An exploration into the mysteries of creativity in life and art. Powerfully written of life, families, fathers, mothers, sons, of the price of talent and the burden of fame.
Interviews with twenty-one of America's finest actors about craft, career and the trials of making a life on stage. Includes: James Earl Jones, Olympia Dukakis, Josie de Guzman, Richard Thomas, Anthony Heald, Joan MacIntosh and Joe Morton.
Michelle Hensley, founder of Ten Thousand Things Theater in Minneapolis, shares more than twenty years of her company's nationally unique work bringing professional theater to those in prisons, homeless shelters, adult education centers, and rural areas, as well as the general public. More than a chronological history, All the Lights On is also about the radiant power of theater.
In this articulate and compelling book, Hensley distills what nontraditional audiences, along with the conditions her artists must perform under to reach them, have taught her about Brecht, the Greeks, Shakespeare, musicals, and the essence of what is necessary to make vibrant and essential theater. Her experiences lead her to conclude that theater artists become better and the art form itself much richer when everyone is included in the audience. In Ten Thousand Things productions, people from very different economic classes sit next to each other in the round and often experience unexpected connections with each other. Hensley writes in the introduction, "Not only do we have a chance to experience the multiple viewpoints of many characters in the play, but with all the lights on, we are able to consider the differing viewpoints of the other audience members seated around the circle. It all serves to increase, just a little, the radiance of our world."
The musical theatre of Stephen Sondheim probes deeply into the most disturbing issues of contemporary life. By challenging his audience with intricate music, biting wit, and profound themes, he flouts the traditional wisdom of the musical theatre. Tracing Sondheim's career from his initial success as lyricist for "West Side Story" and "Gypsy" to his most recent work--"Into the Woods" and "Assassins"--Joanne Gordon emphasizes not only the disturbing content of Sondheim's work, but his innovative use of form. In shows such as "A Little Night Music," "Sweeney Todd," and "Sunday in the Park with George," Sondheim's music and lyrics are inextricably woven into the fabric of the entire work.
Arthur Miller has been delivering powerful drama to the stage for decades with such masterpieces as Death of a Salesman, The Crucible, and A View from the Bridge. But, remarkably, no one has yet told the full story of Miller's own extraordinary life-a rich life, much of it shrouded from public view. To achieve this groundbreaking portrait of the artist and the man, the award-winning drama critic and biographer Martin Gottfried masterfully draws on his interviews, on Miller's voluminous lifelong correspondence, and on the annotated scripts and notebooks that reveal Miller's creative process in stunning detail. From Miller's childhood and adolescence in Depression-era New York City to the 1947 play All My Sons that established him as a voice to be reckoned with...from his heroic defiance of the House Un-American Activities Committee during the McCarthy years to his most unlikely pairing with Marilyn Monroe: Here is a highly acclaimed book that is "compulsively readable" (Booklist, starred review).
Arthur Miller's life spans more than four decades and includes three marriages - famously to America's enduring icon, Marilyn Monroe - numerous plays, novels and an autobiography. Martin Gottfried utilizes private letters from and to Arthur Miller where Miller discusses everything from movie deals to house decoration, from his psychoanalysis to his portrayal of Monroe in his play After the Fall. Using these materials as well as interviews with those who know Miller, Gottfried crafts the complete life and work of this major writer.
Christopher Bigsby explores all of Arthur Miller's work, including plays, poetry, fiction and prose, in this comprehensive study. Using previously unpublished and unknown material, including conversations with Miller, Bigsby paints a compelling picture of how Miller's works were influenced by, and created in the light of, events of the twentieth and twenty-first centuries.