All the wonder, terror and delight of Greek mythology springs forth from the pages of this unique and much-needed anthology. Rhonda Hendricks has not only selected from the works of the ancient authors the best -- and often earliest -- versions of these tales; she has also arranged them so as to give a cumulative view of classical mythology beginning with The Creation and The Birth of Zeus. Of particular interest are: The Ages of Mankind, The Birth of Athena, Oedipus the King, Heracles, Theseus, Jason and Medea, The Judgement of Paris, The Trojan Horse, Pygmalion, and Cupid and Psyche. These texts offer a new perspective on classical mythology and, by so doing, cast a new light on this cornerstone of Western culture.
From one of the 20th century's greatest voices comes the complete volume of his short stories featuring Nick Adams, Ernest Hemingway's memorable character, as he grows from child to adolescent to soldier, veteran, writer, and parent--a sequence closely paralleling the events of Hemingway's life.The complete collection of Ernest Hemingway's Nick Adams two dozen stories are gathered here in one volume, grouped together according to the major time periods in the protagonist's life. Based on Hemingway's own experieces as a boy and as a member of the Red Cross ambulance corps in World War I. The collection follows Nick's life as a child to parent, along with soldier, veteran, and writer and feature some of Hemingway's earliest work such as "Indian Camp" and some of his best known short stories, including "Big Two-Hearted River." Perfect for longtime Hemingway fans and as an introduction to one of America's most famous writers.
Thomas Pynchon's literary career was launched not with the release of his widely acclaimed first novel, V., but with the publication in literary magazines of the five stories collected here. In his introduction to Slow Learner, the author reviews his early work with disarming candor and recalls the American cultural landscape of the early post-Beat era in which the stories were written. Time magazine described this introductory essay as "Pynchon's first public gesture toward autobiography."
"Funny and wise enough to charm the gravity from a rainbow...All five of the pieces have unusual narrative vigor and inventiveness." --New York Times
Who better to investigate the literary spirit world than that supreme connoisseur of the unexpected, Roald Dahl? Of the many permutations of the macabre or bizarre, Dahl was always especially fascinated by the classic ghost story. As he realtes in the erudite introduction to this volume, he read some 749 supernatural tales at the British Museum Library before selecting the 14 that comprise this anthology. "Spookiness is, after all, the real purpose of the ghost story," Dahl writes. "It should give you the creeps and disturb your thoughts." For this superbly disquieting collection, Dahl offers favorite tales by such masterful storytellers as E. F. Benson, J. Sheridan Le Fanu, Rosemary Timperley, and Edith Wharton.
With a preface written by the author especially for this edition, this is the complete collection of stories by Eudora Welty.
Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with "vision that is sweet by nature, always humanizing, uncannily objective, but never angry" (Washington Post).
Early critical views are by Sylvester Baxter, William Dean Howells, Andrew Lang, Rudyard Kipling, Charles Whibley, Albert Bigelow Paine, John B. Hoben, and anonymous reviewers in the London Daily Telegraph and the Boston Literary World. The later critical essays are by Howard G. Baetzhold, James D. Williams, Kenneth S. Lynn, James M. Cox, Louis J. Budd, Henry Nash Smith, David Ketterer, and Everett Carter.
A Selected Bibliography is also included.
Darwin T. Turner's "Introduction" (to the 1975 Liveright edition of Cane), reprinted here, presents the historical and literary backgrounds of the work, as well as additional biographical information on Toomer.
"Criticism," both contemporary and recent, on Cane and Toomer is wide-ranging and includes essays by W. E. B. Du Bois, Gorham B. Munson, Robert Bone, Patricia Watkins, Lucinda H. MacKethan, Nellie Y. McKay, and Darwin T. Turner.