This book presents the work and the advanced studios of Gregg Pasquarelli in "Versioning 6.0," Galia Solomonoff in "Brooklyn Civic Space," and Mario Gooden in "Global Typologies. It features interviews and the work of the architects along with their studio projects.
The Architecture of the United States, GE Kidder Smith's 1981 three-volume masterwork, was hailed as the most comprehensive and insightful overview of the architectural heritage of this country. Princeton Architectural Press is proud to introduce an updated version of this extraordinary resource-long out of print-in a single volume, the Source Book of American Architecture. No similar encyclopedia of American architecture exists. Kidder Smith examines our nation's architecture from its earliest days to the present, ranging from cliff dwellings in Mesa Verde to Frank Lloyd Wright's Robie House in Chicago to James Ingo Freed's Holocaust Museum in Washington. This critical, chronological survey of 500 of America's most distinguished buildings provides a unique overview of the thousand-year architectural development of the United States. Indispensable in the library, it also serves as a splendid guide for the tourist.
In this handbook on successful hotel planning, the authors present an in-depth planning aid for the design and construction of hotel property. In doing so, the requirements of both hotel operators and planners are considered simultaneously. Hotel Buildings is addressed to architects, interior designers, project managers, as well as project developers, property developers, and hotel operators. Having implemented their own
hotel projects, the authors are experts on this building typology. On more than 300 pages they provide valuable advice on avoiding typical planning errors. Accompanied by detailed drawings and explanations, this book is a true asset.
> Checklists for planning
> Functional diagrams and floor space requirements
> Approaches for cost optimisation
> Requirements for safety and hazard management
> Glossary and keyword index
> Trilingual lexicon on hotel planning
With the birth of the steel-frame skyscraper in the late nineteenth century came a new breed of man, as bold and untamed as any this country had ever known. These "cowboys of the skies," as one journalist called them, were the structural ironworkers who walked steel beams -- no wider, often, than the face of a hardcover book -- hundreds of feet above ground, to raise the soaring towers and vaulting bridges that so abruptly transformed America in the twentieth century.
Many early ironworkers were former sailors, new Americans of Irish and Scandinavian descent accustomed to climbing tall ships' masts and schooled in the arts of rigging. Others came from a small Mohawk Indian reservation on the banks of the St. Lawrence River or from a constellation of seaside towns in Newfoundland. What all had in common were fortitude, courage, and a short life expectancy. "We do not die," went an early ironworkers' motto. "We are killed."
High Steel is the stirring epic of these men and of the icons they built -- and are building still. Shifting between past and present, Jim Rasenberger travels back to the earliest iron bridges and buildings of the nineteenth century; to the triumph of the Brooklyn Bridge and the 1907 tragedy of the Quebec Bridge, where seventy-five ironworkers, including thirty-three Mohawks, lost their lives in an instant; through New York's skyscraper boom of the late 1920s, when ironworkers were hailed as "industrial age heroes." All the while, Rasenberger documents the lives of several contempor-ary ironworkers raising steel on a twenty-first-century skyscraper, the Time Warner building in New York City.
This is a fast-paced, bare-knuckled portrait of vivid personalities, containing episodes of startling violence (as when ironworkers dynamited the Los Angeles Times building in 1910) and exhilarating adventure. In the end, High Steel is also a moving account of brotherhood and family. Many of those working in the trade today descend from multigenerational dynasties of ironworkers. As they walk steel, they follow in the footsteps of their fathers, grandfathers, and great-grandfathers.
We've all had the experience of looking at a par-ticularly awe-inspiring bridge or building and wondering, How did they do that? Jim Rasenberger asks -- and answers -- the question behind the question: What sort of person would willingly scale such heights, take such chances, face such danger? The result is a depiction of the American working class as it has seldom appeared in literature: strong, proud, autonomous, enduring, and utterly compelling.
