The first major biography of the Carter family follows the musical pioneers who almost single-handedly established the sound and traditions that grew into folk, country, and bluegrass music--a style most recently popularized in the George Clooney hit movie O Brother, Where Art Thou? of photos.
A leader in the development of state and federal programs supporting traditional arts and folk cultures, Bess Lomax Hawes grew up with her father John Lomax and brother Alan in the first family of American folk music. Her compelling account of the folk music boom of the mid-twentieth century and the development of "public-sector" folklore includes family friends Ruth Crawford Seeger and Carl Sandburg, fellow Almanac Singers Woody Guthrie and Pete Seeger, and other musicians and artists. Her own creative endeavors as producer of American folk culture films, author of academic papers and books, and coauthor of the Kingston Trio's hit "MTA Song" (adapted from a local political campaign jingle) unfold alongside her legacy of teaching guitar and American folk music to thousands of adults in Los Angeles. Whether teaching anthropology to college students, learning singing games from the Georgia Sea Island Singers, or directing the Folk and Traditional Arts Program at the National Endowment for the Arts, Hawes remains dedicated to preserving and appreciating the traditional cultures of America.
Originally published in 1935, this affectionate biography was for decades the only detailed account of the life of the "Father of Country Music." The new edition includes photographs, index, and a new, critical introduction by award-winning Rodgers biographer Nolan Porterfield.
Distributed for the Country Music Foundation Press
Jamboree! To many country music fans the word conjures up memories of Saturday nights around the family radio listening to live broadcasts from that haven of hillbilly music, West Virginia. From 1926 through the 1950s, as Ivan Tribe shows in his lively history, country music radio programming made the Mountain State a mecca for country singers and instrumentalists from all over America.
Wilma Lee and Stoney Cooper, Little Jimmy Dickens, Hawkshaw Hawkins, Red Sovine, Blaine Smith, Curly Ray Cline, Grandpa Jones, Cowboy Loye, Rex and Eleanor Parker, Lee Moore, Buddy Starcher, Doc and Chickie Williams, and Molly O'Day were among the many who came to prominence via West Virginia radio.
Wheeling's "WWVA jamboree," first broadcast in 1933, attracted a wide audience, especially after 1942, when the station increased its power. The show's success spawned numerous competitors, as new stations all over West Virginia followed WWVA's lead in headlining country music.
The state also played an important role in the early recording industry. The Tweedy Brothers, Frank Hutchison, Roy Harvey, Blind Alfred Reed, Frank Welling and John McGhee, Cap and Andy, and the Kessinger Brothers were among West Virginians whose waxings contributed to the state's reputation for fine native musicianship. So too did those who sought out and recorded the Mountaineer folksong heritage.
As Nashville's dominance has grown since the 1960s, West Virginia's leadership in country music has lessened. Young performers must now seek fame outside their native state. But, as Ivan Tribe demonstrates, the state's numerous outdoor festivals continue to keep alive the heritage of country music's "mountain mama."
New edition of the text first published in 1965 (revised by Valerie Woodring Goertzeu). Presents the general characteristics of traditional music and its cultural context along with some of the methods used to study folk music. Annotation copyright Book News, Inc. Portland, Or.
The legendary outlaw of country music tells his story of hardship, love, courage, friendships, and wisdom with his earthy frankness, deep warmth, and humor. Willie Nelson will star in Lonesome Dove, a CBS miniseries, in November. To appear on Today, Entertainment Tonight, Sally Jesse Raphael, and either Donahue or Oprah.
Anyone who knows R. Crumb's work as an illustrator knows of his passion for music. And all those who collect his work prize the trading card sets he created in the early-to-mid 1980s. Now they are packaged together for the first time in book form, along with an exlcusive 21-track CD of music selected and compiled by Crumb himself.
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk.
With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers.