Warning: This book will make you want to include a fireplace or stove in almost every room in your home, and the yard too The beauty, alluring warmth, and technological ease and cleanliness of today's hearth products make having a fire faster, easier, safer, and more enticing than ever. This book illustrates the allure, with more than 400 gorgeous color images. It's easy to find your style, visiting hundreds of homes and experiencing the way that they have incorporated fire spaces into their living spaces. There has never been a book like this, with so many wonderful images of fireplaces and stoves. Most are shown within room settings, helping you to envision a fireplace as part of your overall decor. Plus, there's an enormous gallery of close-up images showing fireplace and stove details. You'll have trouble choosing just one
Platform 8 catalogs a curated selection of work generated in the past year at the Harvard University Graduate School of Design. Alongside final products of design education, Platform 8 places particular emphasis on collecting and documenting the people and artifacts that shape research-driven design practices. Here, design is presented both as process and as a final product. The book's indexical structure, punctuated with a collection of portraits, presents a comprehensive picture of the school. Platform 8 shows the intention, direction, and passion seen and experienced every day at the GSD.Design consultants: Zak Jensen, Laura Grey
Student editors: Alexander Cassini, Mikhail Grinwald, Vi Vu
- The CTBUH is the primary clearinghouse for data in the field of tall buildings, putting its tremendous resources to work in order to make this more than just an awards book, but a comprehensive survey of the activity in skyscrapers the world over, each year- Readers will gain a better and more varied understanding of the skyscraper typology, why it's important, and where it is innovativeMore than a description of the best tall buildings from around the world, this volume serves as a global overview of tall building construction and activity in a given year, highlighting some of the big achievements in the tall building field, particularly showing where innovation is happening.Tall buildings are oftentimes the subject of admiration only for their sheer height or skyline silhouette, and oftentimes criticized for their poor environmental performance (and not without justification). This book aims to change that impression by showing innovations that are particular to tall buildings, in addition to generally good architectural design and engineering prowess. This ambitious and comprehensive text provides in-depth descriptions of the buildings' design and significance, accompanied by stunning images, detailed drawings, and plans.The CTBUH's Awards series draws from the multi-disciplinary expertise of the practitioners directly involved in bringing these buildings to life. This guide is intended for anyone working on the design and operation of tall buildings at both the building and urban scales.Also available: 100 of the World's Tallest Buildings ISBN 978186470651022 $75.00 Tall Buildings of China ISBN 9781864704129 $80.00Antony Wood has been Executive Director of the Council on Tall Buildings and Urban Habitat since 2006. Based at the Illinois Institute of Technology, Antony is a Research Professor in the College of Architecture and is also a Visiting Professor of Tall Buildings at the College of Architecture and Urban Planning at Tongji University, Shanghai. He is the author and editor of numerous books and papers in the field, and his PhD explored the multi-disciplinary aspects of skybridge connections between tall buildings. Californian-born Steven Henry received his degree in architecture in May 2008 from the College of Architecture of the Illinois Institute of Technology. In his final years he studied new programmatic uses for high-rise buildings as well as research on how to incorporate sustainable features as an inherent part of the design. Involved with the CTBUH since January 2008, he designed and produced the Council's inaugural awards book titled, Best Tall Buildings 2008: CTBUH International Awards Winning Projects.Among other tasks, he continues to coordinate the council's book publications.
British architect and critic Paul Shepheard is a fresh new voice in current postmodern debates about the history and meaning of architecture. In this wonderfully unorthodox quasi-novelistic essay, complete with characters and dialogue (but no plot), Shepheard draws a boundary around the subject of architecture, describing its place in art and technology, its place in history, and its place in our lives now. At a time when it is fashionable to say that architecture is everything--from philosophy to science to art to theory--Shepheard boldly and irreverently sets limits to the subject, so that we may talk about architecture for what it is. He takes strong positions, names the causes of the problems, and tells us how bad things are and how they can get better. Along the way he marshals some unlikely but plausible witnesses who testify about the current state of architecture. Instead of the usual claims or complaints by the usual suspects, these observations are of an altogether different order. Constructed as a series of fables, many of them politically incorrect, What is Architecture? is a refreshing meditation on the options, hopes, possibilities, and failures of shelter in society.
