Drawing on images from temples, wall paintings, pottery, and other artifacts, artist Tom Tierney has created a magnificent ready-to-color panorama of authentic clothing styles worn by the people of ancient Egypt.
Forty-five full-page illustrations depict clothing styles for the highest and lowest members of Egyptian society, including a fashionable sheath worn by an Egyptian princess, a sheer kilt and red crown worn by a king of the Old Kingdom, a pleated skirt for an exotic dancer, a ceremonial robe of leopard skin for Queen Hatshepsut, simply draped gowns for court musicians, a variety of intricately styled wigs, lavish headgear for royal figures, and much more.
Accompanied by accurate representations of period accessories (weapons, fans, symbols of office, musical instruments, etc.), these handsome illustrations are sure to delight coloring book enthusiasts, students of costume design, and fashion historians.
Over 250 illustrations, drawn in the artistic style of the period, depict apparel worn by Egyptian royalty, manual workers, and military, as well as by ancient Sumerians, Babylonians, and Assyrians. Flat patterns show cut of the garments, enabling today's costumers to accurately reconstruct this apparel. A comprehensive archive.
Over thousands of years, man has developed an enormous variety of offensive and defensive weapons for use in battle as well as a vast array of armor and other protective devices. Now artists and illustrators can draw on this extensive archive for superb copyright-free illustrations of vintage arms, armor, and other battlefield paraphernalia.
Choose from a rich trove of over 750 illustrations compiled from rare nineteenth-century sources. Included are detailed, high-quality depictions -- arranged chronologically and, to some extent, geographically -- of suits of armor, chain mail, swords, halberds, spears, pikes, lances, crossbows, axes, daggers, helmets, shields, knives, small arms, and a host of other implements, along with scenes of battle, siege, jousts, soldiers, horses, and more.
Especially suitable for projects requiring a medieval or old-fashioned flavor, these illustrations reproduce extremely well. They will fill a myriad of needs for battle-related graphic art.
Originally published in France between 1876 and 1888, Auguste Racinet's Le Costume historique was in its day the most wide-ranging and incisive study of clothing ever attempted. Covering the world history of costume, dress, and style from antiquity through to the end of the 19th century, the six volume work remains completely unique in its scope and detail.
This TASCHEN reprint presents Racinet's exquisitely precise color illustrations, as well as his delightful descriptions and often witty commentary. Spanning everything from ancient Etruscan attire to French women's couture, material is arranged according to Racinet's original plan by culture and subject. As expansive in its reach as it is passionate in its research and attention to detail, Racinet's Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style.
About the series
Bibliotheca Universalis -- Compact cultural companions celebrating the eclectic TASCHEN universe
Over 1,000 years of Chinese fashions for men and women are featured in this exquisitely rendered coloring book -- from a strapless, high-waisted dress with a transparent outer robe worn during the Tang Dynasty (A.D. 618-907) to an elegant, knee-length sheath trimmed with floral applique (late Republic period).
Also included are ready-to-color images of a Tang Dynasty official wearing a flowing robe and a hat denoting his rank as a civil servant; military men of the Song Dynasty (960-1279) attired in boots, tunics, and trousers and sporting sheathed swords; two actors from the Yuan Dynasty (1279-1368) in lavishly embroidered robes; a musician of the Ming Dynasty (1368-1644); a street vendor of the Ming Dynasty in a simple belted robe and trousers; young housemaids of the Qing Dynasty (1644-1911), wearing loose robes belted at the waist with colorful ties; a high official and his wife in elaborately embroidered robes and skirts of the Qing Dynasty; and two young women of the Republic period wearing delicately embroidered ankle-length skirts and loose-sleeved tops.
Captions describe each garment in a collection that will delight coloring book fans and enthusiasts of East Asian cultures.
Authentic historical costume is essential for any performance, to instantly communicate a period, a social standing, an occupation, or an identity. The responsibility of this representation lies with the costume maker's knowledge of the design and accuracy of construction. The Costume Maker's Companion serves as a guide to novice and experienced makers alike, covering the common garments of the Medieval, Tudor, Jacobean, Restoration, Regency, and Victorian eras of British history. Logically divided by historical period and supported by more than 400 photographs, sketches, and diagrams, this book will develop the confidence of any costume maker to take on new projects and expand their knowledge.
From headdresses to sandals, from warrior's armor to priestess's robes, the authentic costumes of people from all walks of life in the Roman and Greek civilizations are here pictured comprehensively and clearly. Three hundred finely drawn, detailed engravings (containing over 700 illustrations) show just what was worn by the poets, philosophers, priests and priestesses, peasants, Bacchanalians, emperors, generals, Amazons, and virgins of a bygone age.
Carefully copied from ancient vases and statuary by Thomas Hope (1770-1831), a British collector and designer, these engravings combine an unusual clarity of style with unquestioned authenticity. Their range, too, is unusually great, for besides the many plates on the costumes of the Greeks and Romans, there are representative illustrations of the typical dress of such other civilizations as the Phrygian, Egyptian, Parthian, Etruscan, and Persian.
