Called the "fifth-most important sociological book of the 20th century" by the International Sociological Association, this groundbreaking study of knowledge introduces the concept of "social construction" into the social sciences for the first time. In it, Berger and Luckmann reformulate the task of the sociological subdicipline that, since Max Scheler, has been known as the sociology of knowledge.
In this highly original work, Robert Nozick develops new views on philosophy's central topics and weaves them into a unified philosophical perspective. It is many years since a major work in English has ranged so widely over philosophy's fundamental concerns: the identity of the self, knowledge and skepticism, free will, the question of why there is something rather than nothing, the foundations of ethics, the meaning of life.
Writing in a distinctive and personal philosophical voice, Mr. Nozick presents a new mode of philosophizing. In place of the usual semi-coercive philosophical goals of proof, of forcing people to accept conclusions, this book seeks philosophical explanations and understanding, and thereby stays truer to the original motivations for being interested in philosophy.
Combining new concepts, daring hypotheses, rigorous reasoning, and playful exploration, the book exemplifies how philosophy can be part of the humanities.
The great philosopher's major work on ethics, along with Ecce Homo, Nietzche's remarkable review of his life and works. On the Genealogy of Morals (1887) shows him using philsophy, psychology, and classical philology in an effort to give new direction to an ancient discipline.
The work consists of three essays. The first contrasts master morality and slave morality and indicates how the term "good" has widely different meanings in each. The second inquiry deals with guilt and the bad conscience; the third with ascetic ideals--not only in religion but also in the academy.
Ecce Homo, written in 1898 and first published posthumously in 1908, is Nietzsche's review of his life and works. It contains chapters on all the books he himself published. His interpretations are as fascinating as they are invaluable. Nothing Nietzsche wrote is more stunning stylistically or as a human document.
Walter Kaufmann's masterful translations are faithful of the word and spirit of Nietzsche, and his running footnote commentaries on both books are more comprehensive than those in his other Nietzsche translations because these tow works have been so widely misunderstood.
Writing in the fourth century B.C., in an Athens that had suffered a humiliating defeat in the Peloponnesian War, Plato formulated questions that have haunted the moral, religious, and political imagination of the West for more than 2,000 years: what is virtue? How should we love? What constitutes a good society? Is there a soul that outlasts the body and a truth that transcends appearance? What do we know and how do we know it? Plato's inquiries were all the more resonant because he couched them in the form of dramatic and often highly comic dialogues, whose principal personage was the ironic, teasing, and relentlessly searching philosopher Socrates.
In this splendid collection, Scott Buchanan brings together the most important of Plato's dialogues, including Protagoras, The Symposium, with its barbed conjectures about the relation between love and madness, Phaedo and The Republic, his monumental work of political philosophy. Buchanan's learned and engaging introduction allows us to see Plato both as a commentator on his society and as a shaper of the societies that followed, who bequeathed to us a hunger for the ideal as well as a redeeming habit of humane skepticism.
It was the invention and dissemination of alphabetic literacy some twenty-six hundred years ago that produced the Enlightenment that became our philosophical tradition. Descartes consolidated in his mind-body dualism the values and images of literacy that Western intellectuals embraced. But literacy was not without price, according to William H. Poteat: in a world of printed words and discarnate readers, nihilism and cultural insanity reign.
Poteat strikes through the veil of our literate imaginations to an archaic but still active reality that antedates literacy--the intractable and substantial actuality of the lively words we speak and hear spoken. In the medium of printed words he seeks the philosophic import of our ongoing oral/aural life, which has been obscured and denigrated by the images and values we have learned as readers. By every available rhetorical strategy, therefore, this must be an anti-book. It must strive to defeat our centuries-old habituation to the book as spectacle, in order that we may be brought to dwell in the immediacies of our lively selves in the world, as we do in our oral/aural life.
A Philosophical Daybook: Post-Critical Investigations sets out to induce a radical and irreversible transformation in the way we apprehend the world and our being in it. With journal entries written over fifteen months, Poteat attempts the impossible. In a world threatened by our own false conception of our nature and our place in the world, Poteat--by a feat of philosophical archaeology--seeks, still intact within ourselves, the ground for a new philosophy of the human.
This sharply intelligent, consistently provocative book takes the reader on an astonishing, thought-provoking voyage into the realm of delightful uncertainty--a world of paradox in which logical argument leads to contradiction and common sense is seemingly rendered irrelevant.
Two representative and important works in one volume by one of the greatest German philosophers.The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book.