Most Wesleyan-Holiness churches started in the US, developing out of the Methodist roots of the nineteenth-century Holiness Movement. The American origins of the Holiness movement have been charted in some depth, but there is currently little detail on how it developed outside of the US. This book seeks to redress this imbalance by giving a history of North American Wesleyan-Holiness churches in Australia, from their establishment in the years following the Second World War, as well as of The Salvation Army, which has nineteenth-century British origins. It traces the way some of these churches moved from marginalised sects to established denominations, while others remained small and isolated.
Looking at The Church of God (Anderson), The Church of God (Cleveland), The Church of the Nazarene, The Salvation Army, and The Wesleyan Methodist Church in Australia, the book argues two main points. Firstly, it shows that rather than being American imperialism at work, these religious expressions were a creative partnership between like-minded evangelical Christians from two modern nations sharing a general cultural similarity and set of religious convictions. Secondly, it demonstrates that it was those churches that showed the most willingness to be theologically flexible, even dialling down some of their Wesleyan distinctiveness, that had the most success.
This is the first book to chart the fascinating development of Holiness churches in Australia. As such, it will be of keen interest to scholars of Wesleyans and Methodists, as well as religious history and the sociology of religion more generally.
This collection of essays and selected poetry responds to an address on Samoan religious culture given by Samoa's Head of State, His Highness Tui Atua Tupua Tamasese Ta'isi Tupuola Tufuga Efi, to the 2009 Parliament of the World's Religions. The address challenges some fundamental aspects of and assumptions in modern Samoan indigenous religious culture.
I unpick and put in chronological order thousands of pieces of paper - lay out the facts as they arrived the first time, unadorned, uninterpreted, flying in from dozens of sources and every corner of the world. What really went on? Were the police corrupt? Did the conspiracy theorists believe what they wanted to believe? Who did bomb the Hilton? On 13 February 1978 a bomb exploded outside the Hilton Hotel in George Street, Sydney. Two garbage collectors and a police officer were killed. Often called the first act of terrorist murder on Australian soil, the crime is still unsolved. Award-winning filmmaker and historian Rachel Landers wrestles with the evidence to unravel this complex cold case in forensic detail, exposing corruption, conspiracy theories and political intrigue - and a prime suspect.
Extending deep into the caverns of humanity's oldest memories, beyond 60,000 years of history and into the Dreamtime, this collection of Australian Aboriginal myths has been passed down through the generations by tribal storytellers. The myths were compiled at the turn of the century by K. Langloh Parker, one of the first Europeans to realize their significance and spiritual sophistication. Saved from drowning by Aboriginal friends when she was just a child, Parker subsequently gained unique access to Aboriginal women and to stories that had previously eluded anthropologists.In the stories, women tell of their own initiations and ceremonies, the origins and destiny of humanity, and the behavioral codes for society. Included are stories of child-rearing practices, young love in adversity, the dangers of invoking the spiritual powers, the importance of social sharing, the role of women in male conflicts, the dark feminine, and the transformational power of language. Wise Women of the Dreamtime allows us to participate in the world's oldest stories and to begin a new dream of harmony between human society and nature.
In a remarkable collaboration, Aboriginal elder David Mowaljarlai and photographer Jutta Malnic rekindle a story that reaches back 60,000 years, constituting the oldest memory of humankind. Illustrated with more than 120 color plates, Yorro Yorro tells of the Wandjina creation spirits of the remote Kimberley region of Western Australia.