In The War with Hannibal, Livy chronicles the events of the Second Punic War between Rome and Carthage, until the Battle of Zama in 202 BC. He vividly recreates the immense armies of Hannibal, complete with elephants, crossing the Alps; the panic as they approached the gates of Rome; and the decimation of the Roman army at the Battle of Lake Trasimene. Yet it is also the clash of personalities that fascinates Livy, from great debates in the Senate to the historic meeting between Scipio and Hannibal before the decisive battle. Livy never hesitates to introduce both intense drama and moral lessons into his work, and here he brings a turbulent episode in history powerfully to life.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The spectacles of Imperial Rome, the religious festivals, public games, circus, animal hunts, processions and dramas, were used by emperors and politicians to convey ideologies and political policies and to test public opinion. Just as Octavian sought to gain and sway public opinion after the assassination of Caesar, so Nero held many banquets and dramatic events to ensure and maintain his popularity. Richard Beacham draws on the early Imperial accounts of Dio, Tacitus and Suetonius, as well as archaeological evidence, to trace the changes in these entertainments throughout the period; he discusses the information they contain for a better understanding of a range of policies and activities in Early Imperial ROme.
Little has been published on the Roman family, a subject of central importance to political as well as social history. It was the family that determined political power; it was within the family that the distinctive relationships of one citizen to another were forged and exemplified. The Family in Ancient Rome provides an overview of the state of research by presenting some of the most important work being done in this area.
In addition to a survey of the literature on all aspects of the Roman family, the book begins with a general picture of the main features of the family. More specialized essays deal with the legal evidence, wills and property rights which were of particular importance for the position of women; with the link between property disposition, dowry, and divorce; with the authority of the male head of the household and its relation to political power; with the status of children born of unions between slaves and citizen; and with the rearing of, and attitudes toward, children.
Contributors: Edyth Binkowski; Ian Blayney; Keith R. Bradley; J. A. Crook; Suzanne Dixon; W. K. Lacey; Beryl Rawson; P. R. C. Weaver
Named a Book of the Year by the Telegraph, the Spectator, the Observer, and BBC History Magazine In Harran, the locals refused to convert. They were dismembered, their limbs hung along the town's main street. In Alexandria, zealots pulled the elderly philosopher-mathematician Hypatia from her chariot and flayed her to death with shards of broken pottery. Not long before, their fellow Christians had invaded the city's greatest temple, smashing its world-famous statues and destroying all that was left of Alexandria's Great Library.
Today we refer to Christianity's conquest of the West as a "triumph." But this victory entailed an orgy of destruction in which Jesus's followers attacked and suppressed classical culture, helping to pitch Western civilization into a thousand-year-long decline. In The Darkening Age, Catherine Nixey brilliantly resurrects this lost history, offering a wrenching account of the rise of Christianity and its terrible cost. "A feast of tales of murder, vandalism and] willful destruction . . . Nixey has a great story to tell, and she tells it exceptionally well." -- Guardian " A] bold, dazzling and provocative book." -- Peter Frankopan, best-selling author of The Silk Roads
A New York Times Notable Book
Named one of the Best Books of the Year by the Wall Street Journal, the Economist, Foreign Affairs, and Kirkus Reviews
Finalist for the National Book Critics Circle Award (Nonfiction)
Shortlisted for the Cundill Prize in Historical Literature
Finalist for the Los Angeles Times Book Prize (History)
A San Francisco Chronicle Holiday Gift Guide Selection
A New York Times Book Review Editors' Choice Selection
A sweeping, "magisterial" history of the Roman Empire from one of our foremost classicists shows why Rome remains "relevant to people many centuries later" (Atlantic).
In this story of the most famous assassination in history, "the last bloody day of the Roman] Republic has never been painted so brilliantly" (The Wall Street Journal).Julius Caesar was stabbed to death in the Roman Senate on March 15, 44 BC--the Ides of March according to the Roman calendar. He was, says author Barry Strauss, the last casualty of one civil war and the first casualty of the next civil war, which would end the Roman Republic and inaugurate the Roman Empire. "The Death of Caesar provides a fresh look at a well-trodden event, with superb storytelling sure to inspire awe" (The Philadelphia Inquirer). Why was Caesar killed? For political reasons, mainly. The conspirators wanted to return Rome to the days when the Senate ruled, but Caesar hoped to pass along his new powers to his family, especially Octavian. The principal plotters were Brutus, Cassius (both former allies of Pompey), and Decimus. The last was a leading general and close friend of Caesar's who felt betrayed by the great man: He was the mole in Caesar's camp. But after the assassination everything went wrong. The killers left the body in the Senate and Caesar's allies held a public funeral. Mark Antony made a brilliant speech--not "Friends, Romans, Countrymen" as Shakespeare had it, but something inflammatory that caused a riot. The conspirators fled Rome. Brutus and Cassius raised an army in Greece but Antony and Octavian defeated them. An original, new perspective on an event that seems well known, The Death of Caesar is "one of the most riveting hour-by-hour accounts of Caesar's final day I have read....An absolutely marvelous read" (The Times, London).
Among these literary guides are Cicero, who left an incomparable collection of letters; Catullus, the quintessential poet of love; Horace, the chronicler of a cruel and materialistic Rome; and the Romantics Virgil, Livy, and Seneca. The story concludes with the stark contrast between high-minded Stoicism and the collapse of values witnessed by Tacitus and Juvenal.
From the epic poems of Homer to the glittering art and architecture of Greece's Golden Age to the influential Roman systems of law and leadership, the classical world has established the foundations of our culture, as well as many of its enduring achievements. Astonishingly in-depth in its coverage of the entire 1000-year history of the classical world and richly illustrated, The Oxford History of the Classical World offers the general reader the definitive companion to the Graeco-Roman world, its history, and its achievements.
The first volume, Classical Greece and the Hellenistic World, covers the period from the eighth to first centuries B.C., a period unparalleled in history for its brilliance in literature, philosophy, and the visual arts. It also treats the Hellenization of the Middle East by the monarchies established in the area conquered by Alexander the Great.
The second volume, Classical Rome, covers early Rome and Italy, the expansion of the Roman republic, the foundation of the Roman Empire by Augustus, its consolidation in the first two centuries A.D., and the later Empire and its influence on Western civilization.
The editors--three eminent classicists, John Boardman, Jasper Griffin, and Oswyn Murray--intersperse chapters on political and social history with chapters on literature, philosophy, and the arts, and reinforce the historical framework with maps and chronological charts. The two volumes also contain bibliographies and a full index, as well as color plates, black and white illustrations, and maps integrated into the text.
The contributors--thirty of the world's leading scholars--present the latest in modern scholarship through masterpieces of wit, brevity, and style. While concentrating on the aspects essential to understanding each period, they also focus on those elements of the classical world that remain of lasting importance and interest to readers today. Together, these volumes provide both a provocative and entertaining window into our past.
Dynasty continues Rubicon's story, opening where that book ended: with the murder of Julius Caesar. This is the period of the first and perhaps greatest Roman Emperors and it's a colorful story of rule and ruination, running from the rise of Augustus through to the death of Nero. Holland's expansive history also has distinct shades of I Claudius, with five wonderfully vivid (and in three cases, thoroughly depraved) Emperors--Augustus, Tiberius, Caligula, Claudius, and Nero--featured, along with numerous fascinating secondary characters. Intrigue, murder, naked ambition and treachery, greed, gluttony, lust, incest, pageantry, decadence--the tale of these five Caesars continues to cast a mesmerizing spell across the millennia.