"The Studs Terkel Interviews: Film and Theater" collects the Pulitzer Prize-winning oral historian's remarkable conversations with some of the greatest luminaries of film and theater. Originally published under the title "The Spectator," this "knowledgeable and perceptive" ("Library Journal") look at show business presents the actors directors, playwrights, dancers, lyricists, and others who created the dramatic works of the twentieth century.
Among the many highlights in these pages, Buster Keaton explains the wonders of unscripted silent comedy, Federico Fellini reflects on honesty in art, Carol Channing reveals that she is far more serious than she lets on, and Marlon Brando turns the tables and wants to interview Terkel. We learn about crucial artistic decisions in the lives of Arthur Miller, Tennessee Williams, and Edward Albee and hear from a range of film directors, from Vittorio De Sica and King Vidor to Satyajit Ray. We even get to witness Terkel playing straight man to a wildly inventive Zero Mostel. Because Terkel knows his subjects' work intimately, he asks precisely the right questions to elicit the most revealing responses. As the "New York Times Book Review " noted, "Terkel's knowledge and force of personality make him fully a player alongside his famous guests."
Explores how movies have shaped, influenced, mythologized, and invented New York City in such films as "42nd Street," "Rear Window," "Taxi Driver," "Annie Hall," and "Ghostbusters," and reveals how the real-life New York City has been transformed by Hollywood.
Volume I - Gender and Representation in New German CinemaVolume II - German Film History / German History on FilmInternational film has received some of its most original impulses from German film makers however the works by women directors in German speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This is the first work to consider the broad spectrum of German cinema through the category of gender. These volumes will be standard handbooks in film studies for many years to come.
Another 13 walking tours, illustrated as before with movie stills and photographs of the actual sites. Chuck Katz ends his book with a walking tour of Lower Manhattan and Ground Zero, which he calls "America's heart."
A moving adaptation of Frances Hodgson Burnett's 1911 novel, the story of a ten-year-old orphan's search for love and self-discovery in her uncle's locked garden. With her Tony-award winning book and lyrics, Norman recreates the classic form of the traditional American musical.
"If 2001 has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded."--Stanley KubrickStanley Kubrick's extraordinary movie 2001: A Space Odyssey was released in 1969. The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema. The Making of 2001: A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. Clarke to Kubrick's exhaustive research to the actual shooting and release of the movie.