can do, the author takes us behind the scene to meet the actors, attend rehearsal, and get a first-hand look at the makeup, costumes, sets and props that go into a Kabuki performance.