Read the Bldg Blog interview with Mary Beard about the Wonders of the World series(Part I and Part II)
The Alhambra has long been a byword for exotic and melancholy beauty. In his absorbing new book, Robert Irwin, Arabist and novelist, examines its history and allure.
The Alhambra is the only Muslim palace to have survived since the Middle Ages. Built by a threatened dynasty of Muslim Spain, it was preserved as a monument to the triumph of Christianity. Every day thousands of tourists enter this magnificent site to be awestruck by its towers and courts, its fountained gardens, its honeycombed ceilings and intricate tile work. It is a complex full of mysteries--even its purpose is unclear. Its sophisticated ornamentation is not indiscriminate but full of hidden meaning. Its most impressive buildings were designed not by architects, but by philosophers and poets. The Alhambra, which resembles a fairy-tale palace, was constructed by slave labor in an era of economic decline, plague, and political violence. Its sumptuously appointed halls have lain witness to murder and mayhem. Yet its influence on art and on literature--including Orientalist painting and the architecture of cinemas, Washington Irving and Jorge Luis Borges--has been lasting and significant. As our guide to this architectural masterpiece, Robert Irwin allows us to fully understand the impact of the Alhambra.
Pearls have enthralled global consumers since antiquity, and the Spanish monarchs Ferdinand and Isabella explicitly charged Columbus with finding pearls, as well as gold and silver, when he sailed westward in 1492. American Baroque charts Spain's exploitation of Caribbean pearl fisheries to trace the genesis of its maritime empire. In the 1500s, licit and illicit trade in the jewel gave rise to global networks, connecting the Caribbean to the Indian Ocean to the pearl-producing regions of the Chesapeake and northern Europe.
Pearls--a unique source of wealth because of their renewable, fungible, and portable nature--defied easy categorization. Their value was highly subjective and determined more by the individuals, free and enslaved, who produced, carried, traded, wore, and painted them than by imperial decrees and tax-related assessments. The irregular baroque pearl, often transformed by the imagination of a skilled artisan into a fantastical jewel, embodied this subjective appeal. Warsh blends environmental, social, and cultural history to construct microhistories of peoples' wide-ranging engagement with this deceptively simple jewel. Pearls facilitated imperial fantasy and personal ambition, adorned the wardrobes of monarchs and financed their wars, and played a crucial part in the survival strategies of diverse people of humble means. These stories, taken together, uncover early modern conceptions of wealth, from the hardscrabble shores of Caribbean islands to the lavish rooms of Mediterranean palaces.
Este libro es un ensayo en forma de cr nica o una cr nica en forma de ensayo. Este libro no es una ficci n. Este libro es la anatom a de un instante: el instante en que Adolfo Su rez permaneci sentado en la tarde del 23 de febrero de 1981, mientras las balas de los golpistas zumbaban a su alrededor en el hemiciclo del Congreso de los Diputados y todos los dem s parlamentarios -todos menos dos: el general Guti rrez Mellado y Santiago Carrillo- buscaban refugio bajo sus esca os. Este libro es la cr nica de ese gesto y la cr nica de un golpe de estado y la cr nica de unos a os decisivos en la historia de Espa a. Este libro es un libro inclasificable. Un libro nico. Javier Cercas ENGLISH DESCRIPTION A vibrant, tense, and detailed tale that starts off reading like a crime novel and ends up like a work of terror. "This book is an essay in the form of a chronicle, or a chronicle in the form of an essay. This book is the anatomy of an instant: the instant in which Adolfo Su rez stayed seated on the afternoon of February 23, 1981, while the bullets of the coup whizzed around him on the floor of the House of Representatives and all the other members of Parliament--all except two: General Guti rrez Mellado and Santiago Carrillo--sought refuge under their seats. This book is the account of a coup d' tat and the report of some decisive years in the history of Spain. This book is an unclassifiable book. A unique book." --Javier Cercas
This book, now available in paperback, is a challenging and controversial account of the history of Spain in the eighth century. In it Roger Collins assesses the political and cultural impact on Spain of the first hundred years of Arab rule, focusing upon aspects of continuity and discontinuity with Visigoth Spain.
The life of Us mah ibn-Munqidh epitomized the height of Arab civilization as it flourished in the period of the early Crusades. His memoirs present an uncommon non-European perspective and understanding of the military and cultural contact between East and West, Muslim and Christian. His writing is remarkable for its narrative clarity, its humanity, and its wealth of perceptive details.
After more than a century of research, an enormous body of scientific literature in the field of El Argar studies has been generated, comprising some 700 bibliographic items. No fully-updated synthesis of the literature is available at the moment; recent works deal only with specific characteristics of Argaric societies or some of the regions where their influence spread. The Archaeology of Bronze Age Iberia offers a much-needed, comprehensive overview of Argaric Bronze Age societies, based on state-of-the-art research.
In addition to expounding on recent insights in such areas as Argaric origin and expansion, social practices, and socio-politics, the book offers reflections on current issues in the field, from questions concerning the genealogy of discourses on the subject, to matters related to professional practices. The book discusses the values and interests guiding the evolution of El Argar studies, while critically reexamining its history. Scholars and researchers in the fields of Prehistory and Archaeology will find this volume highly useful.
This is a collection of work by students from Tufts University and New York University who participated in a journalism workshop in Kosovo in 2005. The students worked in tandem as photographers and writers to examine the socio-cultural issues facing Argentina decades after the Dirty War and just years after financial collapse.
The Flanders armada, took shape in response to the use of seapower by the Dutch rebels, and evolved into the most effective unit in Spain's defence establishment. In combination with its privateering auxiliaries, this elite striking force dominated the North Sea for some twenty years (1625 45), and campaigned also in the Mediterranean and Atlantic theatres of war. Yet its contribution to the tenacious survival of Spanish hegemony has never before been assessed. A narrative of the armada's fighting record over the century of its meaningful existence is presented with constant reference to the strategic-logistical context and analysis of policymaking in Madrid. Attention is paid to the political significance of maritime policy, and particularly the relationship between Madrid and its subordinate headquarters in Brussels; the infrastructure of the armada; the ships themselves, above all the revolutionary but elusive 'frigate'; the social hierarchy of crews and commanders; and details of administration and financing."
Named a Book of the Year by the Times Literary Supplement, this lavishly illustrated work explores the vibrant interaction among different and sometimes opposing cultures, and how their contacts with one another transformed them all. It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the Muslims and Jews they had overcome.
The authors paint a portrait of the culture through its arts, architecture, poetry and prose, uniquely combining literary and visual arts. Concentrating on the eleventh and twelfth centuries, the book reveals the extent to which Castilian identity is deeply rooted in the experience of confrontation, interaction, and at times union with Hebrew and Arabic cultures during the first centuries of its creation. Abundantly illustrated, the volume serves as a splendid souvenir of southern Spain; beautifully written, it illuminates a culture deeply enriched by others.