At the end of the late 1970s, art theorist and critic Rosalind Krauss had written a seminal text entitled "Sculpture in the Expanded Field," in an attempt to both locate and analyze vanguard sculptural practices of the time such as the work of Richard Serra, Robert Smithson, Mary Miss, and Donald Judd whose practices crossed outside of the limits of traditional sculpture and entered into the realms of architecture and landscape through the production of works that she classified as site constructions, marked sites, earthworks and axiomatic structures. Over the past three decades, the boundaries between art and architecture have continued to blur, giving rise to a series of works known as installations whose conceptual, spatial and material trajectories have generated a new and expanding network of relations between the domains of architecture, interiors, sculpture and landscape. At the same time, the range of institutional venues advancing architectural installation practices, such as the PS1 program spawned by the MoMA in New York, the Serpentine Gallery's annual architectural pavilion in London and the Art and Architectural Biennale's in Venice, have provided platforms to intensify the production and reach of contemporary installations. Installations have not only contributed to the advancement of architectural research but have also enabled the redefinition and progressive development of architecture's disciplinary territory allowing architects to explore spatial and tectonic ideas, experiment with emerging technological strategies, and distill perceptual and experiential conditions without the limitations traditionally imposed by the permanence and utility of building. Following the legacy of Rosalind Krauss, EXPANDED FIELD: Installation Architecture Beyond Art by Ila Berman and Douglas Burnham explores the realm of art and architecture across a broad terrain of installation practices, revealing a critical territory that, despite its exuberant proliferation, has been historically defined as a negativity: the progeny of that which is both not-architecture and not-art. Within this book, a wide range of art and architectural works are positioned and mapped as constellations within a newly expanded field suspended between Architecture, Interiors, Sculpture, and Landscape. These four terms are the initial reference points used to elaborate a more extensive taxonomical framework defining twelve distinct territories where the analytical drawings and photographic indexes of seventy-five installation projects are situated. The expanded field diagram is a conceptual framework that operates on many levels. It acts as a lens through which to theorize and classify the trajectories of current installation practices and serves as an infrastructure to organize the content of the book. Along the trajectory from interiors to sculpture, for example, one finds the immersive chromatic environments of Carlos Cruz-Diez, the thermal and radiant atmospheres of Philippe Rahm, the intensely graphic patterned surfaces of J rgen Mayer and Yayoi Kusama, and the interactive mediated light landscapes of Ryoji Ikeda and Julio Le Parc. These are installations intent on foregrounding immersive atmospheric spaces rather than sculptural objects and that collectively define Chromatic/Graphic Immersion, one of the twelve typologies through which the book is organized. Along the path from interiors toward landscape, are situated a different series of installation projects including the undulating orange strata of Bamscape and the pink spongy terrain of Mute Room, two works by Thom Faulders both of which redefine ground as a programmed surface and occupiable topography. These qualities of landscape then merge with the architectonic in the thickened geology of Rip Curl Canyon by Ball-Nogues, the artificial Dunescape by SHoP and the cellular topography of Voromuro developed for the ICA in Boston by Office dA. Based on an exhibition at the Wattis Institute of Contemporary Art, the book EXPANDED FIELD guides one through the world of contemporary installation practice through drawings, images and text that simultaneously expose the techniques through which architects describe and analyze spatial production while providing a context for installation art and architecture that supports both its didactic understanding and immersive experience.
This title presents a selection of 21 of Japan's top architects and designers, presenting their most recognised and latest work to demonstrate their individuality and style. Young, promising architects are also featured, including a handful not born in Japan, but who have nevertheless made Japan their home.
Following the smashing success of Material World 1 and Material World 2, the third edition in this series, Material World 3: Innovative Materials for Architecture and Design, offers another hundred-plus materials and semi-finished products carefully selected by matériO, the library of emerging materials. Highlighting this exclusive collection, which covers materials with a wide variety of properties and aesthetic qualities, are modular, undulating wall coverings, fish-skin leathers, photovoltaic textiles, and LED lighting systems powered by wafer-thin batteries.
Material World 3 promises to satisfy the demand among architects, designers, and students for product information, technical specifications, and suggestions for ways in which to use the latest fascinating materials and finishes. Above and beyond inspiration, the reader finds the names, addresses, phone numbers, and websites of suppliers?all the information needed to contact and purchase every item featured in the book.
The team at matériO?intent on informing readers about materials and convinced that innovation emerges largely from maximizing the use of materials and technologies through in-depth knowledge?summarizes fifteen basic concepts to help novices gain a better understanding of this complex topic and to point out, even to the more well-informed reader, aspects of materials that are often overlooked. What do FSC, COV, Cradle to Cradle, and oxo-degradable mean? What are Damascus steel, float glass, and electroluminescence? What’s the story behind the invention of nylon, or of Velcro? Find the answers to these and many other relevant questions in Material World 3.
Taken as a whole, these features make Material World 3 a virtually encyclopedic survey of exciting materials and finishes for use in interior design and architecture.
In Exceptional Treehouses, author and treehouse builder Alain Laurens reveals 30 gorgeous treehouse structures, 25 of which are entirely new creations, all illustrated with Daniel Dufour's beautiful watercolors as well as photographs by Jacques Delacroix, commissioned specially for this book.
As in his first book, Treehouse Living, Laurens demonstrates his commitment to sustainable building and environmentalism with his designs, all executed with ecological ideals in mind. In 2000 Laurens started his company, La Cabane Perch e, to design and build treehouses around Europe. Each house takes into account the local environment, as well as the tree in which the structure stands, and the photographs show details of how the treehouses are constructed without driving nails into any part of the host tree. Exceptional Treehouses is the perfect inspiration for treehouse lovers, eco-friendly architects, and enthusiastic amateurs.
The Architecture of the United States, GE Kidder Smith's 1981 three-volume masterwork, was hailed as the most comprehensive and insightful overview of the architectural heritage of this country. Princeton Architectural Press is proud to introduce an updated version of this extraordinary resource-long out of print-in a single volume, the Source Book of American Architecture. No similar encyclopedia of American architecture exists. Kidder Smith examines our nation's architecture from its earliest days to the present, ranging from cliff dwellings in Mesa Verde to Frank Lloyd Wright's Robie House in Chicago to James Ingo Freed's Holocaust Museum in Washington. This critical, chronological survey of 500 of America's most distinguished buildings provides a unique overview of the thousand-year architectural development of the United States. Indispensable in the library, it also serves as a splendid guide for the tourist.