Here are the playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and more, accessibly and attractively arranged so that everyone with a passion for the stage can follow the glorious procession of this triumphant art throughout history and across cultures. The Oxford Illustrated History of the Theatre guides readers through the full spectrum of dramatic representation as well as giving due weight to how the scene backstage evolved through the centuries--the role of musicians, light, sound, and equipment, and the art of set design--and to the crucial role of the audience and critics. Finally, there are stimulating essays on the history of Asian theater and a concluding account of theater since 1970 by editor John Russell Brown that highlights the contributions of our best-loved contemporary playwrights, directors, and lyricists.
Spectacular illustrations throughout bring the very visual nature of theater to life, serving as dramatic accompaniment to the text. The Oxford Illustrated History of Theatre is an essential source of reference for anyone interested in the stage, from students and teachers to seasoned professionals and starry-eyed fans.
The Prop Builder's Molding & Casting Handbook
This is the first book to contain, in one comprehensive volume, every molding and casting procedure of use to the theater props builder (no matter what his or her level or proficiency). The author demonstrates the techniques involved in using more than thirty different materials ranging from papier-mache to breakaway glass.
While the use of some materials-plaster and polyester resins, for example-is covered to some extent in other publications, information on the selection and use of rubber materials (latex, neoprene, silicone, and the urethanes) and the procedure for making breakaway windows and bottles is available only in The Prop Builder's Molding & Casting Handbook.
Written in an easy, conversational style, the book will be useful to anyone involved with theater properties, puppetry, and costuming (as professionals or amateurs). It will also serve admirably the needs of students taking classes in those subjects.
Completing the book is a special section on designing and building a vacuum forming machine suitable for use in constructing theater props. More than 450 photographs illustrate the step-by-step procedures explained throughout the entire text.
(Limelight). ..".for the potential as well as professional producer and for writers, actors, directors and investors...written in crisp, clear non-legal language the layman can easily understand. Every page reflects the experience and expertise of Mr. Farber, a well-known and highly respected theatrical attorney." Library Journal
"The definitive source book on acting."--Los Angeles TimesMarlon Brando, Al Pacino, Paul Newman, Dustin Hoffman, Dennis Hopper, Robert DeNiro, Marilyn Monroe, and Joanne Woodward--these are only a few of the many actors training in "Method" acting by the great and legendary Lee Strasberg. This revolutionary theory of acting--developed by Stanislavski and continued by Strasberg--has been a major influence on the art of acting in our time. During his last decade, Strasberg devoted himself to a work that would explain once and for all what The Method was and how it worked, as well as telling the story of its development and of the people involved with it. The result is a masterpiece of wisdom and guidance for anyone involved with the theater in any way. "A must for young actors--for old ones, too, for that matter."--Paul Newman "An exploration of the creative process that will reward all who are interested in the nature of inspiration."--Library Journal "An important cultural document."--Booklist
Every actor and director who enters the orbit of Marowitz's major work will find himself challenged to a deeper understanding of his art and propelled into further realms of exploration on his/her own. Marowitz meditates on all the sacred precepts of theatre practice including auditions, casting, design, rehearsal, actor psychology, dramaturgy, and the text.
The story of how our bottomless appetite for novelty, gossip, and melodrama has turned everything--news, politics, religion, high culture--into one vast public entertainment.Neal Gabler calls them lifies, those blockbusters written in the medium of life that dominate the media and the national conversation for weeks, months, even years: the death of Princess Diana, the trial of O.J. Simpson, Kenneth Starr vs. William Jefferson Clinton. Real Life as Entertainment is hardly a new phenomenon, but the movies, and now the new information technologies, have so accelerated it that it is now the reigning popular art form. How this came to pass, and just what it means for our culture and our personal lives, is the subject of this witty, concerned, and sometimes eye-opening book. A thoughtful, in places chilling, account of the way entertainment values have hollowed out American life. --The New York Times Book Review
James McNeill Whistler was one of the most misinterpreted creative talents of his age. While devoted to the expression of the beautiful, he was among the first to recognize that popularized arts and commercialized leisure were complex, interrelated phenomena that made urban life "modern." Whistler's showmanship had far greater impact than countless imitations of his "The White Girl" and "Portrait of the Painter's Mother" might suggest. His purposeful use of past art; his intermingling of private and public spaces; his ability to tailor his work to the realities of the Victorian marketplace; his understanding and exploitation of shifting economic, class, and gender roles; and his clever use of fashion and decoration all lead us to a richer understanding of "modernism" and a broader assessment of his contribution to it. Whistler's emphatically aesthetic pictures, made the more inscrutable by purposefully confusing titles, remain uneasy pieces to the present time. Probing some of these tensions, Dr. Curry explores the intersection of Whistler's determined aestheticism with the commercial art world. Key examples of Whistler's paintings, drawings, and prints are set against related images from both fine art and popular culture drawn from the past two hundred years. Approximately 250 color and monotone illustrations.