"Not since Albert Camus has there been such an eloquent spokesman for man." --The New York Times Book Review
The publication of Day restores Elie Wiesel's original title to the novel initially published in English as The Accident and clearly establishes it as the powerful conclusion to the author's classic trilogy of Holocaust literature, which includes his memoir Night and novel Dawn. "In Night it is the 'I' who speaks," writes Wiesel. "In the other two, it is the 'I' who listens and questions."
In its opening paragraphs, a successful journalist and Holocaust survivor steps off a New York City curb and into the path of an oncoming taxi. Consequently, most of Wiesel's masterful portrayal of one man's exploration of the historical tragedy that befell him, his family, and his people transpires in the thoughts, daydreams, and memories of the novel's narrator. Torn between choosing life or death, Day again and again returns to the guiding questions that inform Wiesel's trilogy: the meaning and worth of surviving the annihilation of a race, the effects of the Holocaust upon the modern character of the Jewish people, and the loss of one's religious faith in the face of mass murder and human extermination.
A concise history of the Holocaust examines the origins and aftermath of the Jewish genocide, exploring the causes of the Holocaust, Hitler's role in the events of the era, and the lasting legacy of Nazi crimes since 1945.
Otto Friedrich's powerful portrayal of Auschwitz is both an extraordinary reminder of the human capacity for evil and an eloquent message to humanity never to let such things happen again. --Arthur Schlesinger, Jr.
I know of no work which brings the reality of this evil place so directly, vividly, accurately, movingly and clearly. . . .It is quite simply the best short account ever produced. --Paul Johnson
A short and thoroughly accurate history of the Auschwitz concentration camp, this compelling book is authoritative in its factual details, devastating in its emotional impact.
Growing up in the beautiful mountains of Berchtesgaden -- just steps from Adolf Hitler's alpine retreat -- Irmgard Hunt had a seemingly happy, simple childhood. In her powerful, illuminating, and sometimes frightening memoir, Hunt recounts a youth lived under an evil but persuasive leader. As she grew older, the harsh reality of war -- and a few brave adults who opposed the Nazi regime -- aroused in her skepticism of National Socialist ideology and the Nazi propaganda she was taught to believe in.
In May 1945, an eleven-year-old Hunt watched American troops occupy Hitler's mountain retreat, signaling the end of the Nazi dictatorship and World War II. As the Nazi crimes began to be accounted for, many Germans tried to deny the truth of what had occurred; Hunt, in contrast, was determined to know and face the facts of her country's criminal past.
On Hitler's Mountain is more than a memoir -- it is a portrait of a nation that lost its moral compass. It is a provocative story of a family and a community in a period and location in history that, though it is fast becoming remote to us, has important resonance for our own time.
A New Translation From The French By Marion WieselNight is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man. Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.
After their zoo was bombed, Polish zookeepers Jan and Antonina Zabinski managed to save over three hundred people from the Nazis by hiding refugees in the empty animal cages. With animal names for these guests, and human names for the animals, it's no wonder that the zoo's code name became The House Under a Crazy Star. Best-selling naturalist and acclaimed storyteller Diane Ackerman combines extensive research and an exuberant writing style to re-create this fascinating, true-life story--sharing Antonina's life as the zookeeper's wife, while examining the disturbing obsessions at the core of Nazism. Winner of the 2008 Orion Award.