For Bernard Tschumi, "drawing is thinking" and "being with a pieceof paper and a pen does not feel like working. It can be sheer bliss", he writes, "seeing thought materialise itself in front of your eyes through the almost unconscious mediation of your hand. It is a form of notation of the mind." This collection of previously unpublished drawings, diagrams, and other remnants of the architectural process provides new insight into well-known projects like the Parc de la villette and the New Acropolis Museum, as well as tracing a number of unbuilt pr oposals and speculations. Notations (Diagrams & Sequences) offers a unique view into the working process of Bernard Tschumi and his office.
Not satisfied with the new T-shirts on sale at the local mall? Maybe you'd like a wedding invitation that expresses your own vision, not your party planner's? How about some personalized stationery? An upgrade to your website? A business card? A poster for your political campaign? A CD package for your band? Sound good? Then get up off your couch and Design It Yourself Avoid graphic identity theft: build your own. Ellen Lupton, bestselling author of Thinking with Type, will show you how.
DIY: Design It Yourself, provides you with all the tools you'll need to create your own projects, from conception through production. Here you will find:
- simple ideas on how you can "think like a designer"
- clear and coherent explanations of design technologies, from silk-screening to web development
- what materials you'll need to get your job done
- where to find and buy them
- how much time and experience your project demands
- diagrams that show how to handle complex tasks
- basic typographic dos and don'ts
- the history and theory of the DIY design movement
- hundreds of innovative and beautiful projects for inspiration
No more excuses. With this book, virtually any design task is within your grasp. Just do it (yourself)
Aimed at current bachelor students, recent graduates, and professionals looking for a specialization, Masterclass Product Design provides an in-depth overview of 30 leading design schools from all over the world that offer a master's degree in product design.
The featured schools are selected based on a list of criteria including the quality of the graduation work, the employability and success of former students, the list of faculty, and their reputation in the design industry. Each school is explored extensively on ten pages that contain an introduction by the dean, photographs of the school's interior and exterior, a description of the course, application details and requirements, recent graduation work photography, student demographics, faculty and alumni lists, an interview with a successful alumnus, information about the school's location regarding housing, transportation, and the cultural scene, and more.
All this information results in a very clear impression of what the selected schools have to offer on every thinkable front that is relevant to the potential student. A world map, indicating the demographic spread of included schools, a comparison table, and a notebook section for the students' own research complete this guide.
The allure of mobile, portable architecture is worldwide and centuries old. From the desert tents of the Bedouin to thesilvery capsules of the Airstream trailer, mobile architecture has inspired designers with its singular characteristics of lightness, transience, and practicality. In More Mobile, the follow-up to her groundbreaking 2002 book Mobile, Jennifer Siegal explores the ever-growing range of possibilities of portable, demountable structures. From serious Refuge Wear to the playful Bar Rectum and the practical Kunsthallen, More Mobile explores the working methods and finished work of the most exciting contemporary designers and presents today's most dynamic, active mobile structures in beautiful color images, detailed drawings, and thoughtful text. Contributors include Studio-Orta, Dr Wapenaar, Andrea Zittel, Andrew Maynard, Andreas Vogler, Horden Cherry Lee Architects, N55, Atelier Bow-Wow, Mark Fisher Studio, MMW, LOT-EK, and the Office of Mobile Design. A foreword by Jude Stewart discusses life on the move, while an introduction by William J. Mitchell considers the house as a robot in which to live.
Warning: This book will make you want to include a fireplace or stove in almost every room in your home, and the yard too The beauty, alluring warmth, and technological ease and cleanliness of today's hearth products make having a fire faster, easier, safer, and more enticing than ever. This book illustrates the allure, with more than 400 gorgeous color images. It's easy to find your style, visiting hundreds of homes and experiencing the way that they have incorporated fire spaces into their living spaces. There has never been a book like this, with so many wonderful images of fireplaces and stoves. Most are shown within room settings, helping you to envision a fireplace as part of your overall decor. Plus, there's an enormous gallery of close-up images showing fireplace and stove details. You'll have trouble choosing just one