Warning: This book will make you want to include a fireplace or stove in almost every room in your home, and the yard too The beauty, alluring warmth, and technological ease and cleanliness of today's hearth products make having a fire faster, easier, safer, and more enticing than ever. This book illustrates the allure, with more than 400 gorgeous color images. It's easy to find your style, visiting hundreds of homes and experiencing the way that they have incorporated fire spaces into their living spaces. There has never been a book like this, with so many wonderful images of fireplaces and stoves. Most are shown within room settings, helping you to envision a fireplace as part of your overall decor. Plus, there's an enormous gallery of close-up images showing fireplace and stove details. You'll have trouble choosing just one
In the spring of 2012, the Department of Architecture at The University of Hong Kong conducted a series of Research and Design (R&D) studios within its Master of Architecture Program. One of the R&D topics, led by Mr. Anderson Lee, was to study and examine the potential role and development of a historical building in the heart of Hong Kong: The Old Wan Chai Police Station and Married Quarters. The students were asked to address issues ranging from public space in contemporary cities to heritage conservation, from design and building technology to sustainable planning. This book presents the recorded research and subsequent design proposals; however, they are by no means the final conclusion on such a complex topic. In the studio, which lasted only 12 weeks, the students tried to identify: issues of scales that inform and affect architectural decision-making; the role of stakeholders pertaining to development; the urban and economic forces that shape the morphology of the urban fabrics; a way to integrate new programmatic elements within the existing urban fabrics; and to design a mixed-used project on a constrained site with a given formal and tectonic logic. The Old Wan Chai Police Station and Married Quarters remains largely uninhabited and its future is yet to be determined. Under the current political climate in Hong Kong, it is almost certain that this piece of colonial past will sit idle for a few more years...
This landmark volume documents the stunning work of Guy Peterson, who has spent his life pursuing and developing a rich architectural vision carefully tuned to the demands and opportunities afforded by the unique features of Florida and his design-by-removal process that has produced some of America's greatest coastal architecture. The landscape of Florida and its subtropical climate presents any architect with many challenges to overcome while maintaining its rich building traditions. Guy Peterson, by his own example, has recaptured and redirected efforts toward an authentic Florida architecture. This book details the unique process by which Guy Peterson begins with the basics of climate, program, volume, and proportion and creates buildings of simplicity and power. The architecture showcased here is made from simple materials carefully employed to accomodate function, sculp space, and capture light. Architecture that proves again and again that simplicity is the most powerful generator of architectural form. His is a naked architecture.
Each book begins with this statement: This is one in a series of books, each of which tells the story of a single building. It is our hope that as these books accumulate alongside our body of work, they, in their aggregate, will form a profile of our design intentions. Acting as a "profile" of a building as well as contributing to the "profile" of Ennead Architects, each book employs initial program studies, schematic sketches, early two- and three-dimensional study models, construction shots, final photography and a personal statement by the designer to present an intimate, insider's view of the creative process. A supplementary piece written by a critic, historian or client or a "found" text that relates to the designer's aspirations or building's program, site, function is typically included. The photographic narrative combines the precision and technical virtuosity of classic architectural photography with more lyrical and personal interpretations of the building, its context and the people who use it.The buildings featured in each volume include: Weill Cornell Medicine Weill Greenberg Center, Belfer Research Building, The Zucker Hillside Hospital Inpatient Care Center, and Stanford University Bing Concert Hall.
A selected, fully open, and deep assemblage, that carries the explicit intent of outlining, conceptual and practical verifications, on critical views and specific projects, concerning the actual architecture in the Latin American territory.The book intends to communicate a targeted objective, to circumscribe a segment, a series of observations and actions in architecture. However, it is a selected, fully open, and deep fragment, outlining conceptual and practical verifications on critical views and concrete projects, concerning the actual, extensive world of architecture in the Latin American territory, and in the first years of the new century. It is a sequence of topical segments organized as an unsystematic series and through a number of different projects in each case: the single family house; searches on bigger scales; poetical structures; topics under consideration; a look over laboratories; terrain, landscape and topography; covering folk factors; and the volumetric reasoning and physical features. A selected and deep assemblage of the current architecture in the Latin American territory.
"Body of Clay, Soul of Fire" will delight art lovers, potters, and collectors, as well as everyone who is interested in Japanese and Benedictine traditions.
Richard Bresnahan is a preeminent American potter and an ambassador for the natural environment. Reared on a farm in North Dakota, he graduated from Saint John's University in Collegeville, Minnesota, and apprenticed as a potter in Japan. Returning to Saint John's, where he is an artist in residence, he built a massive wood-burning kiln, which, with its innovative flame flues and water channels, dwarfs all other North American kilns. By digging his own clay, using local seeds and hulls as glazing materials, and firing with deadfall, Bresnahan also practices a brand of environmentalism worthy of his Benedictine surroundings.
