Art Theory and Criticism
Featured Items
Creators on Creating: Awakening and Cultivating the Imaginative Mind
Creators on Creating
Awakening and Cultivating the Imaginative Mind
Paperback      ISBN: 0874778549
In an inspirational compendium of writings, a distinguished group of filmmakers, artists, poets, writers, painters, and musicians reflect on creative expression, its significance in human life, ways to harness its power, and its role in building a successful society. Original.
Art on the Edge and over: Searching for Art's Meaning in Contemporary Society 1970S-1900s
Art on the Edge and over
Searching for Art's Meaning in Contemporary Society 1970S-1900s
Paperback      ISBN: 0965198812
The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War
The Rape of Europa
The Fate of Europe's Treasures in the Third Reich and the Second World War
Paperback      ISBN: 0679756868
A carefully researched volume recounts the Third Reich's war on European culture and reveals the roles of such figures as Hitler, Hermann Goering, Gertrude Stein, and Marc Chagall. Reprint. 17,500 first printing.
What Is Art?
What Is Art?
Paperback      ISBN: 0140446427
During the decades of his world fame, Tolstoy wrote this series of essays and polemics on issues of morality, social justice and religion. He considered and rejected the idea that art reveals and reinvents through beauty, although he perceived the question of art to be a religious one.
Dictionary of Subjects and Symbols in Art
Dictionary of Subjects and Symbols in Art
Paperback      ISBN: 0064301001
Identifies and explains the religious, historical, mythical, literary, and other figures and themes upon which the repertoire of European art is based
About Looking
About Looking
Paperback      ISBN: 0679736557
Essays explore the ways in which we look at and derive meaning from paintings by Courbet, Turner, Magritte, and others, as well as nature, zoos, and photographs
J W Waterhouse
J W Waterhouse
Paperback      ISBN: 0714828645
A Concise History of American Architecture
A Concise History of American Architecture
Paperback      ISBN: 0064300862
Explores the factors and influences that have enriched American architecture throughout its development from colonial times to the present, covering houses, apartments, factories, and office buildings and the architects who designed them
Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings
Theories and Documents of Contemporary Art
A Sourcebook of Artists' Writings
Paperback      ISBN: 0520202538
Ambitious and interdisciplinary, this long-awaited collaboration is a landmark presentation of the writings of contemporary artists. These influential essays, interviews, and critical and theoretical comments provide bold and fertile insights into the construction of visual knowledge. Featuring a wide range of leading and emerging artists since 1945, the collection--while comprehensive and authoritative--offers the reader some eclectic surprises as well. Included here are texts that have become pivotal documents in contemporary art, along with writings that cover unfamiliar ground. Some are newly translated, others have never before been published. Together they address visual literacy, cultural studies, and the theoretical debates regarding modernism and postmodernism. The full panoply of visual media is represented, from painting and sculpture to environments, installations, performance, conceptual art, video, photography, and virtual reality. Thematic concerns range from figuration and process to popular culture, art and technology, and politics and the media. Contemporary issues of gender, race, class, and sexuality are also addressed. Kristine Stiles's general introduction is a succinct overview of artists' theories in the evolution of contemporary discourse around art. Introductions to each chapter provide synopses of the cultural contexts in which the texts originated and brief biographies of individual artists. The text is augmented by outstanding photographs, many of artists in their studios, and vivid, contemporary art images. Reflecting the editors' shared belief that artists' own theories provide unparalleled access to visual knowledge, this book, like its distinguished predecessors, Hershel Chipp's Theories of Modern Art (with Peter Selz and Joshua Taylor) and Joshua Taylor's Nineteenth-Century Theories of Art, will be an invaluable resource for anyone interested in contemporary art. "In New York in 1915 I bought at a hardware store a snow shovel on which I wrote 'in advance of the broken arm.' It was around that time that the word 'readymade' came to mind to designate this form of manifestation."--Marcel Duchamp (1961) "Women have always collected things and saved and recycled them because leftovers yielded nourishment in new forms. The decorative functional objects women made often spoke in a secret language, bore a covert imagery. When we read these images in needlework, in paintings, in quilts, rugs and scrapbooks, we sometimes find a cry for help, sometimes an allusion to a secret political alignment, sometimes a moving symbol about the relationships between men and women."