This Library of America edition collects for the first time in one volume the four full-length works in which Henry David Thoreau combined his poetic sensibility, classical learning, philosophical austerity, and Yankee love of practical detail into literary masterpieces on humanity's communion with nature.
A Week on the Concord and Merrimack Rivers is based on a boat trip Thoreau took with his brother in 1839 from Concord, Massachusetts, to Concord, New Hampshire. Ten years in the writing (it was the book he retired to Walden to work on) and incorporating essays, passages from his journal, and some of his best poems, it is a superbly crafted achievement, its texture enriched by the idealism of the Transcendentalists, the delighted wordplay of an imaginative linguist, the individualism of a young America, and the earthiness of a lover of nature. Walden is a personal declaration of independence, a social experiment, and a voyage of spiritual discovery, set within the seasonal cycle of a year's "Life in the Woods." "Simplify, simplify" is the beat of its "more distant drummer"--to abandon waste and illusion, to get to the bottom of life's essential needs, and to practice a new economy for humane living. Its witty and pointed rhetoric brings together language and nature, the human and nonhuman in unusual conjunctions that resonate with symbolic meanings. A manual of self-reliance as well as a masterpiece of style, it is one of the most fervently loved classics of American literature. The Maine Woods is an account of three trips taken by boat and canoe in 1846, 1853, and 1857 through an unexplored interior bypassed by westward expansion. It describes the virgin rivers and forests of Maine, the customs of woodsmen and Indian guides, the hunting of moose, and the effects of the timber industry and encroaching settlement. An early and eloquent plea for conservation by a farsighted naturalist, its close observation of the American wild becomes an examination of "the motives which carry men into the wilderness." Cape Cod is the bleakest of Thoreau's works, resembling Melville's prose in its vision of the titanic indifference of nature. Cape Cod appears as both ocean and desert, a vast expanse of shipwrecks and barren soil, peopled by hardy, weathered inhabitants who seem survivors from the age of the first Pilgrims. Based upon his own visits and upon accounts from the earliest times, it is an unsentimental study of human endurance in the face of hostile elements, historical change, and natural decay. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Ranging from an autobiographical tour-de-force that describes a childhood spent with an alcoholic father to Looking at Women, a reflection on male yearning and confusion, to a look at the place--or absence--of nature in recent American fiction.
In Criticism, which begins with "A Review of the Reviews" by Gunther Stent, other scientists and scholars reveal their own experiences and views of Watson's story. There are reviews by Philip Morrison, F. X. S., Richard C. Lewontin, Mary Ellmann, Robert L. Sinsheimer, John Lear, Alex Comfort, Jacob Bronowski, Conrad H. Waddington, Robert K. Merton, Peter M. Medawar, and Andr Lwoff; as well as three letters to the editor of Science by Max F. Perutz, M. H. F. Wilkins, and James D. Watson.
Controversial archaeological and astronomical "discoveries" have been the subject of countless news stories, best-selling books, movies, and television programs. Promoted (but seldom critically evaluated) are the theories that markings in the desert of Peru are the remains of an ancient airfield used by space visitors, that the Great Pyramid of Giza in Egypt exhibits advanced technology unknown to the ancient Egyptians, and that there were near-collisions between planets of our solar system in historical times. This book critically evaluates many of these popular hypotheses about man's early history. It presents the most important evidence and arguments for and against theories of a universal flood, the lost continent of Atlantis, mysterious pyramid powers, pre-Columbian voyages to America by ancient Egyptians and Phoenicians, and Velikovsky's cosmic catastrophism. Professor Stiebing stresses the need for careful and objective analysis of the "evidence" used to support radical reconstructions of the past. The book discusses radio-carbon dating, archaeological stratigraphy, textual interpretation, and epigraphy as well as emphasis on the proper use of data provided by geology, astronomy and other sciences. It is written in non-technical language and will appeal to a wide audience.
This essential guide discusses the science of minerals--origin, properties, structure, and classification. Written for the layman and scientist, followed by a description of the properties and characteristics of each rock and mineral.
Hailed by The New York Times as a book that must be read to understand the first thing about the role of oil in modern history, Yergin's bestselling Pulitzer Prize-winner has been made into an exciting 8-part miniseries to air on PBS in January 1993. 32 pages of photos.
Then came the Renaissance and with it Copernicus, Galileo, Kepler, Huygens, and Newton: giants who courageously remade the world into an earth which actually moves 100,000 feet a second while revolving 1,000 miles an hour around an object 93,000,000 miles away. And yet birds perch unruffled and an apple will fall straight down.
All of this we think we know. But how well do we know it? In the twenty-five years since its first publication, The Birth of a New Physics has become a classic in the history of science. Here expanded by more than one-third and fully updated, it not only offers us the best account of the greatest scientific revolution but also tells us how we can know we live in a dynamic universe.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.
