A distinguished psychiatrist from Martinique who took part in the Algerian Nationalist Movement, Frantz Fanon was one of the most important theorists of revolutionary struggle, colonialism, and racial difference in history. Fanon s masterwork is a classic alongside Edward Said s Orientalism or The Autobiography of Malcolm X, and it is now available in a new translation that updates its language for a new generation of readers. The Wretched of the Earth is a brilliant analysis of the psychology of the colonized and their path to liberation. Bearing singular insight into the rage and frustration of colonized peoples, and the role of violence in effecting historical change, the book incisively attacks the twin perils of postindependence colonial politics: the disenfranchisement of the masses by the elites on the one hand, and intertribal and interfaith animosities on the other. Fanon s analysis, a veritable handbook of social reorganization for leaders of emerging nations, has been reflected all too clearly in the corruption and violence that has plagued present-day Africa. The Wretched of the Earth has had a major impact on civil rights, anticolonialism, and black consciousness movements around the world, and this bold new translation by Richard Philcox reaffirms it as a landmark."
"The intellectual lodestone for the international Left since 1964."
Socialist Register 2001 examines the concept and the reality of class as it affects workers at the beginning of the twenty-first century. Theoretical contributions explore today's old and new working classes, workers "north" and "south," peasants and workers, gender and the working class, as well as migrant and knowledge workers. Other essays examine critically important regional experiences in East Asia, India, South Africa, Brazil, Iran, Russia, Europe and North America.
Contributions include: Giovanni Arrighi, Beverly Silver, Henry Bernstein, Peter Kwong, Eric Mann, Ursula Huws, Andree Levesque, Pat & Hugh Armstrong, Rosemary, Brigitte Young, Rohini Banaji, Gerard Greenfield, Barbara Harriss-White & Nandini Gooptu, Patrick Bond, Darlene Miller, Greg Ruiter, Huw Beynon & Jose Ramalho, Justin Paulson, Haideh Moghissi, Saeed Rahnema, David Mandel, Michael Goldfield, and Steve Jeffreys.
Jessica Mitford, the great muckraking journalist, was part of a legendary English aristocratic family. Her sisters included Nancy, doyenne of the 1920s London smart set and a noted novelist and biographer; Diana, wife to the English fascist chief Sir Oswald Mosley; Unity, who fell head over in heels in love with Hitler; and Deborah, later the Duchess of Devonshire. Jessica swung left and moved to America, where she took part in the civil rights movement and wrote her classic expos of the undertaking business, The American Way of Death.Hons and Rebels is the hugely entertaining tale of Mitford's upbringing, which was, as she dryly remarks, "not exactly conventional. . . Debo spent silent hours in the chicken house learning to do an exact imitation of the look of pained concentration that comes over a hen's face when it is laying an egg. . . . Unity and I made up a complete language called Boudledidge, unintelligible to any but ourselves, in which we translated various dirty songs (for safe singing in front of the grown-ups)." But Mitford found her family's world as smothering as it was singular and, determined to escape it, she eloped with Esmond Romilly, Churchill's nephew, to go fight in the Spanish Civil War. The ensuing scandal, in which a British destroyer was dispatched to recover the two truants, inspires some of Mitford's funniest, and most pointed, pages.
A family portrait, a tale of youthful folly and high-spirited adventure, a study in social history, a love story, Hons and Rebels is a delightful contribution to the autobiographer's art.
From its beginnings in the 1930s, the critical theory of the so-called Frankfurt School has refused to situate itself within any arbitrary or conventional academic divisions. Traversing and undermining boundaries between competing disciplines, it stresses interconnections among philosophy, economics and politics, culture and society.
In Critical Theory, Marxism, and Modernity Douglas Kellner sets out the fundamental ideas and arguments of critical theory as they relate to the central issues in radical social theory and offers incisive interpretations of the theoretical tradition from its beginnings to the present.
Critical theory began as a Marxian critique of capitalist modernity, Kellner contends, and moved away from orthodox Marxism in response to the events of twentieth-century history. Kellner explores the effects of historical crises of capitalism and Marxism on critical theory and reflects on the continued relevance or obsolescence of Marxism and critical theory. "During the 1960s, many among my generation of New Left radicals turned for theoretical and political guidance to the works of Max Horkheimer, Herbert Marcuse, T.W. Adorno, Erich Fromm, Leo Lowenthal, Frederick Pollock, Jurgen Habermas, and their colleagues, " he writes. "As we move into the 1990s critical theory might help produce theoretical and political perspectives which could be part of a Left Turn that could reanimate the political hopes of the 1960s, while helping overcome and reverse the losses and regression of the 1980s."
"Its theme is political fanaticism, with which it deals severely and brilliantly." --New Yorker
A stevedore on the San Francisco docks in the 1940s, Eric Hoffer wrote philosophical treatises in his spare time while living in the railroad yards. The True Believer--the first and most famous of his books--was made into a bestseller when President Eisenhower cited it during one of the earliest television press conferences.
Called a "brilliant and original inquiry" and "a genuine contribution to our social thought" by Arthur Schlesinger, Jr., this landmark in the field of social psychology is completely relevant and essential for understanding the world today as it delivers a visionary, highly provocative look into the mind of the fanatic and a penetrating study of how an individual becomes one.
This eye-opening collection of documents ranging from the pre-Christian era to the present explores the undeniable power of social, political, and religious dissent throughout history and around the world.
Voices of Protest is an inspiring and comprehensive look at the meaning of protest throughout history, in democratic and nondemocratic societies. It is also a rousing confirmation that individual and community action matters and has great influence.
Collected here are more than 300 documents--essays, letters, newspaper articles, court decisions, song lyrics, poetry, cartoons, and more--that represent seven main categories of protest: Civil Rights; National Self- Determination; Economic Justice; Environmental Conservation; Religious Freedom and Morality; Peace and War; and International Political Freedoms.
A small sampling of the entries includes Seneca Falls Declaration of Women's Rights; Fidel Castro's anti- American writings protesting cultural domination; John Muir's essay "The American Forests"; and Martin Luther King, Jr.'s letter from a Birmingham jail. The editors have framed the documents with concise original commentary that places each selection in a political, historical, and social context.
The Chinese economic miracle is happening despite, not because of, China's 900 million peasants. They are missing from the portraits of booming Shanghai, or Beijing. Many of China's underclass live under a feudalistic system unchanged since the fifteenth century. They are truly the voiceless in modern China. They are also, perhaps, the reason that China will not be able to make the great social and economic leap forward, because if it is to leap it must carry the 900 million with it. Chinese journalists Wu Chuntao and Chen Guidi returned to Wu's home province of Anhui, one of China's poorest, to undertake a three-year survey of what had happened to the peasants there, asking the question: Have the peasants been betrayed by the revolution undertaken in their name by Mao and his successors? The result is a brilliant narrative of life among the 900 million, and a vivid portrait of the petty dictators that run China's villages and counties and the consequences of their bullying despotism on the people they administer. Told principally through four dramatic narratives of paricular Anhui people, Will the Boat Sink the Water? gives voice to the unheard masses and looks beneath the gloss of the new China to find the truth of daily life for its vast population of rural poor.