--Miriam Schapiro and Melissa Meyer (1978) "I want to create a fusion of art and life, Asia and America, Duchampiana modernism and Levi-Straussian savagism, cool form and hot video, dealing with all of those complex problems, spanning the tribal memory of the Nomadic Asians who crossed over the Bering Strait over 10,000 years ago."--Shigeko Kubota (1976) "Black for me is a lot more peaceful and gentle than white. White marble may be very beautiful, but you can't read anything on it. I wanted something that would be soft on the eyes, and turn into a mirror if you polished it. The point is to see yourself reflected in the names. Also the mirror image doubles and triples the space."--Maya Lin (1983) "Artists often depend on the manipulation of symbols to present ideas and associations not always apparent in such symbols. If all such ideas and associations were evident there would be little need for artists to give expression to them. In short, there would be no need to make art."--Andres Serrano (1989) Ambitious and interdisciplinary, this long-awaited collaboration is a landmark presentation of the writings of contemporary artists. These influential essays, interviews, and critical and theoretical comments provide bold and fertile insights into the construction of visual knowledge. Featuring a wide range of leading and emerging artists since 1945, the collection--while comprehensive and authoritative--offers the reader some eclectic surprises as well. Included here are texts that have become pivotal documents in contemporary art, along with writings that cover unfamiliar ground. Some are newly translated, others have never before been published. Together they address visual literacy, cultural studies, and the theoretical debates regarding modernism and postmodernism. The full panoply of visual media is represented, from painting and sculpture to environments, installations, performance, conceptual art, video, photography, and virtual reality. Thematic concerns range from figuration and process to popular culture, art and technology, and politics and the media. Contemporary issues of gender, race, class, and sexuality are also addressed. Kristine Stiles's general introduction is a succinct overview of artists' theories in the evolution of contemporary discourse around art. Introductions to each chapter provide synopses of the cultural contexts in which the texts originated and brief biographies of individual artists. The text is augmented by outstanding photographs, many of artists in their studios, and vivid, contemporary art images. Reflecting the editors' shared belief that artists' own theories provide unparalleled access to visual knowledge, this book, like its distinguished predecessors, Hershel Chipp's Theories of Modern Art (with Peter Selz and Joshua Taylor) and Joshua Taylor's Nineteenth-Century Theories of Art, will be an invaluable resource for anyone interested in contemporary art. "In New York in 1915 I bought at a hardware store a snow shovel on which I wrote 'in advance of the broken arm.' It was around that time that the word 'readymade' came to mind to designate this form of manifestation."--Marcel Duchamp (1961) "Women have always collected things and saved and recycled them because leftovers yielded nourishment in new forms. The decorative functional objects women made often spoke in a secret language, bore a covert imagery. When we read these images in needlework, in paintings, in quilts, rugs and scrapbooks, we sometimes find a cry for help, sometimes an allusion to a secret political alignment, sometimes a moving symbol about the relationships between men and women."--Miriam Schapiro and Melissa Meyer (1978) "I want to create a fusion of art and life, Asia and America, Duchampiana modernism and Levi-Straussian savagism, cool form and hot video, dealing with all of those complex problems, spanning the tribal memory of the Nomadic Asians who crossed over the Bering Strait over 10,000 years ago."--Shigeko Kubota (1976) "Black for me is a lot more peaceful and gentle than white. White marble may be very beautiful, but you can't read anything on it. I wanted something that would be soft on the eyes, and turn into a mirror if you polished it. The point is to see yourself reflected in the names. Also the mirror image doubles and triples the space."--Maya Lin (1983) "Artists often depend on the manipulation of symbols to present ideas and associations not always apparent in such symbols. If all such ideas and associations were evident there would be little need for artists to give expression to them. In short, there would be no need to make art."--Andres Serrano (1989)
Constructing Modernity: The Art and Career of Naum Gabo
Constructing Modernity
The Art and Career of Naum Gabo
Hardcover      ISBN: 0300076886