For thousands of years, Balinese textile artists have adorned simple cloths with elaborate embroidered depictions of classic folk epics. these colourful pieces offer insight into the storytelling tradition in Bali while reminding us that ancient universal themes of morality, man versus nature, and triumph over adversity are very relevant today.
In this comprehensive volume, Sarah Sherrill examines Western carpet design and production from the Middle Ages to the present, in styles that range from magnificent palatial creations to delightful folk designs. With hundreds of dazzling illustrations, Sherrill's authoritative text includes chapters on Moorish weavers and the golden age of carpets in Spain; the exquisite carpets of the Savonnerie, Aubusson, and Beauvais in France; productions from Moorfields, Exeter, and Axminster in England; the intriguing but little-studied rugs of Eastern European countries; the charming and resourceful rugs of America; and an important chapter on modern designs that offers an extensive survey of rugs created by leading artists and architects of the nineteenth and twentieth centuries. Sherrill's stimulating text, based on years of research, brims with interesting new findings, not only on the history and design of these works, but also technological developments that had an often unrecognized effect on rug design and production.
William Morris was an outstanding character of many talents, being an architect, writer, social campaigner, artist and, with his Kelmscott Press, an important figure of the Arts and Crafts movement. Many of us probably know him best, however, from his superb furnishings and textile designs, intricately weaving together natural motifs in a highly stylized two-dimensional fashion influenced by medieval conventions. William Morris Masterpieces of Art offers a survey of his life and work alongside some of his finest decorative work.
- For the first time, a lavishly illustrated book shows how traditional handmade rugs and carpets have become vehicles for contemporary trends and used in interior design and home decoration - The authors' work in journalism and rug production over the last fifty years equips them with the experiences of the travel writer and the specialist knowledge of leaders in the global rug market - The developments in the weaving industry in India, Iran, Turkey, China, Turkmenistan, Morocco, Pakistan and Afghanistan are reviewed as well as the historical and cultural context for change in a book that shines a light on the contemporary rug market in the 21st century The handmade rug industry has gone through a revolution in the last twenty-five years, and no one is better placed to explain how and why than Fritz Langauer and Ernst Swietly, who have been buying, making, collecting and writing about rugs for over fifty years. Rugs are now being made in colors and designs unimagined just a few decades ago. This new book is the only title available that shows how carpet making has changed in all traditional rug making nations as well as demonstrating through images of rugs in interior settings how the style and use of rugs has changed. Carpets carry many unspoken narratives about peoples and places - this new book reveals some of these for the first time thanks to the first-hand experience of the authors in the souks and bazars of the Middle East.
The catalogue and companion is for an exhibition at the Museum from January to April 2014. The introduction by Berbrugge sets the geographical, historical and cultural context. The 11 rugs made during the 19th century, are from Azerbaijan, Armenia, southwestern Persia, and elsewhere in the Caucasus Mountains of Central Asia. Each article includes one color photograph of the whole rug and another showing details of the pattern. The approximate date and place of origin are noted, along with size and material or materials. Then features of the rug are described and their significance discussed. Annotation ©2014 Ringgold, Inc., Portland, OR (protoview.com)
Take a close-up look at far-out fabric designs from the 1960s in full, cool colors. All the orange, hot pink, and sky blue the era's most fertile imaginations could conjure. Featured are more than 300 striking swatches from top couture houses in Paris and Milan, bold flower prints on silk, cotton, and the acetates and polyesters that helped shape fashion's most eye-popping era.