Over the past two decades, James Corner has reinvented the field of landscape architecture. His highly influential writings of the 1990s--included in our bestselling Recovering Landscape--together with a post-millennial series of built projects, such as New York's celebrated High Line, prove that the best way to address the problems facing our cities is to embrace their industrial past. Collecting Corner's written scholarship from the early 1990s through 2010, The Landscape Imagination addresses critical issues in landscape architecture and reflects on how his writings have informed the built work of his thriving New York- based practice, Field Operations.
Architectural competitions act as a tool for enhancing a design and selecting planning partners. The quality of urban development, high-rise buildings and open spaces is thus sustainably improved. Nevertheless, this planning and awarding tool is repeatedly scrutinized. Twenty-five international projects from 2009 to 2015 presented in this volume shed light on design methods and techniques employed by internationally renowned architects. The collection is supplemented by explanations of technical and formal criteria regarding the presentation of competition entries and addresses expenditure issues in relation to prize money and architects' fees. This manual not only includes an essay on the history of architectural drawings submitted in competitions, but also presents theses and guest contributions by judges and entrants. These address the importance of competition designs in relation to panels and diagrams since these hold significant sway over the eventual outcome.
This book looks at the challenges facing architects and urban planners in contemporary society. It analyzes current trends, future scenarios and solutions from the past, providing detailed information on what it means to build in a sustainable, ecologically sound way, whilst making full use of the technology which we now have at our fingertips. Previously available as a hardcover but now out of print, it is being reprinted as a special softcover edition.
At the end of the late 1970s, art theorist and critic Rosalind Krauss had written a seminal text entitled "Sculpture in the Expanded Field," in an attempt to both locate and analyze vanguard sculptural practices of the time such as the work of Richard Serra, Robert Smithson, Mary Miss, and Donald Judd whose practices crossed outside of the limits of traditional sculpture and entered into the realms of architecture and landscape through the production of works that she classified as site constructions, marked sites, earthworks and axiomatic structures. Over the past three decades, the boundaries between art and architecture have continued to blur, giving rise to a series of works known as installations whose conceptual, spatial and material trajectories have generated a new and expanding network of relations between the domains of architecture, interiors, sculpture and landscape. At the same time, the range of institutional venues advancing architectural installation practices, such as the PS1 program spawned by the MoMA in New York, the Serpentine Gallery's annual architectural pavilion in London and the Art and Architectural Biennale's in Venice, have provided platforms to intensify the production and reach of contemporary installations. Installations have not only contributed to the advancement of architectural research but have also enabled the redefinition and progressive development of architecture's disciplinary territory allowing architects to explore spatial and tectonic ideas, experiment with emerging technological strategies, and distill perceptual and experiential conditions without the limitations traditionally imposed by the permanence and utility of building. Following the legacy of Rosalind Krauss, EXPANDED FIELD: Installation Architecture Beyond Art by Ila Berman and Douglas Burnham explores the realm of art and architecture across a broad terrain of installation practices, revealing a critical territory that, despite its exuberant proliferation, has been historically defined as a negativity: the progeny of that which is both not-architecture and not-art. Within this book, a wide range of art and architectural works are positioned and mapped as constellations within a newly expanded field suspended between Architecture, Interiors, Sculpture, and Landscape. These four terms are the initial reference points used to elaborate a more extensive taxonomical framework defining twelve distinct territories where the analytical drawings and photographic indexes of seventy-five installation projects are situated. The expanded field diagram is a conceptual framework that operates on many levels. It acts as a lens through which to theorize and classify the trajectories of current installation practices and serves as an infrastructure to organize the content of the book. Along the trajectory from interiors to sculpture, for example, one finds the immersive chromatic environments of Carlos Cruz-Diez, the thermal and radiant atmospheres of Philippe Rahm, the intensely graphic patterned surfaces of J rgen Mayer and Yayoi Kusama, and the interactive mediated light landscapes of Ryoji Ikeda and Julio Le Parc. These are installations intent on foregrounding immersive atmospheric spaces rather than sculptural objects and that collectively define Chromatic/Graphic Immersion, one of the twelve typologies through which the book is organized. Along the path from interiors toward landscape, are situated a different series of installation projects including the undulating orange strata of Bamscape and the pink spongy terrain of Mute Room, two works by Thom Faulders both of which redefine ground as a programmed surface and occupiable topography. These qualities of landscape then merge with the architectonic in the thickened geology of Rip Curl Canyon by Ball-Nogues, the artificial Dunescape by SHoP and the cellular topography of Voromuro developed for the ICA in Boston by Office dA. Based on an exhibition at the Wattis Institute of Contemporary Art, the book EXPANDED FIELD guides one through the world of contemporary installation practice through drawings, images and text that simultaneously expose the techniques through which architects describe and analyze spatial production while providing a context for installation art and architecture that supports both its didactic understanding and immersive experience.