Classical Criticism and Anthologies
The Classical Roman Reader: New Encounters With Ancient Rome
The Classical Roman Reader
New Encounters With Ancient Rome
Paperback      ISBN: 0195127404
Western civilization is in many ways an outgrowth of the Roman Empire. The Classical Roman Reader, which contains a collection of some of the finest and most important writing of the Roman period, brings the modern reader into direct contact with the literature, political thought, science, art and architecture, and psychology of classical Rome. Here are the wonders of the Roman world presented in a modern, accessible manner. Each selection is preceded by an introduction that identifies the author and provides information that allows modern readers to consider these texts in a new light. What we discover might be surprising. For instance, in Cicero's orations and Marcus Aurelius' meditations, we hear echoes of today's political forums and popular-psychology talk-show hosts. Virgil's ironic dramatization of the founding myth in the Aeneid prepared the way for America's deeply embedded ambivalence toward the presidency. The Roman preference for practicality over philosophy, leading to a network of superhighways that joined Europe, Asia, Asia Minor, and Africa, literally paved the way for the "global village" of the contemporary world. From Plautus' wildly comic plays to Cato's instructions on farming, and from Catullus' erotic poems to Petronius' descriptions of the decadent splendor of the declining empire, The Classical Roman Reader provides access to the literary, artistic, social, religious, political, scientific, and philosophical texts that shaped Roman thinking and helped form the backbone of Western culture.
Classical Tragedy: Greek and Roman : 8 Plays in Authoritative Modern Translations Accompanied by Critical Essays
Classical Tragedy
Greek and Roman : 8 Plays in Authoritative Modern Translations Accompanied by Critical Essays
Paperback      ISBN: 1557830460
A collection of eight plays along with accompanying critical essays. Includes: "The Oresteia" - Aeschylus; "Prometheus Bound" - Aeschylus; "Oedipus the King" - Sophocles; "Antigone" - Sophocles; "Medea" - Euripides; "The Bakkhai" - Euripides; "Oedipus" - Seneca; "Medea" - Seneca.
Confronting the Classics: Traditions, Adventures, and Innovations
Confronting the Classics
Traditions, Adventures, and Innovations
Paperback      ISBN: 0871408597
An internationally recognized historian takes readers on an eye-opening tour of the Ancient World, shedding new light on the Greek and Roman history, and combines the epic with the everyday, which forces us to reexamine the assumptions we held as gospel.
Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the Restoration
Darke Hierogliphicks
Alchemy in English Literature from Chaucer to the Restoration
1st Edition    Paperback      ISBN: 0813192129
" The literary influence of alchemy and hermeticism in the work of most medieval and early modern authors has been overlooked. Stanton Linden now provides the first comprehensive examination of this influence on English literature from the late Middle Ages through the sixteenth and seventeenth centuries. Drawing extensively on alchemical allusions as well as on the practical and theoretical background of the art and its pictorial tradition, Linden demonstrates the pervasiveness of interest in alchemy during this three-hundred-year period. Most writers -- including Langland, Gower, Barclay, Eramus, Sidney, Greene, Lyly, and Shakespeare -- were familiar with alchemy, and references to it appear in a wide range of genres. Yet the purposes it served in literature from Chaucer through Jonson were narrowly satirical. In literature of the seventeenth century, especially in the poetry of Donne, Herbert, Vaughan, and Milton, the functions of alchemy changed. Focusing on Bacon, Donne, Herbert, Vaughan, and Milton -- in addition to Jonson and Butler -- Linden demonstrates the emergence of new attitudes and innovative themes, motifs, images, and ideas. The use of alchemy to suggest spiritual growth and change, purification, regeneration, and millenarian ideas reflected important new emphases in alchemical, medical, and occultist writing. This new tradition did not continue, however, and Butler's return to satire was contextualized in the antagonism of the Royal Society and religious Latitudinarians to philosophical enthusiasm and the occult. Butler, like Shadwell and Swift, expanded the range of satirical victims to include experimental scientists as well as occult charlatans. The literary uses of alchemy thus reveal the changing intellectual milieus of three centuries.
