Photography History and Criticism
Featured Items
The Ongoing Moment
The Ongoing Moment
Paperback      ISBN: 1400031680

Great photographs change the way we see the world; The Ongoing Moment changes the way we look at both.

Focusing on the ways in which canonical figures like Alfred Stieglitz, Paul Strand, Walker Evans, Andr Kert sz, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston have photographed the same things--barber shops, benches, hands, roads, signs--award-winning writer Geoff Dyer seeks to identify their signature styles. In doing so, he constructs a narrative in which these photographers--many of whom never met--constantly encounter one another. The result is a kaleidoscopic work of extraordinary originality and insight.
Roger Ballen: Shadow Chamber
Roger Ballen
Shadow Chamber
Hardcover      ISBN: 0714844667

Roger Ballen challenges the ways in which we perceive the 'reality' of photography. This body of work is a product of the decades Ballen has spent working with and photographing the common folk of rural and suburban South Africa.

The Photographic Arts
The Photographic Arts
Hardcover      ISBN: 0877455732
The Bitter Years: Edward Steichen and the Farm Security Administration Photographs
The Bitter Years
Edward Steichen and the Farm Security Administration Photographs
Hardcover      ISBN: 1935202863
The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935-41, as part of Roosevelt's New Deal. The FSA, set up to combat rural poverty during the Great Depression, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography--testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms. This volume includes all the photographs in the original show, in a structure and sequence that reflect those devised by Steichen for the exhibition. The Bitter Years was the last exhibition curated by Steichen as Director of the Department of Photography at MoMA, in which role he had won international acclaim for his 1955 The Family of Man exhibition. Essays by Jean Back, Gabriel Bauret, Ariane Pollet, Miles Orvell and Antoinette Lorang discuss the FSA, its place in the history of twentieth-century photography and the continuing role of its archive, and Steichen and the origins, impact and legacy of the exhibition. The Bitter Years celebrates some of the most iconic photographs of the twentieth century, and--since no proper catalogue was produced at the time--provides a whole new insight into Steichen's impact on the history of documentary photography.
Gardner's Photographic Sketch Book of the Civil War
Gardner's Photographic Sketch Book of the Civil War
Paperback      ISBN: 0486227316

Second only to Mathew Brady as the foremost early American photographer was Alexander Gardner, the one-time manager of Brady's Washington salon and Brady's chief photographer in the field during the early days of the Civil War.
Indeed, Gardner -- who later photographed the War independently -- often managed the famous horse-drawn photographic laboratory and took many of the pictures that used to be attributed to Brady. He accompanied the Union troops on their marches, their camps and bivouacs, their battles, and on their many hasty retreats and routs during the early days of the War.
In 1866 Alexander Gardner published a very ambitious two-volume work which contained prints of some 100 photographs which he had taken in the field. A list of them reads like a roster of great events and great men: Antietam Bridge under Travel, President Lincoln (and McClellan) at Antietam, Pinkerton and His Agents in the Field, Ruins of Richmond, Libby Prison, McLean's House Where Lee's Surrender Was Signed, Meade's Headquarters at Gettysburg, Battery D, Second U.S. Artillery in Action at Fredericksburg, the Slaughter Pen at Gettysburg, and many others. This publication is now amoung the rarest American books, and is here for the first time republished inexpensively.
Gardner's photographs are among the greatest war pictures ever taken and are also among the most prized records of American history. Gardner was quite conscious of recording history, and spared himself no pains or risk to achieve the finest results. His work indicates a technical mastery that now seems incredible when one bears in mind the vicissitudes of collodion applications in the field, wet plates, long exposures, long drying times, imperfect chemicals -- plus enemy bullets around the photographer's ears. It has been said of these photographs: photography today . . . is far easier, but it is no better.

The Unforgettable Photograph: 228 Ideas, Tips, and Secrets for Taking the Best Pictures of Your Life
The Unforgettable Photograph
228 Ideas, Tips, and Secrets for Taking the Best Pictures of Your Life
Paperback      ISBN: 0761169237

Renowned photographer George Lange's work is guided by one simple truth: An unforgettable photograph is not about what the subject looks like, but what it feels like. In this entirely new kind of photography guide, written by Mr. Lange and Scott Mowbray, magazine editor and longtime amateur photographer, the rest of us will learn how to take photographs that don't just document life but celebrate it.

