Paul Sills, the master of improvisation and found of The Second City and creator of Story Theatre - and who has influenced some of theatre's most important directors, writers and actors - adapts for stage one of the classic works of literature, Charles Dickens' masterpiece, A Christmas Carol. Included as well are some of the exercises devised for Story Theater by Viola Spolin, renowned for her work with games and improvisation and whose best-selling text has become the definitive guide to improvisational practice.
A New York Times Notable Book of the Year"Easily the best book on Orson Welles." --The New Yorker Orson Welles arrived in Hollywood as a boy genius, became a legend with a single perfect film, and then spent the next forty years floundering. But Welles floundered so variously, ingeniously, and extravagantly that he turned failure into "a sustaining tragedy"--his thing, his song. Now the prodigal genius of the American cinema finally has the biographer he deserves. For, as anyone who has read his novels and criticism knows, David Thomson is one of our most perceptive and splendidly opinionated writers on film. In Rosebud, Thomson follows the wild arc of Welles's career, from The War of the Worlds broadcast to the triumph of Citizen Kane, the mixed triumph of The Magnificent Ambersons, and the strange and troubling movies that followed. Here, too, is the unfolding of the Welles persona--the grand gestures, the womanizing, the high living, the betrayals. Thomson captures it all with a critical acumen and stylistic dash that make this book not so much a study of Welles's life and work as a glorious companion piece to them. "Insightful, controversial, and highly readable--Rosebud is biography at its best." --Cleveland Plain Dealer
At the beginning of 1992, no one had heard of Quentin Tarantino. By mid-1995, Quentinmania was in high gear, and he was being hailed as the hip new Oscar-toting messiah of film making. In this irreverant personal biography and in-depth study, Jeff Dawson interrogates Tarantino about his early influences, his use of violence, and accusations of plagiarism. Dawson takes the reader behind the scenes of Pulp Fiction, Reservoir Dogs and Destiny Turns on the Radio, to get a glimpse of Quentin through the eyes of Harvey Keitel, John Travolta, Bruce Willis, Tim Roth and other Tarantino gang members interviewed for this book. Includes dialogue that didn't make it into the final cut, as well as the original plot twists for True Romance and Natural Born Killers that got axed by the censors. Includes great color and black & white photos throughout.
This is the ultimate backstage tour of Broadway AT THIS THEATRE tells the complete history of Broadway in the 20th century, theatre by theatre. This gorgeous book is now updated, revised and with a larger format, covering 1900 to 2001. PLAYBILL's columnist, Louis Botto, along with Robert Viagas, opens the doors and lets readers explore the 40 active Broadway theatres in New York. From the conception and design of the buildings, to their original creators, and on to the theatres' transformation, often under duress, from legitimate houses to vaudeville and Burlesque, to movie houses and then back to their original purpose, this book captures the magical world of Broadway. It is a complete and authoritative history that only Botto, the curator of PLAYBILL's incomparable 116-year-old archives, can tell. Expanded from his popular column in PLAYBILL magazine, AT THIS THEATRE is the biography of those living, breathing buildings we call theatres. In this substantially updated version, Botto includes the histories of all the theatres rescued from the wrecker in the last ten years, including the American Airlines Theatre, Disney's New Amsterdam, and the Lyric and the Apollo, now combined into the Ford Center. AT THIS THEATRE is filled with great stories featuring a cast of characters including Ethel Merman, David Merrick, Katharine Hepburn, Humphrey Bogart and Spencer Tracy. And it's also a theatrical spectacle boasting lavish illustrations of posters, programs, and photographs throughout. This is the gift book for every theatre lover on your list, including yourself
Roberts takes her signature line from Everybody Loves Raymond and makes it her own in a book that pairs hilarious stories from her fascinating life with delicious recipes from her kitchen. 16-page photo insert.
Included in this are Bentley's published analyses and commentaries on Brecht's plays, as well as some new thoughts
of recent years. Also included is Bentley's highly personal memoir of his years with Brecht; his personal
recollections of Charles Laughton's L.A. production of Galileo and Brecht's testimony before the House Un-American
Leslie Fiedler pronounced it the first American tragedy. F.O. Mathiessen considered it the "Puritan Faust." Until now, it appeared that Nathaniel Hawthorne's haunting drama of judgement, alienation, and redemption would be forever confined to the page. Now comes the stage version to do it justice. DeMaiolo's brooding choruses of superstition and doubt hover like the furies hungry for vengeance on the "voluptuous Oriental" woman whose fate would commingle with every life in Salem. The audience joins the chorus as they weigh the American contract of freedom against the fine print of convention and taboo. Performance rights available from Applause.
A new edition of the classic book for actors starting their careers, with new material
Few actors have ever been more eloquent, more honest, or more entertaining about their life and their profession than Simon Callow, one of the finest actors of his time and increasingly one of the most admired writers about the theater.
Beginning with the letter to Laurence Olivier that produced his first theatrical job to his triumph as Mozart in the original production of Amadeus, Callow takes us with him on his progress through England's rich and demanding theater: his training at London's famed Drama Centre, his grim and glorious apprenticeship in the provincial theater, his breakthrough at the Joint Stock Company, and then success at Olivier's National Theatre are among the way stations.
Callow provides a guide not only to the actor's profession but also to the intricacies of his art, from unemployment--"the primeval slime from which all actors emerge and to which, inevitably, they return"--to the last night of a long run.
"The entire recent tradition of American theatrical satire can be summed up in three words: The Second City."
--New York Times
Many of comedy's biggest stars cut their teeth at The Second City. Learn all of the backstage details--the laughs, loves, struggles, successes, fights and failures that have made Second City such a fertile ground for comedy over the years. And hear Second City's most outrageous and hilarious live performances on two audio CDs narrated by Robert Klein.
--John Belushi try to bluff his way through an oral exam to avoid the draft
--Mike Myers as a Canadian border guard who "closes" Canada
--Bonnie Hunt singing "Up, Up And Away" as an annoying "on-hold" entertainer
--John Candy playing Dan Aykroyd's rebellious, hockey-hating son
And read about:
--Bill Murray demonstrating the proper way to deal with a heckler
--Alan Arkin's pre-Second City days as a troubadour with The Tarriers
--Where Gilda Radner first came up with "Emily Litella"
--How Second City alum Martin Short "discovered" Mike Myers
Since 1959, The Second City has been producing cutting-edge satire and wickedly funny improvisation, while keeping countless individuals of questionable character off the streets for a couple of hours each night. It has also trained thousands of young performers in the art of improv-based theater.
The Second City recounts the early years of the comedy troupe's biggest stars, including John Belushi, Bill Murray, Dan Aykroyd, Mike Myers, Gilda Radner, Alan Arkin, Joan Rivers, David Steinberg, Robert Klein, Chris Farley, Martin Short and John Candy, as well as some of today's hottest directors, like Harold Ramis (Analyze This), Mike Nichols (The Birdcage), Betty Thomas (Private Parts) and Bonnie Hunt (Return to Me).
Author Sheldon Patinkin, one of Second City's founding fathers, tells the story of Second City like no else can--with rare photos, profiles and backstage stories you were never supposed to hear. The Second City is both funnier and more poignant than you could have imagined. The book includes two full-length audio CDs containing hilarious classic scenes like:
--"Football Comes to the University of Chicago" (with Alan Arkin and Severn Darden)
--"Brest Litovsk" (with John Belushi and Joe Flaherty)
--"Motivational Speaker" (with Chris Farley, Tim Meadows and Bob Odenkirk)
Plus new, never-before-heard material that will leave your sides aching.