Using historical documents and translated by R gine Pernoud, Joan of Arc seeks to answer the questions asked by Joan's contemporaries as well as us: Who was she? Whence came she? What had been her life and exploits? First published in the United States in 1966 by Stein and Day, this book reveals the historical Joan, described in contemporary documents by her allies as well as her enemies.
Do You Know...
- where the legend of a cat's nine lives comes from?
- why "mama" is a word understood in nearly all languages?
- how the custom of kissing began?
- whether there really was a female pope?
- why Cinderella's glass slipper was so important to the Prince?
The answers to these and countless other intriguing questions are given in this compulsively readable, feminist encyclopedia. Twenty-five years in preparation, this unique, comprehensive sourcebook focuses on mythology anthropology, religion, and sexuality to uncover precisely what other encyclopedias leave out or misrepresent. The Woman's Encyclopedia presents the fascinating stories behind word origins, legends, superstitions, and customs. A browser's delight and an indispensable resource, it offers 1,350 entries on magic, witchcraft, fairies, elves, giants, goddesses, gods, and psychological anomalies such as demonic possession; the mystical meanings of sun, moon, earth, sea, time, and space; ideas of the soul, reincarnation, creation and doomsday; ancient and modern attitudes toward sex, prostitution, romance, rape, warfare, death and sin, and more.
Tracing these concepts to their prepatriarchal origins, Barbara G. Walker explores a "thousand hidden pockets of history and custom in addition to the valuable material recovered by archaeologists, orientalists, and other scholars."
Not only a compendium of fascinating lore and scholarship, The Woman's Encyclopedia is a revolutionary book that offers a rare opportunity for both women and men to see our cultural heritage in a fresh light, and draw upon the past for a more humane future.
Here is the fiery, provocative, and unparalleled work of feminist art criticism that launched Camille Paglia's exceptional career as one of our most important public intellectuals. Is Emily Dickinson "the female Sade"? Is Donatello's David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists--as well as conservatives--fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a unified-field theory of Western culture, high and low, since Egyptians invented beauty--making a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and daemonic nature.47 photographs.
Considering gender segregation, both implicit and explicit, this text explores the workplace and home by linking appliances and business equipment to their life in culture. The social, economic and sexual meanings of objects revealed through advertising, photo-journalism, film stills and an analysis of changing design styles. The text should appeal to those interested in advertising, industrial design, American studies or women's studies.
This is a powerful, moving, at times shocking account of three generations of Chinese women, as compelling as Amy Tan. --Mary Morris. An evocative, often astonishing view of life in a changing China. -- The New York Times
A powerful study of the women's liberation movement in the U.S., from abolitionist days to the present, that demonstrates how it has always been hampered by the racist and classist biases of its leaders. From the widely revered and legendary political activist and scholar Angela Davis.
A fascinating and sometimes humorous glimpse into the lives of 150, 19th-century American women who refused to whittle themselves down to the Victorian model of proper womanhood. 50-black-and-white photos.
So begins Sue Bender's story, the captivating and inspiring true story of a harried urban Californian moved by the beauty of a display of quilts to seek out and live with the Amish. Discovering lives shaped by unfamiliar yet comforting ideas about time, work, and community, Bender is gently coaxed to consider, "Is there another way to lead a good life?"
Her journey begins in a New York men's clothing store. There she is spellbound by the vibrant colors and stunning geometric simplicity of the Amish quilts "spoke directly to me," writes Bender. Somehow, "they went straight to my heart."
Heeding a persistent inner voice, Bender searches for Amish families willing to allow her to visit and share in there daily lives. Plain and Simple vividly recounts sojourns with two Amish families, visits during which Bender enters a world without television, telephone, electric light, or refrigerators; a world where clutter and hurry are replaced with inner quiet and calm ritual; a world where a sunny kitchen "glows" and "no distinction was made between the sacred and the everyday."
In nine interrelated chapters--as simple and elegant as a classic nine-patch Amish quilt--Bender shares the quiet power she found reflected in lives of joyful simplicity, humanity, and clarity. The fast-paced, opinionated, often frazzled Bender returns home and reworks her "crazy-quilt" life, integrating the soul-soothing qualities she has observed in the Amish, and celebrating the patterns in the Amish, and celebrating the patterns formed by the distinctive "patches" of her own life.
Charmingly illustrated and refreshingly spare, Plain and Simple speaks to the seeker in each of us.
Elizabeth Wilson's elegant, provocative, and scholarly study uses fiction, essays, film, and art, as well as history and sociology, to look at some of the world's greatest cities-London, Paris, Moscow, New York, Chicago, Lusaka, and S o Paulo-and presents a powerful critique of utopian planning, anti-urbanism, postmodernism, and traditional architecture. For women the city offers freedom, including sexual freedom, but also new dangers. Planners and reformers have repeatedly attempted to regulate women-and the working class and ethnic minorities-by means of grandiose, utopian plans, nearly destroying the richness of urban culture. City centers have become uninhabited business districts, the countryside suburbanized. There is danger without pleasure, consumerism without choice, safety without stimulation. What is needed is a new understanding of city life and Wilson gives us an intriguing introduction to what this might be.