Mary Cassatt (1844-1926) was one of the few women artists to have succeeded professionally in her era, and the only American invited to exhibit with the French Impressionists. Extensively illustrated with paintings, prints and pastels spanning Cassatt's whole career, this volume, published to accompany a travelling exhibition in the USA, contains essays which trace the artist's development from her early influences to her critical role in bringing Old Master and Impressionist art to the United States.
This presents the holdings of the Butler Institute of American Art in Youngstown, Ohio, USA. Founded in 1919, it houses a comprehensive collection of American paintings which range from the works of 18th-century portraitists to contemporary artists.
"Forget Me Not" explores the curious and centuries-old practice of strengthening the emotional appeal of photographs by embellishing themwith text, paint, frames, embroidery, fabric, string, hair, owers, bullets, cigar wrappers, butter y wings, and moreto create strange and often beautiful hybrid objects. Available now in paperback, this spellbinding book features color photographs of eighty such objects, extraordinary works of art, part memento, part obsessive assemblage, created by ordinary people from the mid-nineteenth to mid-twentieth century."
The penny bank craze of the twentieth century began quietly enough. Here, a slotted pottery pig from Scotland. There, a grimacing human face made in Bennington, Vermont. In 1793, penny banks first appeared in America, along with the first large copper pennies. Those who mistrusted paper currency saved their "hard" money in vessels of pottery, glass, and tin. In the 1890s, "China Pig" with a slit in his back sold for a dime. Plump pigs and pennies went together like thrift and future success. To this day, these iconic examples of American folk art and vernacular design are prized additions to museum and personal collections throughout the country. Money in the Bank details a wide range of extraordinary still and mechanical banks acquired by Katherine Kierland Herberger, who initially discovered the pleasure and variety of toy banks as gifts for her son. Over 1,200 purchases later, she donated the collection to The Minneapolis Institute of Arts. All are pictured here in full color for the first time. Acclaimed art historian Karal Ann Marling contributes an essay to the book tracing the importance of banks in popular culture, and an introduction narrates Herberger's extensive collecting activities. Money in the Bank is a lavishly illustrated and remarkably comprehensive catalog that demonstrates the charm and whimsy, as well as the significance, of toy banks in America. Corine Wegener is assistant curator at The Minneapolis Institute of Arts. Karal Ann Marling is professor of American studies and art history at the University of Minnesota. Distributed for The Minneapolis Institute of Arts
An American Point of View 18 the most comprehensive study to date on this collection which holds masterpieces of American art from Colonial Times to World War 11 including artists such as John Singleteton Copley. Frederick Edwin Church, Winslow Homer and Edward Hopper. Full--colour reproductions are paired with texts describing the works and placing them in a historical context. In addition to informative analyses of individual masterpieces in the collection. the catalogue includes two longer essays and many photographs of the two museums. The first essay explores the philosophy and experiences of Ambassador Daniel J. Terra. the establishment of his collection. and the creation of his two museums in America, The second essay traces the beginnings of the Giverny museum from 1986 to its opening in 1992 to its evolution over the past ten years with special attention given to Terra's goals. With an introduction written by American art specialist Wanda Corn and previously unpublished information on the selected works of art. this catalogue is a useful tool for scholars of American art, Its numerous reproductions and readable text. make it equally enjoyable as a summary of a major collec
Spanish-born architect Santiago Calatrava has achieved considerable international acclaim in recent years with his breathtaking feats of engineering in the service of elegant and humanistic modern forms. While his most recent success was the much-lauded (and much-televised) stadium, velodrome, and other structures of the Athens Olympics, Calatrava first established his reputation as the preeminent engineer of our time with a stunning series of bridges designed for cities around the globe―Barcelona, Bilbao, Buenos Aires, Orl ans, Seville, Venice, and Jerusalem.
Recent years have witnessed the introduction of Calatrava's elegant forms to the American cityscape with designs for an innovative apartment tower and the much-anticipated World Trade Center Transportation Hub, both planned for lower Manhattan. But before these designs were unveiled, Calatrava completed the Quadracci Pavilion at the Milwaukee Art Museum, which Time named the best new design project of 2001. This beautifully illustrated monograph is a detailed exploration of a celebrated American architectural masterpiece.
Calatrava's spectacular cultural and civic projects have secured his place in the pantheon of world-class twenty-first-century architects. In addition to the Milwaukee Art Museum, he's celebrated for train stations in Zurich, Lyons, Lisbon, and Li ge; the Sondica Airport in Bilbao; the Tenerife Concert Hall in the Spanish Canary Islands; and the Valencia Science Museum, Planetarium, and Opera House.
This edition of the definitive catalog of Nussbaum's work, on permanent display at the Cultural History Museum in Osnabruck, Germany, includes paintings by Nussbaum that have come to light in the last five years, and takes into account new facts that have emerged on his life and artistic contacts. A new chapter has been added tracing the rediscovery of his works and the reconstruction of his biography. A concluding comment outlines problems of establishing the chronological order of his works, and issues of their reception and interpretation. Annotation c. by Book News, Inc., Portland, Or.