
Gathers firsthand accounts of the experiences of ordinary soldiers in World War I, and shows how they adapted to modern warfare

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
New York Times - Christian Science Monitor - NPR - Seattle Times - St. Louis Dispatch
National Book Critics Circle Finalist -- American Library Association Notable Book

Praise for A World Undone "Meyer's sketches of the British Cabinet, the Russian Empire, the aging Austro-Hungarian Empire . . . are lifelike and plausible. His account of the tragic folly of Gallipoli is masterful. . . . A World Undone] has an instructive value that can scarcely be measured"--Los Angeles Times "An original and very readable account of one of the most significant and often misunderstood events of the last century."--Steve Gillon, resident historian, The History Channel

An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like.
In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund's collection of these varied perspectives describes not a course of events but a world of feeling. Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard.
E. H. Carr's classic work on international relations published in 1939 was immediately recognized by friend and foe alike as a defining work. The author was one of the most influential and controversial intellectuals of the 20th century. The issues and themes he developed continue to have relevance to modern day concerns with power and its distribution in the international system. Michael Cox's critical introduction provides the reader with background information about the author, the context for the book, and its main themes and contemporary relevance.

The definitive account of the Great War and national bestseller from one of our most eminent military historians, John Keegan.
The First World War created the modern world. A conflict of unprecedented ferocity, it abruptly ended the relative peace and prosperity of the Victorian era, unleashing such demons of the twentieth century as mechanized warfare and mass death. It also helped to usher in the ideas that have shaped our times--modernism in the arts, new approaches to psychology and medicine, radical thoughts about economics and society--and in so doing shattered the faith in rationalism and liberalism that had prevailed in Europe since the Enlightenment.The First World War probes the mystery of how a civilization at the height of its achievement could have propelled itself into such a ruinous conflict and takes us behind the scenes of the negotiations among Europe's crowned heads (all of them related to one another by blood) and ministers, and their doomed efforts to defuse the crisis. Keegan reveals how, by an astonishing failure of diplomacy and communication, a bilateral dispute grew to engulf an entire continent. But the heart of Keegan's superb narrative is, of course, his analysis of the military conflict. With unequalled authority and insight, he recreates the nightmarish engagements whose names have become legend--Verdun, the Somme and Gallipoli among them--and sheds new light on the strategies and tactics employed, particularly the contributions of geography and technology. No less central to Keegan's account is the human aspect. He acquaints us with the thoughts of the intriguing personalities who oversaw the tragically unnecessary catastrophe--from heads of state like Russia's hapless tsar, Nicholas II, to renowned warmakers such as Haig, Hindenburg and Joffre. But Keegan reserves his most affecting personal sympathy for those whose individual efforts history has not recorded--the anonymous millions, indistinguishably drab, undifferentially deprived of any scrap of the glories that by tradition made the life of the man-at-arms tolerable. By the end of the war, three great empires--the Austro-Hungarian, the Russian and the Ottoman--had collapsed. But as Keegan shows, the devastation ex-tended over the entirety of Europe, and still profoundly informs the politics and culture of the continent today. His brilliant, panoramic account of this vast and terrible conflict is destined to take its place among the classics of world history.

By exploring big themes such as democracy and empire, nationalism and capitalism, as well as art and poetry, The Long Shadow is stunningly broad in its historical perspective. Reynolds throws light on the vast expanse of the last century and explains why 1914-18 is a conflict that America is still struggling to comprehend. Forging connections between people, places, and ideas, The Long Shadow ventures across the traditional subcultures of historical scholarship to offer a rich and layered examination not only of politics, diplomacy, and security but also of economics, art, and literature. The result is a magisterial reinterpretation of the place of the Great War in modern history.

A moving and evocative recreation of 1914 - the beginning of the First World War and the year when the world changed for ever
This book unravels the complicated and tragic events of the Eastern Front in the First World War. The author details Russia's sudden attack on German forces, despite her inadequate resources. A crushing defeat at Tannenberg was followed by Germany inflicting humiliation after humiliation on desperate Russian troops. For a while, those forces led by General Brusilov and facing Austria-Hungary fared better, but in the end this front too collapsed. Morale plummeted, the army began to disintegrate, and the Tsar was forced to abdicate - paving the way for the Bolshevik seizure of power in 1917.

Seeing Reds tells the story of a turbulent period in Canadian history, when in 1918-19 the Canadian government, fearful in the wake of the Russian Revolution, tried to suppress radical political activity at home by branding legitimate labor leaders as Bolsheviks and Reds. Daniel Francis examines Canada's Red Scare in a global context, including government responses to similar activities in the United States and Europe, as well as its ramifications for the contemporary war on terror, in which issues of free speech and political dissent are similarly compromised in the name of national security.