Long out of print, this is a landmark study on narcotic and psychedelic substances by a world-renowned pharmacologist and toxicologist- The first book to bring non-judgmental scientific insights to the use of drugs around the world - Provides detailed information on all major drugs of the time, including opium, cocaine, heroin, cannabis, peyote, fly agaric, henbane, datura, alcohol, kava, betel, coffee, tea, cocoa, and tobacco - A book credited with starting an era of ethnobotany that continues to the present day The publication of Louis Lewin's Phantastica in 1924 began an era of ethnobotany that is still flourishing today. Until Lewin, books on the use of drugs were purely works of anthropology, concerned with how people used these plants, rather than how the plants produced their famous effects. Lewin, a world-renowned pharmacologist and toxicologist, was fascinated by both, and Phantastica was the first book to bring scientific insights to a survey of the use of drugs around the world. Lewin traveled extensively and acquired an astonishing variety of knowledge, reflected in this book, which provides detailed information on all major drugs of the time, including opium, cocaine, heroin, cannabis, peyote, fly agaric, henbane, datura, alcohol, kava, betel, coffee, tea, cocoa, and, of course, tobacco. For thirty years ethnobotanists have bemoaned the fact that Phantastica has been impossible to find; now this landmark work is once again available.
Over the last three decades, the French sociologist Pierre Bourdieu has produced one of the most imaginative and subtle bodies of social theory and research of the post war era. Yet, despite the influence of his work, no single introduction to his wide-ranging oeuvre is available. This book, intended for an English-speaking audience, offers a systematic and accessible overview, providing interpretive keys to the internal logic of Bourdieu's work by explicating thematic and methodological principles underlying his work.The structure of Bourdieu's theory of knowledge, practice, and society is first dissected by Loic Wacquant; he then collaborates with Bourdieu in a dialogue in which they discuss central concepts of Bourdieu's work, confront the main objections and criticisms his work has met, and outline Bourdieu's views of the relation of sociology to philosophy, economics, history, and politics. The final section captures Bourdieu in action in the seminar room as he addresses the topic of how to practice the craft of reflexive sociology. Throughout, they stress Bourdieu's emphasis on reflexivity--his inclusion of a theory of intellectual practice as an integral component of a theory of society--and on method--particularly his manner of posing problems that permits a transfer of knowledge from one area of inquiry into another. Amplified by notes and an extensive bibliography, this synthetic view is essential reading for both students and advanced scholars.
David F. Wells's award-winning book No Place for Truth - called "a stinging indictment of evangelicalism's theological corruption" by TIME magazine - woke many evangelicals to the fact that their tradition has slowly but surely capitulated to the values and structures of modernity. In God in the Wasteland Wells continues his trenchant analysis of the cultural corruption now weakening the church's thought and witness with the intent of getting evangelicals to rethink their relationship to the "world."
Wells argues that the church is enfeebled in part because it has lost its sense of God's sovereignty and holiness. "The fundamental problem in the evangelical world today," says Wells, "is that God rests too inconsequentially upon the church. His truth is too distant, his grace is too ordinary, his judgment is too benign, his gospel is too easy, and his Christ is too common." God has become weightless to the extent that the church no longer allows him to shape its character, outlook, and practice.
Evangelicals have become heavily invested in the mind-set of modernity - a mind-set that Wells correlates with the biblical concept of the "world." They have become enamored of advanced management and marketing techniques, have blurred the distinctions between Christ and culture, and have largely abandoned their traditional emphasis on divine transcendence in favor of an emphasis on divine immanence. In doing so, they have produced a faith in God that is of little consequence to those who believe. An extensive survey of students at seven evangelical theological seminaries - the results of which are included in this book - indicates that the next generation of evangelical leaders is as caught up in these trends as the laity.
Arguing that the church's diminished appetite for truth will not be restored without repentance and a fresh encounter with the holy God, Wells makes a compelling case for urgently needed reform in the evangelical church. Without such reform, he says, evangelical faith will be lost in and to the modernity that has invaded the church.
""Learn how to live and you'll know how to die; learn how to die, and you'll know how to live.""
In these remarkable pages are the profound, life-affirming words of Morrie Schwartz as he faced his own imminent death.
In 1994, at the age of seventy-seven, Schwartz learned he had ALS, commonly known as Lou Gehrig's disease. Undaunted, the former professor embraced his illness, choosing to live passionately and calmly until the end. He also embarked on his greatest teaching adventure: sharing his evolving knowledge of living while dying.
With warmth, wisdom, and humor, Morrie reveals how to:
-- live fully in the moment
-- tap into the powers of the mind to transcend physical limitations
-- grieve for your losses
-- reach out to family and friends
-- develop an inner space for meditation and spiritual connection.
It's never too late to become the kind of person you'd like to be. Morrie shows the way in his magnificent legacy of love, forgiveness, transcendence, and redemption, a guide to living fully to the end of your days.
Morrie's willingness to talk about his illness made him an inspiration. In 1995 "Nightline" ran three interviews in which Ted Koppel spoke to Morrie about life, death and the disease that was afflicting his body.
In "Morrie: In His Own Words, " Morrie combined inspiring lessons with practical advice to help those who have chronic or terminal sickness and to help those close to them maintain healthy emotions and loving relationships. As life-affirming as it is life-releasing, "Morrie: In His Own Words" will have a profound effect on generations of readers.
This is the moving and powerful account of tworemarkable boys struggling to survive in Chicago'sHenry Horner Homes, a public housing complexdisfigured by crime and neglect."
The 1964 publication of Sir Richard Burton's translation marked the first wide appearance in English of the Kama Sutra and was celebrated as a literary event of highest importance. As vital to an understanding of ancient Indian civilization as the works of Plato and Aristotle are to the West, the Kama Sutra has endured for 1,700 years as an indisputable classic of world literature.
Written with frankness and unassuming candor, the Kama Sutra remains one of the most readable and enjoyable of all the classics of antiquity. A work of philosophy, psychology, sociology, Hindu dogma, scientific inquiry, and sexology, the Kama Sutra's importance is so great that it has at the same time both affected Indian civilization and remained an indispensable key to understanding it.
Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.
It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.
Midnight in the Garden of Good and Evil: A Savannah Story is a sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city is certain to become a modern classic.