Commentary on and a concise, lucid interpretation of the opera world's most complex masterwork, expanded from the author's popular intermission talks during Met Opera broadcasts. "Anyone, whether knowledgeable or not, will profit by reading it..." - Opera Quarterly
This volume contains the complete music for solo piano written by Claude Debussy between 1888 and 1905. Beginning with Deux Arabesques (1888), it offers the Suite bergamasque (1890-1905), R verie (1890), Danse (1890), Ballade (1890), Pour le piano (1896-1901), D'un cahier d'esquisses (1903), Extampes (1903), Mazurka (1891), Valse romantique (1890), Masques (1904), L'Isle joyeuse (1904), and the first series of Images (1905): Reflets dans l'eau, Hommage a Rameau, and Mouvement. In each case the music has been reproduced photographically from original or early editions.
This book has been designed to be used at the piano. Noteheads are large and clearly printed: margins and spaces are adequate for written notes, fingerings, and turnovers. It is also most useful, of course, for analysis or simply for listening along with the music.
In this remarkable book, Antony Hopkins shows how the entire orchestra acts as a distinct musical instrument, one which composers have played upon over the centuries to express every mood, from the most sublime to the most frivolous. In so doing, he explains the ways in which a composer's "signature in sound" develops, from the subtly exotic pattern of a Bartok theme to the sensuously evocative chords in Debussy.
Hopkins offers an in-depth look at the origins of the orchestra itself, an evolutionary process that took the better part of two centuries in Europe, yet finds its roots in our ancient past. He begins his discussion in ancient Egypt, Greece, and Rome, moves through the music of medieval Europe, and ultimately reaches a watershed moment in the history of the orchestra as we now know it: the composition of Bach's Brandenburg Concertos in the early eighteenth century. Having introduced the various instruments, explained the development of their groupings, and demonstrated how the blending of their tones led to the orchestral sounds of the modern era, he provides an incisive examination of actual compositions. Expertly guiding readers through representative pieces by Mozart, Schubert, Berlioz, Tchaikovsky, Debussy, and Britten, Hopkins offers a unique and insightful companion for beginning and more seasoned concert-goers alike.
Based on extensive interviews, this illustrated text recounts the lives and music of ragtime pianist-composer Eubie Blake and his partner for 57 years, singer, lyricist and bandleader Noble Sissle.
Plot and counterplot lie at the heart of Don Giovanni, Cos fan tutte, and The Marriage of Figaro, the three brilliant libretti that Lorenzo Da Ponte prepared for Mozart. They were also central to Da Ponte's own extraordinary life. His Memoirs record a fantastic variety of romantic, political, and professional intrigues, and tell of meetings with a host of remarkable men. In a life that took him from the canals of Venice to the streets of New York, Da Ponte was at different times priest, professional gambler, proprietor of a bordello, political agitator, court poet, impresario, grocery store owner, and the first professor of Italian literature at Columbia University. His Memoirs, a minor classic of Italian literature, are the picaresque and engrossing story of a man of enormous talent and unsurpassed flair who was, above all, an indefatigable survivor."I shall speak of things . . . so singular in their oddity as in some manner to instruct, or at least entertain, without wearying." --Lorenzo da Ponte
Full of the color, harmonies, and rhythms of Spanish folk music, this excellent, authoritative compilation of works by Granados features his finest pieces: A la cubana, Op. 36 (In Cuban style); Allegro de concierto, Op. 46 (Concert allegro); Capricho espa ol, Op. 39 (Spanish caprice); Dos danzas espa oles, Op. 37 (Two Spanish dances); Dos Impromptus; El pelele (The puppet); Marche militaire, Op. 38; Moresque y Cancion arabe (Moorish piece and Arabian song); Ochos valses poeticos (Eight poetic waltzes); Seis piezas sobre cantos populares espa oles (Six pieces on Spanish folksongs); and the composer's own transcription of the world-famous Intermezzo from his opera Goyescas.
With this brilliant and uncompromising work -- perhaps the most famous musical work of the twentieth century -- Stravinsky changed the course of modern music forever. Discarding conventional harmonies for bizarrely dissonant chords, and uniform metrics for harshly jarring beat patterns, he created a sensational theater piece that, at the work's 1931 premier, caused the music world's most talked-about riot.
"Every law of musical syntax, every canon of harmony seems to have been violated, every limit of rhythmic perversity and eccentricity of orchestration exceeded in this tumultuous cataclysm of sound," says Grove's; "yet with all its deliberate crudity and violence the 'Rite' is a clearly planned and perfectly controlled and coordinated piece of music that] has long been accepted universally as a masterpiece and is in the repertory of every large symphony orchestra."
Reproduced here from an authoritative edition, the score is ideal for study in the classroom, at home, or in the concert hall. This affordable, durable, and portable volume will be the edition of choice for music students and music lovers alike.
Contents Under Pressure: 30 Years of Rush at Home & Away is a detailed history of the exhaustive road experience of Canadian rock icons Rush. Celebrating the band's 30th anniversary, By-Tour features in-depth original interviews with Geddy Lee, Alex Lifeson, and Neil Peart. Together, history's loudest Order of Canada recipients conjure the sights and sounds of their strange journey: one that began in the microscopic, sometimes hostile clubs of Ontario and culminated in hockey barns, arenas, and stadiums all over the world. Rush have been headliners for over 20 years. The announcement of an impending Rush tour is major entertainment news all over the world, and a cause for celebration for the fanatical following the band has created with their grace, humour, intellect, focus, and spellbinding musicianship. A visitor to this book will be justly rewarded with fresh, exclusive insights about this enigmatic Canadian institution.
English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. Rossini is one of the great operatic composers, an innovator within the whole concept of what was appropriate for serious as well as comic opera. "Moses" is a score which he revised for Paris, ten years after it had been composed for Naples; the result shows the evolution of his dramatic taste over a crucial decade--from the neo-classical sublime to spectacular Romantic grand opera. "The Barber" has been a consistent favorite with the public and performers since it opened, and Marco Spada analyses how its stylish comedy has been misunderstood. Other essays throw light on the working conditions of the opera industry in Rossini's Italy, on Balzac's delightful novel concerning "Moses" and on the exceptional challenge of performing this type of music to a high standard.