Controversy and Hope commemorates the civil rights legacy of James Karales (1930-2002), a professional photojournalist who documented the 1965 Selma to Montgomery March for Voting Rights with a dedication and vision that led the New York Times to deem his work "a pictorial anthem of the civil rights movement."
Equipped with ambition and a B.F.A. in photography from Ohio University in 1955, Karales headed to New York and found work as a darkroom assistant to master photographer W. Eugene Smith. Karales's earliest photo-essays had already come to the attention of Edward Steichen, curator of photography at the Museum of Modern Art in New York, which acquired two of Karales's photographs from his series on the Greek American community of Canton, Ohio. Another early photo-essay, on the integrated mining community of Rendville, Ohio, was featured in Karales's first solo exhibition, held in 1958 at Helen Gee's Limelight gallery in Greenwich Village. From 1960 to 1971, Karales worked as a staff photographer for Look magazine, traveling the world during a time of dynamic social change and recording the harsh realities he witnessed at home and abroad.
By the time Karales documented the fifty-four-mile voting-rights march from Selma to Montgomery, Alabama, in 1965 he had already developed a strong relationship with its most prominent leader, Dr. Martin Luther King Jr., and had been granted unprecedented access to the King family. That connection translated into a powerful empathy in the photographs that still resonates for viewers today.
The Village Voice described Karales's civil rights work as bearing "the weight of history and the grace of art." Controversy and Hope presents many of Karales's images from the era, including some photographs published here for the first time. Julian Cox, with the assistance of Rebekah Jacob and Monica Karales, has selected a bold representation of Karales's photographs, augmenting his visual legacy with biographical information and personal recollections. Civil rights leader Andrew Young, who appears in some of Karales's photographs, has provided a foreword to the volume.
Reckoning at the Frontier examines Mexico's struggle with organized crime through the stunning, introspective photographs of renowned photojournalist Eros Hoagland. Focused on the border cities of Tijuana and Ciudad Ju rez, Hoagland travels through the harsh deserts and urban mazes of northern Mexico. Part journalistic reportage and part artistic exploration, Reckoning at the Frontier goes beyond drug war crime scene imagery to reveal a parallel narrative about the price of complacency, the power of fear, and the consequences of corruption.
Hoagland's long-term work in Mexico has appeared in the New York Times, Der Spiegel, Time magazine, and many others.
"An unflinching memoir . . . that] offers insight into international events and the challenges faced by the journalists who capture them." --The Washington PostWar photographer Lynsey Addario's memoir is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It's her work, but it's much more than that: it's her singular calling. Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She decides to set out across the world, face the chaos of crisis, and make a name for herself. Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war. As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys' club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life. Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of societies. It's What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.
A powerful and eye-filling photographic chronicle of the award-winningNew York Times's coverage of 9/11 and its aftermath worldwide, including the war in Afghanistan
In an unprecedented effort, The New York Times opens its picture archive of September 11th and the aftermath at home and abroad. The result is groundbreaking photojournalism punctuated with authoratative prose. Culled from both published and previously unpublished material, A Nation Challenged highlights the best work of the paper's award-winning staffers-the work that has made the Times the paper of record for these events.
With a foreword, afterword, and original background essays by writers such as Pulitzer Prize winner John Burns, N. R. Kleinfeld, Dan Barry, and Celestine Bohlen, readers will follow the stunning events of September 11th on the national and international stage. Special charts and graphics supply another level of clarity and understanding, while the brilliant photographs provide counterpoint and perspective to carefully chosen text.
With 250 full-color photographs, A Nation Challenged is the definitive volume for all who desire a comprehensive visual chronicle of this pivotal time in America's history.
Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making--not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.
Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.
Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear.
As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys' club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.
Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of society. It's What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.
