Over 250 illustrations, drawn in the artistic style of the period, depict apparel worn by Egyptian royalty, manual workers, and military, as well as by ancient Sumerians, Babylonians, and Assyrians. Flat patterns show cut of the garments, enabling today's costumers to accurately reconstruct this apparel. A comprehensive archive.
Over thousands of years, man has developed an enormous variety of offensive and defensive weapons for use in battle as well as a vast array of armor and other protective devices. Now artists and illustrators can draw on this extensive archive for superb copyright-free illustrations of vintage arms, armor, and other battlefield paraphernalia.
Choose from a rich trove of over 750 illustrations compiled from rare nineteenth-century sources. Included are detailed, high-quality depictions -- arranged chronologically and, to some extent, geographically -- of suits of armor, chain mail, swords, halberds, spears, pikes, lances, crossbows, axes, daggers, helmets, shields, knives, small arms, and a host of other implements, along with scenes of battle, siege, jousts, soldiers, horses, and more.
Especially suitable for projects requiring a medieval or old-fashioned flavor, these illustrations reproduce extremely well. They will fill a myriad of needs for battle-related graphic art.
Originally published in France between 1876 and 1888, Auguste Racinet's Le Costume historique was in its day the most wide-ranging and incisive study of clothing ever attempted. Covering the world history of costume, dress, and style from antiquity through to the end of the 19th century, the six volume work remains completely unique in its scope and detail.
This TASCHEN reprint presents Racinet's exquisitely precise color illustrations, as well as his delightful descriptions and often witty commentary. Spanning everything from ancient Etruscan attire to French women's couture, material is arranged according to Racinet's original plan by culture and subject. As expansive in its reach as it is passionate in its research and attention to detail, Racinet's Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style.
About the series
Bibliotheca Universalis -- Compact cultural companions celebrating the eclectic TASCHEN universe
Over 1,000 years of Chinese fashions for men and women are featured in this exquisitely rendered coloring book -- from a strapless, high-waisted dress with a transparent outer robe worn during the Tang Dynasty (A.D. 618-907) to an elegant, knee-length sheath trimmed with floral applique (late Republic period).
Also included are ready-to-color images of a Tang Dynasty official wearing a flowing robe and a hat denoting his rank as a civil servant; military men of the Song Dynasty (960-1279) attired in boots, tunics, and trousers and sporting sheathed swords; two actors from the Yuan Dynasty (1279-1368) in lavishly embroidered robes; a musician of the Ming Dynasty (1368-1644); a street vendor of the Ming Dynasty in a simple belted robe and trousers; young housemaids of the Qing Dynasty (1644-1911), wearing loose robes belted at the waist with colorful ties; a high official and his wife in elaborately embroidered robes and skirts of the Qing Dynasty; and two young women of the Republic period wearing delicately embroidered ankle-length skirts and loose-sleeved tops.
Captions describe each garment in a collection that will delight coloring book fans and enthusiasts of East Asian cultures.
Authentic historical costume is essential for any performance, to instantly communicate a period, a social standing, an occupation, or an identity. The responsibility of this representation lies with the costume maker's knowledge of the design and accuracy of construction. The Costume Maker's Companion serves as a guide to novice and experienced makers alike, covering the common garments of the Medieval, Tudor, Jacobean, Restoration, Regency, and Victorian eras of British history. Logically divided by historical period and supported by more than 400 photographs, sketches, and diagrams, this book will develop the confidence of any costume maker to take on new projects and expand their knowledge.
From headdresses to sandals, from warrior's armor to priestess's robes, the authentic costumes of people from all walks of life in the Roman and Greek civilizations are here pictured comprehensively and clearly. Three hundred finely drawn, detailed engravings (containing over 700 illustrations) show just what was worn by the poets, philosophers, priests and priestesses, peasants, Bacchanalians, emperors, generals, Amazons, and virgins of a bygone age.
Carefully copied from ancient vases and statuary by Thomas Hope (1770-1831), a British collector and designer, these engravings combine an unusual clarity of style with unquestioned authenticity. Their range, too, is unusually great, for besides the many plates on the costumes of the Greeks and Romans, there are representative illustrations of the typical dress of such other civilizations as the Phrygian, Egyptian, Parthian, Etruscan, and Persian.
In addition, scores of engravings are devoted to such now-forgotten objects as ancient musical instruments (the lyre, double flute, pipes of Pan, etc.), Bacchanalian implements, articles of furniture, women's trinkets and jewelry, sarcophagi, altars, and other adjuncts to ancient life.
Such comprehensiveness makes this book indispensable to costume designers, stage fitters, and producers of classic plays, students of fashion design, and others interested in ancient costumes. The material included here is covered in no ordinary history, and only here can the interested reader discover just how the draping of the Greek robe was achieved, or what was worn at festivals and funerals by the various classes.
Art directors, advertising managers, and others on the lookout for unusual and eye-catching illustrations will also treasure this collection. All of the engravings are royalty free and may be used in any way, whether as striking contrasts to modern styles in dress, jewelry, or furniture; for historical perspective; for mood pieces; or simply as unusual attention-getters.
Presents a guide to everything one needs to know to get started and work successfully in film costuming. This work covers such artistic matters as looking for work, the roles played by various members of the costume/wardrobe department, union membership and regulation, the on-set and off-set duties of all costume department members, and more.
The Galerie des Modes has been called the "most beautiful collection in existence on the fashions of the eighteenth century." Published over a 10-year period, from 1778 to 1787, its plates were elegantly drawn, accurately engraved, and exquisitely hand colored by the most celebrated fashion artists of the era. This monument to costume illustration was reproduced by Emile L vy in Paris between 1911 and 1914. Here are 64 of the finest plates from the L vy edition, reproduced faithfully from the originals. Selected by costume historian Stella Blum, former Curator of Costumes at the Costume Institute of New York City's Metropolitan Museum of Art, they offer a splendid representation of French fashion in the late eighteenth century.
The great social, economic, and political changes of the turbulent period that led to the Revolution in 1789 were reflected in its fashions: the influence on traditional women's costume of the dress of servants and country women; the exotic costumes of actresses; and the simpler, more practical English styles. Men's fashions were also affected by the English as well as by the exaggerated Italianate fashions sported by foppish "macaronis." Children's fashions include the one-piece mantelot, interesting as a forerunner of the attire of the sans-culottes. Special fashion terms, many of which have been obscured by time, are defined in a Glossary.