Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making--not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.
Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.
Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear.
As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys' club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.
Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of society. It's What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.
-With a remarkable "concertina" design, this book showcases the 'grand tour' of Magnum Photographer Carl De Keyzer around North Korea, the most reclusive country in the world -After Cuba: La Lucha comes another unique book about a unique country "Timing is of the essence but a serious amount of good luck and a decent quality crystal ball are necessary" - Carl De Keyzer in The Guardian When it comes to foreign visitors or artists, North Korea must be the most restrictive country in the world. Nevertheless, Carl De Keyzer managed to cross the entire country in 42 days, divided into three journeys. In his latest book, Magnum photographer Carl De Keyzer points his lens at North Korea, officially the Democratic People's Republic of Korea, the last communist state in the world from an ideological, political and cultural perspective. De Keyzer is one of very few photographers who got almost-unlimited access to the country. He photographed more than 200 different locations, many of which had never been captured on camera before. The 250 photos that form his 'Grand Tour' - taken on marches, at the shooting range, in the subway and in family homes - are a testament to this country's uniqueness. www.facebook.com/carldekeyzer www.carldekeyzer.com/www.magnumphotos.com Instagram: carldekeyzer
"For three years I followed the monastic community of Luang Prabang, catching the moments of growth and those of emptiness."
For the first time a woman is allowed into a Buddhist monastery, discovering Laos and its monasteries. With her touching words and intense photographs, Laura Leonelli tells the world of Lem, an aspiring monk, and his entry into a monastery. She describes his daily life--the fears, the longings, and the hopes of the young monks--from a unique and privileged perspective.
Laura Leonelli is a journalist who writes on photography and travel for the Sunday supplement of Il Sole 24 Ore and Panorama Travel.
For over five generations, National Geographic magazine has dazzled and educated its readers with incredible photography and gripping stories spanning the four corners of the earth and the deepest oceans. Inspired by our monumental Around the World in 125 Years, this volume curates over 200 captivating images, sourced directly from the National Geographic historical archives, including almost 40 new photographs. Traversing travel, history, culture, social documentary, and conservation, this compendium is in equal parts a breathtaking homage to the spirit and diversity of Europe, and a unique tribute to the world's most famous photography magazine.National Geographic pioneered the aesthetic of the photo essay, while continually pushing the medium's technical boundaries, to both entertain and enlighten its millions of loyal readers. Our trans-continental journey through time and space spans across all corners of Europe, from the snow-capped peaks of Finland to the frothy foam parties of Ibiza, from the serene blue waters of the Greek Islands to the Lascaux cave paintings of Southern France. We witness the hair-rising eruption of Surtsey in Iceland, where lightning rips through the volcano's clouds in otherworldly hues of purple; lose ourselves among flowers and babushka-wrapped heads in Russia's Volgograd marketplace; and tread carefully behind climbers across a crevasse in the Bernese Oberland. Along the way, we absorb the culture of the some of the world's greatest cities including Paris, Rome, Berlin, London, Vienna, Stockholm, Moscow, and many others.National Geographic: Europe leaves no stone unturned in its ultimate voyage through the precious jewels and hidden facets of the European continent. From evocative early black-and-white pictures to autochromes, from the golden age of Kodachromes to digital, this is both a celebration of the power of photography and a unique trip to the soul of Europe.
The first comprehensive biography of Weegee--photographer, "psychic," ultimate New Yorker--from Christopher Bonanos, author of Instant: The Story of Polaroid.
Arthur Fellig's ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself "Weegee," claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied.
From self-taught immigrant kid to newshound to art-world darling to latter-day caricature--moving from the dangerous streets of New York City to the celebrity culture of Los Angeles and then to Europe for a quixotic late phase of experimental photography and filmmaking--Weegee lived a life just as worthy of documentation as the scenes he captured. With Flash, we have an unprecedented and ultimately moving view of the man now regarded as an innovator and a pioneer, an artist as well as a newsman, whose photographs are among most powerful images of urban existence ever made.
These photographs are drawn from four trips that Chris Steele-Perkins made to Afghanistan during the course of four years. In the midst of a complex civil war, he aims to capture the continuing cycles of everyday life. Images from the front line mingle with scenes of disrupted life in the fields, villages and towns; of an orphanage; of refugees and displaced families; of lapis lazuli miners; of someone picking up the pieces after the 1998 earthquake; of a cock fight; and the horseback sport of bushkashi.
In anticipation of leap year, 60 new pages, 200 brand new photographs of Arthus-Bertrand's eye-popping and internationally renowned aerial photography, features 12 new chapter intros by noted authors on the environmental health of our planet.
Reckoning at the Frontier examines Mexico's struggle with organized crime through the stunning, introspective photographs of renowned photojournalist Eros Hoagland. Focused on the border cities of Tijuana and Ciudad Juarez, Hoagland travels through the harsh deserts and urban mazes of northern Mexico. Part journalistic reportage and part artistic exploration, Reckoning at the Frontier goes beyond drug war crime scene imagery to reveal a parallel narrative about the price of complacency, the power of fear, and the consequences of corruption.
Hoagland's long-term work in Mexico has appeared in the New York Times, Der Spiegel, Time magazine, and many others.