A successor to Phaidon's award-winning Century: One Hundred Years of Human Progress, Suffering, Regression and Hope (1999), Decade provides a comprehensive visual overview of the last 10 years in world history. Adhering to the same standards of historical accuracy and scholarship as its predecessor, this book offers a sensitive anthology of 10 years in photography that will appeal to readers of all ages and interests. Decade presents 500 engaging photographic images, both iconic and idiosyncratic, selected by acclaimed photo editor Eamonn McCabe and arranged in chronological order to tell the story of the first decade in our new millennium. The shorter historical span of this book, compared to Century, allows this sequence to explore more deeply developments in art, architecture, sport and technology, alongside key moments in international political affairs, so that the reader encounters surprising moments from our history alongside those familiar from coverage in the mass media. Global in scope, these photographs tackle subjects ranging from the World Trade Center attacks of '9/11' to the AIDS epidemic in Africa, from the first tests of the Hadron Collider at CERN, Geneva, to the death of the King of Pop, Michael Jackson. Award-winning documentary photography sits alongside the new 'citizen journalism', which has seen ordinary bystanders capture historic events equipped with nothing more sophisticated than a mobile phone camera. Each image is accompanied by both a short descriptive and an extended, historical caption, to provide a wider context within which to understand these often beautiful, always surprising, photographs. 15 historical and thematic essays are also included, exploring the events, trends and social phenomena that have characterized the decade. Engaging with debates in photography, while providing a visual record of world events both regional and international, this book provides an extraordinary insight into our recent history - dramatic, nostalgic, intimate and educational by turns.
For over five generations, National Geographic magazine has dazzled and educated its readers with incredible photography and gripping stories spanning the four corners of the earth and the deepest oceans. Inspired by our monumental Around the World in 125 Years, this volume curates over 200 captivating images, sourced directly from the National Geographic historical archives, including almost 40 new photographs. Traversing travel, history, culture, social documentary, and conservation, this compendium is in equal parts a breathtaking homage to the spirit and diversity of Europe, and a unique tribute to the world's most famous photography magazine.National Geographic pioneered the aesthetic of the photo essay, while continually pushing the medium's technical boundaries, to both entertain and enlighten its millions of loyal readers. Our trans-continental journey through time and space spans across all corners of Europe, from the snow-capped peaks of Finland to the frothy foam parties of Ibiza, from the serene blue waters of the Greek Islands to the Lascaux cave paintings of Southern France. We witness the hair-rising eruption of Surtsey in Iceland, where lightning rips through the volcano's clouds in otherworldly hues of purple; lose ourselves among flowers and babushka-wrapped heads in Russia's Volgograd marketplace; and tread carefully behind climbers across a crevasse in the Bernese Oberland. Along the way, we absorb the culture of the some of the world's greatest cities including Paris, Rome, Berlin, London, Vienna, Stockholm, Moscow, and many others.National Geographic: Europe leaves no stone unturned in its ultimate voyage through the precious jewels and hidden facets of the European continent. From evocative early black-and-white pictures to autochromes, from the golden age of Kodachromes to digital, this is both a celebration of the power of photography and a unique trip to the soul of Europe.
The date, September 11, 2001, now has a certain permanence, graven on ourcollective memory, like a very few others December 7, 1941, and November 22, 1963, dates which seem to separate yesterday from today, and then from now. They become the rarest of moments; ordinary people will forever be able to tell you where they were and what they were doing when they first heard the news, as if the terrible deed had happened to them, which in some ways it did.
-from the introduction by David Halberstam
-With a remarkable "concertina" design, this book showcases the 'grand tour' of Magnum Photographer Carl De Keyzer around North Korea, the most reclusive country in the world -After Cuba: La Lucha comes another unique book about a unique country "Timing is of the essence but a serious amount of good luck and a decent quality crystal ball are necessary" - Carl De Keyzer in The Guardian When it comes to foreign visitors or artists, North Korea must be the most restrictive country in the world. Nevertheless, Carl De Keyzer managed to cross the entire country in 42 days, divided into three journeys. In his latest book, Magnum photographer Carl De Keyzer points his lens at North Korea, officially the Democratic People's Republic of Korea, the last communist state in the world from an ideological, political and cultural perspective. De Keyzer is one of very few photographers who got almost-unlimited access to the country. He photographed more than 200 different locations, many of which had never been captured on camera before. The 250 photos that form his 'Grand Tour' - taken on marches, at the shooting range, in the subway and in family homes - are a testament to this country's uniqueness. www.facebook.com/carldekeyzer www.carldekeyzer.com/www.magnumphotos.com Instagram: carldekeyzer