Stretching from India to the Far East, the region of South-East Asia encompasses Indo-China, Malaysia, Indonesia and the Philippines. This volume presents a detailed survey of the region's art, which blends a variety of cultural and artistic traditions.
"(Contributors) MARIJKE J. KLOKKE, ALBERT LE BONHEUR, DONALD M. STADTNER, VALERIE ZALESKI, THEIRRY ZEPHIR
The Artistic Journey of Yasuo Kuniyoshi is a long-overdue study of this complex artist's career. Born in Japan, Yasuo Kuniyoshi (1889-1953) arrived in the United States as a teenager and studied art in New York. Although thoroughly integrated into American life, immigration laws prevented him from becoming an American citizen. The early success he achieved with his distinctive modern figural works developed into a compelling and powerful late style.
This new survey, the first full retrospective of his works since the Whitney Show of 1948, features seventy of Kuniyoshi's best paintings and drawings, chosen from leading public and private collections in America and Japan.
Tom Wolf is professor of art history, Bard College, New York, and the leading Kuniyoshi scholar.
Takuichi Fujii (1891-1964) left Japan in 1906 to make his home in Seattle, where he established a business, started a family, and began his artistic practice. When war broke out between the United States and Japan, he and his family were incarcerated along with the more than 100,000 ethnic Japanese located on the West Coast. Sent to detention camps at Puyallup, Washington, and then Minidoka in Idaho, Fujii documented his daily experiences in words and art. The Hope of Another Spring reveals the rare find of a large and heretofore unknown collection of art produced during World War II. The centerpiece of the collection is Fujii's illustrated diary that historian Roger Daniels has called "the most remarkable document created by a Japanese American prisoner during the wartime incarceration."
Barbara Johns presents Takuichi Fujii's life story and his artistic achievements within the social and political context of the time. Sandy Kita, the artist's grandson, provides translations and an introduction to the diary. The Hope of Another Spring is a significant contribution to Asian American studies, American and regional history, and art history.
With millions of fans around the world, manga is a beloved art form. Now you, too, can learn how to draw your favorite characters from Japanese comics and anime Manga Art for Intermediates shows you how to draw detailed clothing, facial expressions, and other features, like hair and accessories. With gradual steps and helpful tips, this book will have you creating your own colorful characters in no time at all
Learn to draw:
The authors have done all the work for you. Just follow their simple, straightforward instructions, study the step-by-step drawings, and you'll soon have your own collection of fantastic manga characters
"Engrossing as a novel ... throws a clear white light on one of the most spectacular artists of our time." -- Chicago Sunday Tribune
This remarkable autobiography began with a newspaper interview the artist gave journalist Gladys March in 1944. From then until the artist's death in 1957, she spent several months each year with Rivera, eventually filling 2,000 pages with his recollections and interpretations of his art and life. Written in the first person, this book is a richly revealing document of the painter who revolutionized modern mural painting, was a principal figure in launching the "Mexican Renaissance," and is ranked among the most influential artists of the twentieth century.
As the colorful narrative unfolds, Diego Rivera seems always to be in the midst of political, artistic, and romantic turmoil. As the reviewer for The New Republic observed, "Rivera reveals a keen appreciation of this prowess in art, sex, and politics, and the record seems to be complete on the series of spectacular rows he got into over all three."
The book details his bold confrontations with dictators and presidents, the battles that erupted over his murals in Rockefeller Center and the Hotel del Prado, his tempestuous marriages to Lupe Marin and artist Frida Kahlo, and much, much more. "There is no lack of exciting material. A lover at nine, a cannibal at 18, by his own account, Rivera was prodigiously productive of art and controversy." -- San Francisco Chronicle. 21 halftones.
Queering Contemporary Asian American Art takes Asian American differences as its point of departure, and brings together artists and scholars to challenge normative assumptions, essentialisms, and methodologies within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity, queer bodies and forms, kinship and affect, and digital identities and performances.
Using the verb and critical lens of "queering" to capture transgressive cultural, social, and political engagement and practice, the contributors to this volume explore the connection points in Asian American experience and cultural production of surveillance states, decolonization and diaspora, transnational adoption, and transgender bodies and forms, as well as heteronormative respectability, the military, and war. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production.
Juxtaposing short stories, poetry, painting, and photographs, Troubling Borders showcases the creative work of women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. This thematically arranged collection interrupts borders of categorization and gender, in what preface author Shirley Geok-Lin Lim describes as a "leap over the barbed fences that have kept these women apart in these, our United States of America."
The sixty-two contributors have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and showing their work is a bold act in itself. Their provocative and accessible creations tell unique stories, provide sharp contrasts to familiar stereotypes--Southeast Asian women as exotic sex symbols, dragon ladies, prostitutes, or "bar girls"--and serve as entry points for broader discussions about questions of history, memory, and identity.
War Baby / Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai'i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of "optional identity," this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures.
Watch the trailer: http: //www.youtube.com/watch?v=kJp0MDtKqyY&list=UUge4MONgLFncQ1w1C_BnHcw&index=2&feature=plcp