A work of cartoon history with a touch of Edward Gorey's dark wit, Et Tu, Brute? is an irreverent, illustrated compendium of the deaths of all the Roman emperors, from Augustus to Romulus Augustulus. Here in all their glory are Nero (stabbing himself in the throat), Tiberius (smothered in his sleep by his successor), Caligula (killed by his own praetorian guard), Claudius (fed poisonous mushrooms by his wife), Commodus (strangled by his wrestling partner), Antoninus (died of a surfeit of cheese), and many more.
From the prizewinning author of Caesar and How Rome Fell, a major new account of the charged love affair between Antony and Cleopatra, richly informed by military and political history
A masterfully told--and deeply human--story of love, politics, and ambition, Adrian Goldsworthy's Antony and Cleopatra delivers a compelling reassessment of a major episode in ancient history.
In this remarkable dual biography of the two great lovers of the ancient world, Goldsworthy goes beyond myth and romance to create a nuanced and historically acute portrayal of his subjects, set against the political backdrop of their time. A history of lives lived intensely at a time when the world was changing profoundly, the book takes readers on a journey that crosses cultures and boundaries from ancient Greece and ancient Egypt to the Roman Empire.
Drawing on his prodigious knowledge of the ancient world and his keen sense of the period's military and political history, Goldsworthy creates a singular portrait of the iconic lovers. "Antony and Cleopatra were first and foremost political animals," explains Goldsworthy, who places politics and ideology at the heart of their storied romance. Undertaking a close analysis of ancient sources and archaeological evidence, Goldsworthy bridges the gaps of current scholarship and dispels misconceptions that have entered the popular consciousness. He explains why Cleopatra was consistently portrayed by Hollywood as an Egyptian, even though she was really Greek, and argues that Antony had far less military experience than anyone would suspect from reading Shakespeare and other literature. Goldsworthy makes an important case for understanding Antony as a powerful Roman senator and political force in his own right.
Dynasty continues Rubicon's story, opening where that book ended: with the murder of Julius Caesar. This is the period of the first and perhaps greatest Roman Emperors and it's a colorful story of rule and ruination, running from the rise of Augustus through to the death of Nero. Holland's expansive history also has distinct shades of I Claudius, with five wonderfully vivid (and in three cases, thoroughly depraved) Emperors--Augustus, Tiberius, Caligula, Claudius, and Nero--featured, along with numerous fascinating secondary characters. Intrigue, murder, naked ambition and treachery, greed, gluttony, lust, incest, pageantry, decadence--the tale of these five Caesars continues to cast a mesmerizing spell across the millennia.
He found Rome made of clay and left it made of marble. As Rome's first emperor, Augustus transformed the unruly Republic into the greatest empire the world had ever seen. His consolidation and expansion of Roman power two thousand years ago laid the foundations, for all of Western history to follow. Yet, despite Augustus's accomplishments, very few biographers have concentrated on the man himself, instead choosing to chronicle the age in which he lived. Here, Anthony Everitt, the bestselling author of Cicero, gives a spellbinding and intimate account of his illustrious subject.Augustus began his career as an inexperienced teenager plucked from his studies to take center stage in the drama of Roman politics, assisted by two school friends, Agrippa and Maecenas. Augustus's rise to power began with the assassination of his great-uncle and adoptive father, Julius Caesar, and culminated in the titanic duel with Mark Antony and Cleopatra.
The world that made Augustus-and that he himself later remade-was driven by intrigue, sex, ceremony, violence, scandal, and naked ambition. Everitt has taken some of the household names of history-Caesar, Brutus, Cassius, Antony, Cleopatra-whom few know the full truth about, and turned them into flesh-and-blood human beings. At a time when many consider America an empire, this stunning portrait of the greatest emperor who ever lived makes for enlightening and engrossing reading. Everitt brings to life the world of a giant, rendered faithfully and sympathetically in human scale. A study of power and political genius, Augustus is a vivid, compelling biography of one of the most important rulers in history.
Named a Book of the Year by the Telegraph, the Spectator, the Observer, and BBC History Magazine In Harran, the locals refused to convert. They were dismembered, their limbs hung along the town's main street. In Alexandria, zealots pulled the elderly philosopher-mathematician Hypatia from her chariot and flayed her to death with shards of broken pottery. Not long before, their fellow Christians had invaded the city's greatest temple, smashing its world-famous statues and destroying all that was left of Alexandria's Great Library.
Today we refer to Christianity's conquest of the West as a "triumph." But this victory entailed an orgy of destruction in which Jesus's followers attacked and suppressed classical culture, helping to pitch Western civilization into a thousand-year-long decline. In The Darkening Age, Catherine Nixey brilliantly resurrects this lost history, offering a wrenching account of the rise of Christianity and its terrible cost. "A feast of tales of murder, vandalism and] willful destruction . . . Nixey has a great story to tell, and she tells it exceptionally well." -- Guardian " A] bold, dazzling and provocative book." -- Peter Frankopan, best-selling author of The Silk Roads
In an illustrated survey of one of the most fascinating archeological discoveries in history, an expert on Pompeii uses photographs, maps, reconstructed city plans, mosaics, and drawings to provide a vivid portrait of life in this Roman city. Original.
The spectacles of Imperial Rome, the religious festivals, public games, circus, animal hunts, processions and dramas, were used by emperors and politicians to convey ideologies and political policies and to test public opinion. Just as Octavian sought to gain and sway public opinion after the assassination of Caesar, so Nero held many banquets and dramatic events to ensure and maintain his popularity. Richard Beacham draws on the early Imperial accounts of Dio, Tacitus and Suetonius, as well as archaeological evidence, to trace the changes in these entertainments throughout the period; he discusses the information they contain for a better understanding of a range of policies and activities in Early Imperial ROme.