Since the 1994 uprisings in the Mexican state of Chiapas, the spokesman of the Zapatista Army of National Liberation, a masked rebel who calls himself Subcomandante Marcos, has become a symbol of revolt in the post-cold war era. Here are the words of Marcos, words that recast Mexican politics and revived rebel imaginations everywhere. They look back to the traditions of Indian resistance and the dormant ideals of the Mexican revolution; they look forward to political strategies, styles, and theories that challenge the dominance of capitalism.
The Introduction by John Ross situates the Zapatistas in the context of Mexican history and the Afterword by Frank Bardacke discusses their language and politics, as well as their meaning for the U.S. left. This edition also includes an "exclusive" prologue by Subcomandante Marcos and his speech to the Zapatista's August 1994 national convention.
This concise anthology presents a broad selection of writings by the world's leading revolutionary figures. Spanning three centuries, the works include such milestone documents as the Declaration of Independence (1776), the Declaration of the Rights of Man (1789), and the Communist Manifesto (1848). It also features writings by the Russian revolutionaries Lenin and Trotsky; Marat and Danton of the French Revolution; and selections by Jean-Jacques Rousseau, Emma Goldman, Mohandas Gandhi, Mao Zedong, and other leading figures in revolutionary thought.
An essential collection for anyone interested in the issues, ideas, and history of the major revolutions of modern times, this book will prove an enlightening companion to students of this genre. Includes a selection from the Common Core State Standards Initiative: The Declaration of Independence.
Varieties of Progressivism in America focuses on the debates within the party of progress about how best to increase opportunity in America and to make social and political life more egalitarian. The contributors to this volume offer different expertise and varying perspectives as they examine the Old Democrats of the New Deal, the contributions of the Clinton-era New Democrats, and the future of progressivism in America.
Through brilliant portraits of real persons who created the myths and realities of the 1930s, the Pulitzer Prize-winning journalist Murray Kempton brings that turbulent decade to life. Himself a child of the time, Kempton examines with the insight and imagination of a novelist the men and women who embraced, grappled with, and in many cases were destroyed by the myth of revolution. What he calls the "ruins and monuments of the Thirties" include Paul Robeson, Alger Hiss, and Whittaker Chambers, the Hollywood Ten, the rebel women Elizabeth Bentley and Mary Heaton Vorse, and the labor leaders Walter Reuther and Joe Curran.
In Fixed Ideas Joan Didion describes how, since September 11, 2001, there has been a determined effort by the administration to promote an imperial America--a "New Unilateralism"--and how, in many parts of America, there is now a "disconnect" between the government and citizens.
" Americans] recognized even then immediately after 9/11], with flames still visible in lower Manhattan, that the words 'bipartisanship' and 'national unity' had come to mean acquiescence to the administration's preexisting agenda--for example the imperative for further tax cuts, the necessity for Arctic drilling, the systematic elimination of regulatory and union protections, even the funding for the missile shield."
Frank Rich in his preface notes: "The reassuring point of the fixed ideas was to suppress other ideas that might prompt questions or fears about either the logic or hidden political agendas of those conducting what CNN branded as 'America's New War.'"
He adds, "This White House is famously secretive and on-message, but its skills go beyond that. It knows the power of narrative, especially a single narrative with clear-cut heroes and evildoers, and it knows how to drown out any distracting subplots before they undermine the main story."
Book and cover design by Milton Glaser, Inc.
In 1892, Alexander Berkman, Russian migr , anarchist, and lover of Emma Goldman, attempted to assassinate industrialist Henry Clay Frick. The act was intended both as retribution for the massacre of workers in the Homestead strike and as an incitement to revolution. Captured and sentenced to serve a prison term of twenty-two years, Berkman struggled to make sense of the shadowy and brutalized world of the prison--one that hardly conformed to revolutionary expectation.
In this biography Francis Wheen for the first time presents Marx the man in all his fiery brilliance and frailty: as a Prussian Jew who became a middle-class English gentleman; as an angry agitator who spent much of his adult life in scholarly silence in the British Museum Reading Room; as a gregarious and convivial host who none the less fell out with almost all his friends; as a devoted family man who impregnated his housemaid; as a deeply earnest thinker who loved drink, cigars and jokes; and as a prodigal son to whom his mother said, 'I wish you would make some capital instead of just writing about it.'
Karl Marx emerges here as a flamboyantly unmistakable individual, not the stony head of a monolithic, faceless organisation.
Chicano history, from the early decades of the twentieth century up to the present, cannot be explained without reference to the determined interventions of the Mexican government, asserts Gilbert G. Gonzalez. In this pathfinding study, he offers convincing evidence that Mexico aimed at nothing less than developing a loyal and politically dependent emigrant community among Mexican Americans, which would serve and replicate Mexico's political and economic subordination to the United States.
Gonzalez centers his study around four major agricultural workers' strikes in Depression-era California. Drawing on a wide variety of sources, he documents how Mexican consuls worked with U.S. growers to break the strikes, undermining militants within union ranks and, in one case, successfully setting up a grower-approved union. Moreover, Gonzalez demonstrates that the Mexican government's intervention in the Chicano community did not end after the New Deal; rather, it continued as the Bracero Program of the 1940s and 1950s, as a patron of Chicano civil rights causes in the 1960s and 1970s, and as a prominent voice in the debates over NAFTA in the late 1980s and early 1990s.
Jessica Mitford, the great muckraking journalist, was part of a legendary English aristocratic family. Her sisters included Nancy, doyenne of the 1920s London smart set and a noted novelist and biographer; Diana, wife to the English fascist chief Sir Oswald Mosley; Unity, who fell head over in heels in love with Hitler; and Deborah, later the Duchess of Devonshire. Jessica swung left and moved to America, where she took part in the civil rights movement and wrote her classic expos of the undertaking business, The American Way of Death.Hons and Rebels is the hugely entertaining tale of Mitford's upbringing, which was, as she dryly remarks, "not exactly conventional. . . Debo spent silent hours in the chicken house learning to do an exact imitation of the look of pained concentration that comes over a hen's face when it is laying an egg. . . . Unity and I made up a complete language called Boudledidge, unintelligible to any but ourselves, in which we translated various dirty songs (for safe singing in front of the grown-ups)." But Mitford found her family's world as smothering as it was singular and, determined to escape it, she eloped with Esmond Romilly, Churchill's nephew, to go fight in the Spanish Civil War. The ensuing scandal, in which a British destroyer was dispatched to recover the two truants, inspires some of Mitford's funniest, and most pointed, pages.
A family portrait, a tale of youthful folly and high-spirited adventure, a study in social history, a love story, Hons and Rebels is a delightful contribution to the autobiographer's art.