No fancy equipment required. Just hundreds of simple, inspiring ideas and lessons--each one illustrated with a photograph--organized around the six essential principles of seeing like a photographer. (Here's one: Shoot the Moment, Not the Subject.)

Here's why to shoot in natural light--always. The fun of putting babies in surprising places. How to get intimate with food. Using a dramatic sky as your backdrop. The benefit of learning to know the light in every room of your house. Shooting hands or feet instead of faces. How to move past the "I was here" postcard effect. How to catch the in-between moments. Because in the end, it's about living the moment, shooting the moment--and being in the moment forever.

Photographing Medicine: Images and Power in Britain and America Since 1840
Photographing Medicine
Images and Power in Britain and America Since 1840
Hardcover      ISBN: 0313237190

The book contains more than 250 photographs which are representative of the thousands that were studied. Each photograph is evaluated and interpreted in terms of the intended meaning and purpose of the images. . . . This book is a pleasure to read and represents the distillation of many hundreds of hours reviewing photographic materials. . . . The basic information regarding the interpretation of photographic conventions should be of great interest to both photographers and those with an interest in the cultural histories of Britain and the US. Journal of Biological Photography

With a perspective shaped by recent work in art history and the sociology of knowledge, the authors encourage the reader to analyze photographs as complicated historical documents. They argue that, while photographs may appear to be literal depictions of reality, they actually pose profound problems of historical interpretation. The authors take as their subject matter the representation of medicine in photographs taken in Britain and the United States from 1840 through the present day. They have studied thousands of photographs, more than 250 of which are reprinted in this volume, in conjunction with other primary sources and historical accounts. The text explores the representations of medicine made by photographers and their employers, and the ways that audiences through the years have interpreted their messages.

We Are at Home: Pictures of the Ojibwe People
We Are at Home
Pictures of the Ojibwe People
1st Edition    Paperback      ISBN: 0873516222

In this collection of more than 200 stunning and storied photographs, ranging from daguerreotypes to studio portraits to snapshots, historian Bruce White explores historical images taken of Ojibwe people through 1950 and considers the negotiation that went on between the photographers and the photographed-and what power the latter wielded. Ultimately, this book tells more about the people in the pictures-what they were doing on a particular day, how they came to be photographed, how they made use of costumes and props-than about the photographers who documented, and in some cases doctored, views of Ojibwe life.

Irevolution: Notes Toward a History of Mobile Photography
Irevolution
Notes Toward a History of Mobile Photography
Paperback      ISBN: 8898391358
Research that synthesizes the knowledge and reflections that have interests at the heart of the changes of the contemporary photographer.
Murder Has a Public Face: Crime and Punishment in the Speed Graphic Era
Murder Has a Public Face
Crime and Punishment in the Speed Graphic Era
1st Edition    Hardcover      ISBN: 0873516273

In his popular Strange Days, Dangerous Nights, Larry Millett delivered Weegee-style images of midwestern noir from the photo files of the St. Paul Pioneer Press. He returns with a focus on the "dangerous"-murder cases from the forties and fifties, memorialized in telling photographs.

There is Arthur DeZeler, accused of sinking his wife's body in a northern lake. Laura Miller, who ran for help after gunshots killed her married lover. Dentist Arnold Axilrod, who was arrested when the lifeless body of one of his patients was discovered in a Minneapolis alley. And, finally, Arnold Larson, the personable salesman with a winning smile and a bad temper.

Millett traces these four sensational crimes from the moment the victim was found, through the search for the killer, to the court trial and resulting imprisonment or acquittal. All are copiously illustrated with shots from the bulky Speed Graphic camera, views from an era when photographers enjoyed unrestricted access to police matters ranging from found bodies to jail cells. The images dramatically evoke crimes of passion now more than a half-century old, a thrilling immersion into Minnesota noir.

Larry Millett is the author of numerous books, including Strange Days, Dangerous Nights and the AIA Guide to the Twin Cities (MHS Press). William Swanson is the author of Dial M: The Murder of Carol Thompson (MHS Press).