Celebrating the women who have helped make National Geographic one of the most visually spectacular magazines ever published, this guide retraces a century of outstanding photography by women contributors.
A NEW YORK TIMES BESTSELLERAlan's War creator Emmanuel Guibert combines photos and narrative art to tell the story of photojournalist Didier Lefevre's travels in Afghanistan with Doctors Without Borders. In 1986, Afghanistan was torn apart by a war between the Soviet Union and the Mujahidin. Didier Lefevre was a photojournalist who accompanied a Doctors Without Borders team on a mission at the height of the war. In the company of an arms caravan, Lefevre and the doctors climbed across arid mountain passes to reach a tiny hut deep in the war zone, which would serve as a field hospital. This is Didier's story, in his own words, with his own photographs. Through his camera, we witnesses humanity at every extreme--violence, despair, generosity, and heroism--against the backdrop of the vast, barren Afghan landscape. Emmanuel Guibert has combined Lefevre's unflinching photography with his own spare, expressive illustrations to achieve a visual memoir that challenges the mind and strikes at the heart. As the consequences of that war continue to reverberate in the region, The Photographer focuses on some of its true heroes: the doctors who risk death to save lives and mend the wounds of war.
Controversy and Hope commemorates the civil rights legacy of James Karales (1930-2002), a professional photojournalist who documented the 1965 Selma to Montgomery March for Voting Rights with a dedication and vision that led the New York Times to deem his work "a pictorial anthem of the civil rights movement."
Equipped with ambition and a B.F.A. in photography from Ohio University in 1955, Karales headed to New York and found work as a darkroom assistant to master photographer W. Eugene Smith. Karales's earliest photo-essays had already come to the attention of Edward Steichen, curator of photography at the Museum of Modern Art in New York, which acquired two of Karales's photographs from his series on the Greek American community of Canton, Ohio. Another early photo-essay, on the integrated mining community of Rendville, Ohio, was featured in Karales's first solo exhibition, held in 1958 at Helen Gee's Limelight gallery in Greenwich Village. From 1960 to 1971, Karales worked as a staff photographer for Look magazine, traveling the world during a time of dynamic social change and recording the harsh realities he witnessed at home and abroad.
By the time Karales documented the fifty-four-mile voting-rights march from Selma to Montgomery, Alabama, in 1965 he had already developed a strong relationship with its most prominent leader, Dr. Martin Luther King Jr., and had been granted unprecedented access to the King family. That connection translated into a powerful empathy in the photographs that still resonates for viewers today.
The Village Voice described Karales's civil rights work as bearing "the weight of history and the grace of art." Controversy and Hope presents many of Karales's images from the era, including some photographs published here for the first time. Julian Cox, with the assistance of Rebekah Jacob and Monica Karales, has selected a bold representation of Karales's photographs, augmenting his visual legacy with biographical information and personal recollections. Civil rights leader Andrew Young, who appears in some of Karales's photographs, has provided a foreword to the volume.
For over five generations, National Geographic magazine has dazzled and educated its readers with incredible photography and gripping stories spanning the four corners of the earth and the deepest oceans. Inspired by our monumental Around the World in 125 Years, this volume curates over 200 captivating images, sourced directly from the National Geographic historical archives, including almost 40 new photographs. Traversing travel, history, culture, social documentary, and conservation, this compendium is in equal parts a breathtaking homage to the spirit and diversity of Europe, and a unique tribute to the world's most famous photography magazine.National Geographic pioneered the aesthetic of the photo essay, while continually pushing the medium's technical boundaries, to both entertain and enlighten its millions of loyal readers. Our trans-continental journey through time and space spans across all corners of Europe, from the snow-capped peaks of Finland to the frothy foam parties of Ibiza, from the serene blue waters of the Greek Islands to the Lascaux cave paintings of Southern France. We witness the hair-rising eruption of Surtsey in Iceland, where lightning rips through the volcano's clouds in otherworldly hues of purple; lose ourselves among flowers and babushka-wrapped heads in Russia's Volgograd marketplace; and tread carefully behind climbers across a crevasse in the Bernese Oberland. Along the way, we absorb the culture of the some of the world's greatest cities including Paris, Rome, Berlin, London, Vienna, Stockholm, Moscow, and many others.National Geographic: Europe leaves no stone unturned in its ultimate voyage through the precious jewels and hidden facets of the European continent. From evocative early black-and-white pictures to autochromes, from the golden age of Kodachromes to digital, this is both a celebration of the power of photography and a unique trip to the soul of Europe.
