Volume I - Gender and Representation in New German CinemaVolume II - German Film History / German History on FilmInternational film has received some of its most original impulses from German film makers however the works by women directors in German speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This is the first work to consider the broad spectrum of German cinema through the category of gender. These volumes will be standard handbooks in film studies for many years to come.
Iconic, groundbreaking interviews of Alfred Hitchcock by film critic Fran ois Truffaut--providing insight into the cinematic method, the history of film, and one of the greatest directors of all time.In Hitchcock, film critic Fran ois Truffaut presents fifty hours of interviews with Alfred Hitchcock about the whole of his vast directorial career, from his silent movies in Great Britain to his color films in Hollywood. The result is a portrait of one of the greatest directors the world has ever known, an all-round specialist who masterminded everything, from the screenplay and the photography to the editing and the soundtrack. Hitchcock discusses the inspiration behind his films and the art of creating fear and suspense, as well as giving strikingly honest assessments of his achievements and failures, his doubts and hopes. This peek into the brain of one of cinema's greats is a must-read for all film aficionados.
Explores how movies have shaped, influenced, mythologized, and invented New York City in such films as "42nd Street," "Rear Window," "Taxi Driver," "Annie Hall," and "Ghostbusters," and reveals how the real-life New York City has been transformed by Hollywood.
The art director, responsible for helping to create the look of a film, is the subject of this book. It surveys the careers of the greatest Hollywood art directors from the silent era to the present, examining their work in detail and analyzing their contribution to films.
Patricia Bosworth is an acclaimed biographer whose classic work on the life of Montgomery Clift was praised by Newsweek as the best film star biography in years. Her firsthand knowledge of the entertainment industry infuses her writing with an intimacy and vividness The Washington Post Book World calls extraordinary. In Marlon Brando, she evokes the magnetic sexuality, passion, and vulnerability of the icon -- and the man. Following its subject from the moody Oklahoma teenager to the Method-trained star to the eccentric recluse of his later years, Marlon Brando offers a penetrating look at the actor's evolving persona: the volcanic Stanley Kowalski in A Streetcar Named Desire, the sensitive rebel in The Wild Ones, the iconic Don Corleone in The Godfather. Bosworth probes Brando's alcoholic parents' influence on his acting, his decades of psycho-analysis, and his tumultuous personal relationships. Here, from rebellious unknown to reluctant idol to falling star, is the complex charismatic genius who changed the face of acting.
The lives of movie stars are often more closely followed than those of political leaders, sports figures, or sometimes one's own relatives, but even the most avid film buffs might be surprised to learn their favorite actors served in one of this country's sea services and distinguished themselves above and beyond the call of duty. In this book, filled with fascinating and revealing profiles of more than fifty celebrities, many readers will discover for the first time the patriotic contributions and sacrifices actors have made in the U.S. Navy and Coast Guard from World War I to Vietnam.
Henry Fonda, Humphrey Bogart, Robert Montgomery, and Ernest Borgnine are among many stars who have portrayed naval personnel on film, but do their fans know that Fonda won a Bronze Star for his actions during Pacific naval encounters, that Bogart dropped a fleeing prisoner with his .45, that Montgomery was awarded a Bronze Star for his courageous performance of duty during the Normandy invasion, or that Borgnine hunted U-boats off America's East Coast? A virtual Who's Who, this entertaining yet historically accurate and complete account brings to life these and dozens of other stars' naval and coast guard service backgrounds and film careers, drawn from interviews, diaries, letters, and official military and film industry archives.
Find out how John Howard won a Navy Cross, how Navy Hellcat ace Wayne Morris downed seven Japanese planes, how UDT frogman Aldo Ray reconned the Okinawa landing beaches, how Eddie Albert saved more than a dozen wounded marines on the bloody reefs of Tarawa, and how Hedy Lamarr patented World War II communications anti-jamming technology still in use today. Rarely have movie stars' real lives been portrayed in such detail, including interesting anecdotes from their Hollywood careers and never before published photographs from their military careers, including Paul Newman as a Navy radioman/gunner who flew in torpedo bombers during World War II.
For the first time ever, see the inner workings of the spacecraft and vehicles from The Phantom Menace. Beautifully illustrated full-page spreads reveal in intricate detail the concealed workings of these expert machines.
In this innovative take on a neglected chapter of film history, Peter Stanfield challenges the commonly held view of the singing cowboy as an ephemeral figure of fun and argues instead that he was one of the most important cultural figures to emerge out of the Great Depression.
The rural or newly urban working-class families who flocked to see the latest exploits of Gene Autry, Roy Rogers, Tex Ritter, and
other singing cowboys were an audience largely ignored by mainstream
Hollywood film. Hard hit by the depression, faced with the threat--and often the reality--of dispossession and dislocation, pressured to adapt to new ways of living, these small-town filmgoers saw their ambitions, fantasies, and desires embodied in the singing cowboy and their social and political circumstances dramatized in "B" Westerns.
Stanfield traces the singing cowboy's previously uncharted roots in the performance tradition of blackface minstrelsy and its literary antecedents in dime novels, magazine fiction, and the novels of B. M. Bower, showing how silent cinema conventions, the developing commercial music media, and the prevailing conditions of film production shaped the "horse opera" of the 1930s. Cowboy songs offered an alternative to the disruptive modern effects of jazz music, while the series Western--tapping into aesthetic principles shunned by the aspiring middle class--emphasized stunts, fist fights, slapstick comedy, disguises, and hidden identities over narrative logic and character psychology. Singing cowboys also linked recording, radio, publishing, live performance, and film media.
Entertaining and thought-provoking, Horse Opera recovers not only the forgotten cowboys of the 1930s but also their forgotten audiences: the ordinary men and women