The fascinating memoir of the 2004 Grammy-winning composer bases each chapter around a different composition and describes the memory of the life events each piece conjures up, detailing the inspiration and research that went into the creation of each work.
Richard Strauss' successful conducting and composing career spanned one of the most fascinating stretches of modern German history, from oil lamps to atomic energy, from a young empire to a divided Germany. This biography covers Strauss' early musical development, his emergence as a tone poet in the late nineteenth century, his turn to the stage at the beginning of the twentieth century, the successes and misfires of the post-World War I era, the turbulent 1930s, and the period of the Second World War and its aftermath.
With this brilliant and uncompromising work -- perhaps the most famous musical work of the twentieth century -- Stravinsky changed the course of modern music forever. Discarding conventional harmonies for bizarrely dissonant chords, and uniform metrics for harshly jarring beat patterns, he created a sensational theater piece that, at the work's 1931 premier, caused the music world's most talked-about riot.
"Every law of musical syntax, every canon of harmony seems to have been violated, every limit of rhythmic perversity and eccentricity of orchestration exceeded in this tumultuous cataclysm of sound," says Grove's; "yet with all its deliberate crudity and violence the 'Rite' is a clearly planned and perfectly controlled and coordinated piece of music that] has long been accepted universally as a masterpiece and is in the repertory of every large symphony orchestra."
Reproduced here from an authoritative edition, the score is ideal for study in the classroom, at home, or in the concert hall. This affordable, durable, and portable volume will be the edition of choice for music students and music lovers alike.
This handsome new reference is an encyclopedic record of Western music from the Middle Ages to the present day. With a lively text and copious illustrations, each volume is a complete survey of the period it covers; together the four volumes present a history of Western music as a whole. Written by renowned musical authorities, Heritage of Music is meant for everyone who enjoys music.
From oratorios to computer composition, the cultural climate of each period's music is carefully delineated. Pertinent illustrations, integrated with the text, amplify and complement it. Entire chapters are devoted to each of the best known musicians of each period, with detailed histories of their lives and work, and astute commentary about how their music related to their personalities.
A consistent approach is used in each volume. After a general introduction the chapters cover the main musical developments and personalities of the time. Between these, at appropriate points, each volume contains "interludes": short sections that give in-depth treatment of topics not covered in the chapters, including aspects of music history, the keyboard, the orchestra, opera houses, and more.
Authoritative, comprehensive, and profusely illustrated in both color and black and white, Heritage of Music is that rare musical reference, of interest to the specialist and casual listener alike.
In Heritage of Music you will find:
* Comprehensive coverage of Western Music from the Middle Ages to the present
* Entire chapters devoted to each of the most important composers of each period
* Illustrations throughout, with art from each musical period presented parallel to the subject matter in order to amplify and complement the text
* Special "Interludes" between chapters that offer cogent commentary and descriptive information related to--but not covered by--the chapters
* An illustrated biographical dictionary of composers of the period at the end of each volume
* A full index to each volume, and a cumulative index at the end of Volume IV for fast and easy access to information in all four volumes
* A handsome format (8 1/2 x 11) with approximately 225 color and 300 black and white illustrations in each volume
"Vol 1 Classical Musical & its Orgins, Vol 2 The Romantic Era, Vol 3 The Nineteenth Century Legacy, Vol 4 Music in the Twentieth Century. Overall edge wear, some larger tears to dj's, a tad age toning at book edges but still a most serviceable reference.
In this remarkable book, Antony Hopkins shows how the entire orchestra acts as a distinct musical instrument, one which composers have played upon over the centuries to express every mood, from the most sublime to the most frivolous. In so doing, he explains the ways in which a composer's "signature in sound" develops, from the subtly exotic pattern of a Bartok theme to the sensuously evocative chords in Debussy.
Hopkins offers an in-depth look at the origins of the orchestra itself, an evolutionary process that took the better part of two centuries in Europe, yet finds its roots in our ancient past. He begins his discussion in ancient Egypt, Greece, and Rome, moves through the music of medieval Europe, and ultimately reaches a watershed moment in the history of the orchestra as we now know it: the composition of Bach's Brandenburg Concertos in the early eighteenth century. Having introduced the various instruments, explained the development of their groupings, and demonstrated how the blending of their tones led to the orchestral sounds of the modern era, he provides an incisive examination of actual compositions. Expertly guiding readers through representative pieces by Mozart, Schubert, Berlioz, Tchaikovsky, Debussy, and Britten, Hopkins offers a unique and insightful companion for beginning and more seasoned concert-goers alike.
The English National Opera Guides were originally conceived in partnership with the English National Opera and edited by Nicholas John, the ENO's dramaturg, who died tragically in an accident in the Alps. Most of the guides are devoted to a single opera, which is described in detail--with many articles that cover its history and information about the composer and his times. The complete libretto is included in both the original language and in a modern singing translation--except where the opera was written in English. Each has a thematic guide to the most important musical themes in musical notation and each guide is lavishly illustrated. They also contain a bibliography and a discography which is updated at each reprint. The ENO guides are widely regarded as the best series of their kind and excellent value.
Commentary on and a concise, lucid interpretation of the opera world's most complex masterwork, expanded from the author's popular intermission talks during Met Opera broadcasts. "Anyone, whether knowledgeable or not, will profit by reading it..." - Opera Quarterly
Fr d ric Chopin did not attempt to preserve definitive versions of his compositions because he disliked the labor of writing down notes. Improvising his performances at will, he never played a piece the same way twice. As a result, there are numerous texts of any single Chopin work and the editions of these texts have more editorial improvisation than do the texts of most composers. One of the most respected editions was prepared by Carl Mikuli, Chopin's student and, later, his teaching assistant, who was in a particularly privileged and advantageous position to take into account all that the master brought to his playing and teaching. His editorial contributions to this volume reflect his understanding of the principles that underly this body of work, imparted to him in word and deed by the composer.
The 20 nocturnes reproduced here include Opp. 9, 15, 27, 32, 37, 48, 55, 62, 72, and the posthumous Nocturne in C-sharp Minor. The 11 polonaises include Opp. 26, 40, 44, 53, 61,71, and the posthumous Polonaise in G-sharp Minor.
Serious pianists will want to have these authoritative texts of 31 of Chopin's most popular and enduring works.
Mozart is the archetypal child prodigy whose genius triumphed over precociousness, and who later broke away from a loving but tyrannical father to pursue his vision unhampered. Peter Gay traces the development of the man and the composer who pushed every genre - especially opera - into new realms.
Full of the color, harmonies, and rhythms of Spanish folk music, this excellent, authoritative compilation of works by Granados features his finest pieces: A la cubana, Op. 36 (In Cuban style); Allegro de concierto, Op. 46 (Concert allegro); Capricho espa ol, Op. 39 (Spanish caprice); Dos danzas espa oles, Op. 37 (Two Spanish dances); Dos Impromptus; El pelele (The puppet); Marche militaire, Op. 38; Moresque y Cancion arabe (Moorish piece and Arabian song); Ochos valses poeticos (Eight poetic waltzes); Seis piezas sobre cantos populares espa oles (Six pieces on Spanish folksongs); and the composer's own transcription of the world-famous Intermezzo from his opera Goyescas.