A successor to Phaidon's award-winning Century: One Hundred Years of Human Progress, Suffering, Regression and Hope (1999), Decade provides a comprehensive visual overview of the last 10 years in world history. Adhering to the same standards of historical accuracy and scholarship as its predecessor, this book offers a sensitive anthology of 10 years in photography that will appeal to readers of all ages and interests. Decade presents 500 engaging photographic images, both iconic and idiosyncratic, selected by acclaimed photo editor Eamonn McCabe and arranged in chronological order to tell the story of the first decade in our new millennium. The shorter historical span of this book, compared to Century, allows this sequence to explore more deeply developments in art, architecture, sport and technology, alongside key moments in international political affairs, so that the reader encounters surprising moments from our history alongside those familiar from coverage in the mass media. Global in scope, these photographs tackle subjects ranging from the World Trade Center attacks of '9/11' to the AIDS epidemic in Africa, from the first tests of the Hadron Collider at CERN, Geneva, to the death of the King of Pop, Michael Jackson. Award-winning documentary photography sits alongside the new 'citizen journalism', which has seen ordinary bystanders capture historic events equipped with nothing more sophisticated than a mobile phone camera. Each image is accompanied by both a short descriptive and an extended, historical caption, to provide a wider context within which to understand these often beautiful, always surprising, photographs. 15 historical and thematic essays are also included, exploring the events, trends and social phenomena that have characterized the decade. Engaging with debates in photography, while providing a visual record of world events both regional and international, this book provides an extraordinary insight into our recent history - dramatic, nostalgic, intimate and educational by turns.
This extraordinary volume features classic photographs of the history one has learned to associate with the Forward--Lower East Side pushcarts, Yiddish theater, labor rallies--along with gems no one would expect. The premiere national Jewish newspaper has opened up its never-before-seen archives, revealing a photographic landscape of Jews in the twentieth century and beyond. From shtetl beauty contests and matchmakers caught mid-deal to the streets of the New World; from diaspora communities and mandate Palestine to the Holocaust, the Soviet Jewry movement, and the emergence of Jewish suburbia; from Paul Muni and Barbra Streisand to Woody Allen and Madonna--this book is a kaleidoscopic array of modern Jewish life. Original essays are included by leading intellectuals and historians, including Leon Wieseltier, J. Hoberman, Roger Kahn, and Deborah E. Lipstadt, plus an introduction by Pete Hamill. A great gift book in the tradition of Roman Vishniac's A Vanished World and Frederic Brenner's Diaspora: Homelands in Exile.
The date, September 11, 2001, now has a certain permanence, graven on ourcollective memory, like a very few others December 7, 1941, and November 22, 1963, dates which seem to separate yesterday from today, and then from now. They become the rarest of moments; ordinary people will forever be able to tell you where they were and what they were doing when they first heard the news, as if the terrible deed had happened to them, which in some ways it did.
-from the introduction by David Halberstam
Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making--not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.
Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.
Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear.
As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys' club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.
Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of society. It's What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.
Edie Sedgwick was riveting to look at, a sprite of the zeitgeist, the living distillation of the over-amped vision of New York in the mid-60s. Like many exotic creatures that Andy Warhol shed his light on, she initially bloomed, became the symbol for all that was hip and style, and just as quickly began to disintegrate.