This is a secret history of modern times, told by way of what conventional history tries to exclude. Lipstick Traces tells a story as disruptive and compelling as the century itself. Hip, metaphorical and allusive...--Gail Caldwell, Boston Sunday Globe. Full-color illustrations and halftones.
Enjoy a fascinating and sometimes humorous glimpse into the lives of over one hundred, 19th-century Victorian era American women who refused to whittle themselves down to the Victorian model of proper womanhood. Included in Wild Women are 50-black-and-white photos from the era.
During the Victorian era a woman's pedestal was her prison.
"Women should not be expected to write, or fight, or build, or compose scores. She does all by inspiring man to do all." ─ Ralph Waldo Emerson
"There is nothing more dangerous for a young woman than to rely chiefly upon her intellectual powers, her wit, her imagination, her fancy." ─ Godey's Lady's Book magazine
"...join in checking this mad, wicked folly of 'Women's Rights' with all its attendant horrors on which her poor feeble sex is bent." ─ Queen Victoria of England
But, scores of nineteenth-century American women chose to live life on their terms. In this book you will meet women who refused to remain on a Victorian pedestal.
In San Francisco a courtesan appeared as a plaintiff in court, suing her clients for fraud. In Montana a laundress in her seventies decked a gentleman who refused to pay his bill. A forty-three-year-old schoolteacher plunged down Niagara Falls in a wooden barrel. A frail lighthouse keeper pulled twenty-two sinking sailors out of the ocean off Rhode Island. A pair of Colorado madams fought a public pistol duel over their mutual beau. Two lady lovebirds were legally wed in Michigan. An ad hoc abolitionist spirited away scores of slaves on the Underground Railroad. A Secessionist spy swallowed a secret message as she was arrested, claiming that no one could capture her soul.
Readers of books for women such as Women Who Run with the Wolves or Badass Affirmations will love this book about Victorian women who refused to accept the gender roles of their day.
This absorbing and original examination brilliantly argues that religion is a product of the society from which it springs--that it is the "sacred canopy" which every human society builds over its world to give it meaning.In this book, Berger expands on theories of knowledge that he first explored (with Thomas Luckmann) in The Social Construction of Reality. With illustrations drawn from a variety of primitive, ancient, and contemporary religions.
Why do some places--the concourse of Grand Central Terminal or a small farm or even the corner of a skyscraper--affect us so mysteriously and yet so forcefully? What tiny changes in our everyday environments can radically alter the quality of our daily lives? The Experience of Place offers an innovative and delightfully readable proposal for new ways of planning, building, and managing our most immediate and overlooked surroundings.
Civil engineer Samuel Forman's The Civilized Engineer is aimed at both those observing and commenting externally on engineering, and the practicing engineer--to reveal something of the art behind great engineering achievements, and to stimulate debate upon the author's hypothesis that "in its moment of ascendance, engineering is faced with the trivialization of its purpose and the debasement of its practice."
Over the last three decades, the French sociologist Pierre Bourdieu has produced one of the most imaginative and subtle bodies of social theory and research of the post war era. Yet, despite the influence of his work, no single introduction to his wide-ranging oeuvre is available. This book, intended for an English-speaking audience, offers a systematic and accessible overview, providing interpretive keys to the internal logic of Bourdieu's work by explicating thematic and methodological principles underlying his work.The structure of Bourdieu's theory of knowledge, practice, and society is first dissected by Loic Wacquant; he then collaborates with Bourdieu in a dialogue in which they discuss central concepts of Bourdieu's work, confront the main objections and criticisms his work has met, and outline Bourdieu's views of the relation of sociology to philosophy, economics, history, and politics. The final section captures Bourdieu in action in the seminar room as he addresses the topic of how to practice the craft of reflexive sociology. Throughout, they stress Bourdieu's emphasis on reflexivity--his inclusion of a theory of intellectual practice as an integral component of a theory of society--and on method--particularly his manner of posing problems that permits a transfer of knowledge from one area of inquiry into another. Amplified by notes and an extensive bibliography, this synthetic view is essential reading for both students and advanced scholars.
A direct and fundamentally optimistic indictment of the short-sightedness and intellectual arrogance that has characterized much of urban planning in this century, The Death and Life of Great American Cities has, since its first publication in 1961, become the standard against which all endeavors in that field are measured. In prose of outstanding immediacy, Jane Jacobs writes about what makes streets safe or unsafe; about what constitutes a neighborhood, and what function it serves within the larger organism of the city; about why some neighborhoods remain impoverished while others regenerate themselves. She writes about the salutary role of funeral parlors and tenement windows, the dangers of too much development money and too little diversity. Compassionate, bracingly indignant, and always keenly detailed, Jane Jacobs's monumental work provides an essential framework for assessing the vitality of all cities.
At the end of the Reconstruction, the spread of science and technology, industrialism, urbanization, immigration, and economic depressions eroded Americans' conventional beliefs in individualism and a divinely ordained social system. In The Search for Order, Robert Wiebe shows how, in subsequent years, during the Progressive Era of Theodore Roosevelt and Woodrow Wilson, Americans sought the organizing principles around which a new viable social order could be constructed in the modern world. This subtle and sophisticated study combines the virtues of historical narrative, sociological analysis, and social criticism.
Elizabeth Wilson's elegant, provocative, and scholarly study uses fiction, essays, film, and art, as well as history and sociology, to look at some of the world's greatest cities-London, Paris, Moscow, New York, Chicago, Lusaka, and S o Paulo-and presents a powerful critique of utopian planning, anti-urbanism, postmodernism, and traditional architecture. For women the city offers freedom, including sexual freedom, but also new dangers. Planners and reformers have repeatedly attempted to regulate women-and the working class and ethnic minorities-by means of grandiose, utopian plans, nearly destroying the richness of urban culture. City centers have become uninhabited business districts, the countryside suburbanized. There is danger without pleasure, consumerism without choice, safety without stimulation. What is needed is a new understanding of city life and Wilson gives us an intriguing introduction to what this might be.