Retraces the relationship between the figurative painting of the Nabi -- Serusier, Vuillard, Bonnard, and others -- and the influence of Gauguin.
William Heath Robinson (1872-1944) dreamed of a romantic life as an itinerant landscape painter. Instead, he remained in North London and became the greatest comic draughtsman of the century, and one of those rare individuals whose names have entered the language as adjectives. Although his name is now synonymous with any complicated, ramshackle mechanical apparatus for doing something relatively simple, the true Heath Robinson contraption was thought out with a child's solemn logic, executed with a craftsman's care, and accompanied by the ultimate in deadpan captions.
With 101 "Life" magazine covers to his credit, Philippe Halsman (1906-1979) was one of the leading portrait photographers of his time. In addition to his distinguished career in photojournalism, Halsman was one of the great pioneers of experimental photography, motivated by a profound desire to push this youngest of art forms toward new frontiers by using innovative and unorthodox photographic techniques.
One of Halsman's favorite subjects was Salvarod Dali, the glittering and controversial painter and theorist with whom the photographer shared a unique friendship and extraordinary professional collaboration that spanned over thirty years. Whenever Dali imagined a photograph so strange that its production seemed impossible, Halsman tried to find the solution, and invariably succeeded.
As Halsman explains in his postface, "Dali's Mustache" is the fruit of this marriage of the minds. The jointly conceived and seemingly nonsensical questions and answers reveal the gleeful humor and assumed cynicism for which Dali is famous, while the marvelous and inspired images of Dali's mustache brilliantly display Halsman's consummate skill and extraordinary inventiveness as a photographer.
This combination of wit, absurdity, and the offhandedly profound is irresistible and has contributed to the enduring fascination inspired by this unique photographic interview, which has become a cult classic and valuable collector's item since its original publication in 1954. The present volume faithfully reproduces the first edition and will introduce a new generation to the irreverent humor and imaginative genius of two great artists.
A survey of the art of Georgia O'Keeffe, one of this century's most influential American painters, which traces the genesis and growth of her artistic imagination. This book is organized around the various themes that she explored in her art.
This reinterpretation of Rodin's life and times draws on archives and letters to disentangle the facts of this artist's life from the many myths that have grown up around him. The book provides new interpretations of the motivations, execution and reception of Rodin's artistic creations.
This unique series of paintings takes the viewer on a graphic, visionary journey through the physical, metaphysical, and spiritual anatomy of the self. From anatomically correct rendering of the body systems, Grey moves to the spiritual/energetic systems with such images as "Universal Mind Lattice," envisioning the sacred and esoteric symbolism of the body and the forces that define its living field of energy.
Includes essays on the significance of Grey's work by Ken Wilber, the eminent transpersonal psychologist, and by the noted New York art critic, Carlo McCormick.
Join the bestselling author of "Wild Mind" and "Writing Down the Bones" as she explores a new realm of creativity--the world of color--and offers us an intimate view of how everyday life is transformed into art.
In twelve high-spirited chapters, Natalie introduces us to her family, her artist friends, her New Mexico home, her painting trips to Europe--always focusing on the questions faced by any creative person, whatever their medium. Why, for example, does an artist choose some subjects and not others? ("I was crazy about the wrong-color sky and the heart-sinking beckoning of headlights on old cars," she acknowledges.) How does a painter draw nourishment from another painter's work? ("I didn't want fancy art theories. I wanted a direct connection with the painting before me.") When is it time to move into a new form? ("I had to go to an empty white canvas and find out what was within me.")
More than 60 four-color reproductions of Natalie's distinctive and joyous paintings appear throughout. The result is a feast for the eyes and a celebration of the creative spirit in action.
A wondrous sketchbook from a year spent in the south of France--an artist's personal journal carried everywhere and crammed with drawings and notions and thoughts surprising and whimsical.
Delicate watercolors shine like jewels set into each page of this exquisite book. In tones of sea and morning sky, stucco and brick, olive leaf and apricot, rose and geranium, sara Midda captures the land, the people, the shimmering air--the whole feeling of Provence and the C te d'azur, and the spell they cast over even those who haven't visited. Interspersed throughout are photographic collages and charming observations. The whole book is printed on uncoated stock to convey the feeling of an artist's sketchbook.Third Printing.
