Rousseau's ideas have influenced almost every major political development of the last two hundred years, and are crucial to an understanding of phenomena as diverse as the French Revolution, modern educational theory, and the contemporary environmental movement. This is reason enough to draw attention to his startlingly alive autobiography. But the Confessions is also among the greatest self-portraits in world literature -which suggests, even more than the impact of Rousseau's thought, the extent to which the very high opinion he had of himself was ultimately justified.
Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays.
This vital translation of Euripides' Electra recreates the prize-winning excitement of the original play. Electra, obsessed by dreams of avenging her father's murder, impatiently awaits the return of her exiled brother Orestes. When he arrives, the play mounts toward its first climax, a tender recognition scene. From that moment on, Electra uses Orestes as her instrument of vengeance. They kill their mother's husband, then their mother herself--and only afterward see the evil inherent in these seemingly just acts. But in his usual fashion, Euripides has imbued myth with the reality of human experience, counterposing suspense and horror with comic realism and down-to-earth comments on life.
This is a secret history of modern times, told by way of what conventional history tries to exclude. Lipstick Traces tells a story as disruptive and compelling as the century itself. Hip, metaphorical and allusive...--Gail Caldwell, Boston Sunday Globe. Full-color illustrations and halftones.
John Ferling's masterful John Adams: A Life is the most comprehensive single-volume biography of the man who succeeded George Washington in the presidency and shepherded the fragile new nation through the most dangerous of times. Drawing on extensive research, Ferling depicts a reluctant revolutionary, a leader who was deeply troubled by the warfare that he helped to make, and a fiercely independent statesman.
In studying the inescapable physical setting of history, writes the author, the geographer examines one of the strands from which history itself is woven. To illuminate the vital relationship between history and geographical conditions, W. Gordon East draws examples from ancient times to the mid-twentieth century. He demonstrates that when we look at the physical conditions under which an event occurs, we find that the particular characteristics of this setting serve not only to localise but also to influence part at least of the action. Topographical position, climate, distribution of water and minerals, the placement of routes and towns, and ease or difficulty of movement between districts and countries are among the factors which the historian must take into account.
Professor East's topics include the role of geography in international politics, the contribution of the geographer to the study of ancient civilizations, and the use of old maps as historical documents.
Drawing on a comprehensive array of examples, from Montezuma's senseless surrender of his empire in 1520 to Japan's attack on Pearl Harbor, Barbara W. Tuchman defines folly as the pursuit by government of policies contrary to their own interests, despite the availability of feasible alternatives. In brilliant detail, Tuchman illuminates four decisive turning points in history that illustrate the very heights of folly: the Trojan War, the breakup of the Holy See provoked by the Renaissance popes, the loss of the American colonies by Britain's George III, and the United States' own persistent mistakes in Vietnam. Throughout The March of Folly, Tuchman's incomparable talent for animating the people, places, and events of history is on spectacular display. Praise for The March of Folly "A glittering narrative . . . a moral book] on the crimes and follies of governments and the misfortunes the governed suffer in consequence."--The New York Times Book Review
"An admirable survey . . . I haven't read a more relevant book in years."--John Kenneth Galbraith, The Boston Sunday Globe
"A superb chronicle . . . a masterly examination."--Chicago Sun-Times
In a memoir that pierces and delights us, Jill Ker Conway tells the story of her astonishing journey into adulthood--a journey that would ultimately span immense distances and encompass worlds, ideas, and ways of life that seem a century apart.She was seven before she ever saw another girl child. At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a man's job of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide--bereft of the partnership of work and love that had so utterly fulfilled her--into depression and dependency. We see Jill, staggered by the loss of her father, catapulted to what seemed another planet--the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons--Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self. Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place--or to a dream--can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.
Here's a new installment of the phenomenal bestseller that Publishers Weekly selected as one of the twelve graphic books of all time. Spanning ages and continents from Ancient India to Rome and China in A.D. 600, Volume II is hip, funny, and full of info.B & W illustrations.