The Dating of Beowulf
The Dating of Beowulf
Paperback      ISBN: 0802078796
The date of Beowulf, debated for almost a century, is a small question with large consequences. Does the poem provide us with an accurate if idealized view of early Germanic culture? Or is it rather a creature of nostalgia and imagination, born of the desire of a later age to create for itself a glorious past? If we cannot decide when, between the 5th and 11th centuries, the poem was composed, we cannot distinguish what elements in Beowulf belong properly to the history of material culture, to the history of myth and legend, to political history, or to the development of the English literary imagination. This book represents both individual and concerted attempts to deal with this important question, and presents one of the most important inconclusions in the study of Old English. The contributors raise so many doubts, turn up so much new and disturbing information, dismantle so many long-accepted scholarly constructs that Beowulf studies will never be the same: henceforth every discussion of the poem and its period will begin with reference to this volume.
European Literature and the Latin Middle Ages
European Literature and the Latin Middle Ages
Trade Paperback      ISBN: 069101793x
Published just after the Second World War, European Literature and the Latin Middle Ages is a sweeping exploration of the remarkable continuity of European literature across time and place, from the classical era up to the early nineteenth century, and from the Italian peninsula to the British Isles. In what T. S. Eliot called a "magnificent" book, Ernst Robert Curtius establishes medieval Latin literature as the vital transition between the literature of antiquity and the vernacular literatures of later centuries. The result is nothing less than a masterful synthesis of European literature from Homer to Goethe. European Literature and the Latin Middle Ages is a monumental work of literary scholarship. In a new introduction, Colin Burrow provides critical insights into Curtius's life and ideas and highlights the distinctive importance of this wonderful book.
Everyman and Medieval Miracle Plays
Everyman and Medieval Miracle Plays
Paperback      ISBN: 046087280x
Part of the "Everyman" series which has been re-set with wide margins and easy-to-read type, this book includes marginal glosses and footnotes to explain difficult words and phraseology. It is a selection of 15th-century pageants which includes the play "Everyman".
Five Great Greek Tragedies
Five Great Greek Tragedies
Paperback      ISBN: 0486436209
Five of the greatest Greek tragedies, each in an outstanding translation, include Oedipus Rex and Electra by Sophocles (translated by George Young); Medea and Bacchae by Euripides (translated by Henry Hart Milman); and Prometheus Bound by Aeschylus (translated by George Thomson), a monumental work that examines relations between humans and the gods.
The Form of Greek Romance
The Form of Greek Romance
Hardcover      ISBN: 0691068380
In the early Roman Empire a new literary genre began to flourish, mainly in the Greek world: prose fiction, or romance. Broadly defined as a love story that offers adventure and a romantic vision of life, this form of literature emerged long after the other genres and, until recently, seemed hardly worthy of critical attention. Here B. P. Reardon addresses the growing interest in ancient fiction by providing a literary and cultural framework in which to understand Greek romance, and by demonstrating its importance as an artistic and social phenomenon. Beginning with a discussion of Chariton's Chaereas and Callirhoe, Reardon sets out the generic characteristics of the romance. He then moves through a wide range of works, including those of Longus and Heliodorus, and reveals their sophistication in terms of social observation, technique within a convention, and the stance adopted by the authors toward their own creations. Although antiquity left behind little discussion of the genre, Reardon shows how romance can be assessed within its time period by considering the practice of narrative in other Greek literature and the concept of fiction in antiquity. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Gilgamesh: The Life of a Poem
Gilgamesh
The Life of a Poem
Hardcover      ISBN: 0691195242
Reflections on a lost poem and its rediscovery by contemporary poets Gilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today. Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessions of an unlikely cast of characters, from archaeologists and museum curators to tomb raiders and jihadis. Fragments of the poem, incised on clay tablets, were scattered across a huge expanse of desert when it was recovered in the nineteenth century. The poem had to be reassembled, its languages deciphered. The discovery of a pre-Noah flood story was front-page news on both sides of the Atlantic, and the poem's allure only continues to grow as additional cuneiform tablets come to light. Its translation, interpretation, and integration are ongoing. In this illuminating book, Schmidt discusses the special fascination Gilgamesh holds for contemporary poets, arguing that part of its appeal is its captivating otherness. He reflects on the work of leading poets such as Charles Olson, Louis Zukofsky, and Yusef Komunyakaa, whose own encounters with the poem are revelatory, and he reads its many translations and editions to bring it vividly to life for readers.