In addition, scores of engravings are devoted to such now-forgotten objects as ancient musical instruments (the lyre, double flute, pipes of Pan, etc.), Bacchanalian implements, articles of furniture, women's trinkets and jewelry, sarcophagi, altars, and other adjuncts to ancient life.
Such comprehensiveness makes this book indispensable to costume designers, stage fitters, and producers of classic plays, students of fashion design, and others interested in ancient costumes. The material included here is covered in no ordinary history, and only here can the interested reader discover just how the draping of the Greek robe was achieved, or what was worn at festivals and funerals by the various classes.
Art directors, advertising managers, and others on the lookout for unusual and eye-catching illustrations will also treasure this collection. All of the engravings are royalty free and may be used in any way, whether as striking contrasts to modern styles in dress, jewelry, or furniture; for historical perspective; for mood pieces; or simply as unusual attention-getters.
The Galerie des Modes has been called the "most beautiful collection in existence on the fashions of the eighteenth century." Published over a 10-year period, from 1778 to 1787, its plates were elegantly drawn, accurately engraved, and exquisitely hand colored by the most celebrated fashion artists of the era. This monument to costume illustration was reproduced by Emile L vy in Paris between 1911 and 1914. Here are 64 of the finest plates from the L vy edition, reproduced faithfully from the originals. Selected by costume historian Stella Blum, former Curator of Costumes at the Costume Institute of New York City's Metropolitan Museum of Art, they offer a splendid representation of French fashion in the late eighteenth century.
The great social, economic, and political changes of the turbulent period that led to the Revolution in 1789 were reflected in its fashions: the influence on traditional women's costume of the dress of servants and country women; the exotic costumes of actresses; and the simpler, more practical English styles. Men's fashions were also affected by the English as well as by the exaggerated Italianate fashions sported by foppish "macaronis." Children's fashions include the one-piece mantelot, interesting as a forerunner of the attire of the sans-culottes. Special fashion terms, many of which have been obscured by time, are defined in a Glossary.
Ert once designed a costume for Mata Hari. Sixty-seven years later, still creating, he designed costumes and sets for the 1980 Glyndebourne Festival's Der Rosenkavalier. In between (mostly in the '20s) he was the only top Paris designer illustrating his own haute couture, most of the illustrations appearing in Harper's Bazar. An earlier volume (Fashion Drawings and Illustrations from "Harper's Bazar" 0-486-23397-9) sampled some of Ert 's enormous contributions to that magazine; this is another collection of original designs from Ert 's triumphant Harper's Bazar period.
"He envisioned women," wrote Stella Blum, Metropolitan Museum of Art Costume Institute Curator, "not only as ultra-chic creatures for whom money was no object, but also as . . . music hall stars, Assyrian princesses, Egyptian queens. . . . Yet under this veil of fantasy the clothes and accessories Ert created reveal a sound construction that really works." Ert loves elaborate decoration, but hates meaningless ornament; these 218 illustrations show how he integrates all his pockets, pearls, cuffs, fur linings, jeweled tassels, and seamless dresses into thematic unity, and maintains a consistent ideal of fashion, by constant improvisation and inventive wielding of pure line. His firework color sense finds spectacular realization in 8 full-color reproductions of Harper's Bazar covers, all of which are now prized collector's items. In both black-and-white and color work, his sinuous, undulating line and decorative flair never fail, and show why his fashion design has not only returned to popular favor, but is being seen in museums and galleries along with his paintings and prints.
Over a career spanning the century, Ert has expressed his versatility in many forms; in these exquisite, delicate, theatrical miniatures (which will delight any lover of fashion history and graphics) he gives the very best of himself.
"All-around beautiful and worth picking up for anyone interested in fashion, theatre, theatrical costuming, and art." --Looking for a Good Book
"This book is an absolute delight for any fan of costume design history, and it is sure to inspire budding theatrical designers. Brilliant and colorful." -- bookaddiction
A fan-bearing slave girl, a worshipper of Horus, the wife of a Russian boyar, Ceres, a mermaid, and a gypsy dancer are among the 49 theatrical costumes selected for this tribute to the work of the Russian-born, Paris-bred designer Erte (Romain de Tirtoff). Spanning the years 1911 to 1975, these extravagant, imaginative designs include costumes for well-known personalities, Folies-Bergere shows, editions of George White's Scandals, and ballets.
Many exotic and historical fashions include Egyptian, Chinese, Persian, Japanese, Russian, and French styles. The lavish, flowing costumes are complemented by different colors to create different moods: deep, lustrous purples, reds, and browns for dynamic, vibrant figures; ochre, sienna, orange, and beige for more formal characters; and pale blue, lavenders, greens, grays, and blacks for people of mystery and hidden powers. As dazzling as Erte's color graphics and as witty as his fashion designs, this compilation merits the attention of costume designers, artists, theater people, costume aficionados, and all who appreciate the treatment of costume design as a fine art.