Aboriginal and Australian Art
100 Moments in Australian Painting
From the Art Gallery of New South Wales
Paperback ISBN: 1742231292
What makes a painting endure and resonate through time? What makes a masterpiece? Highly respected art curator Barry Pearce provides a personal tour of 100 of his favorite Australian paintings from the walls and vaults of the Art Gallery of New South Wales. Pearce profiles works from the most famous names in Australian art, including Tom Roberts, Frederick McCubbin, Grace Cossington Smith, Sidney Nolan, Margaret Preston, Fred Williams, Brett Whiteley, and Ben Quilty. He reveals intriguing stories behind some of Australia’s best-loved paintings and uncovers lesser-known gems along the way.
Paperback ISBN: 0500204160
A superlative introduction to the diversity of Aboriginal art, thisconcise survey introduces the work of Australia’s indigenous artistsfrom all parts of the continent. For some 50,000 years, Aboriginalartists have built on traditions and worked in a variety of contexts,from the sacred and secret realm of ceremony to more public spheres,and in media that include painting, sculpture, engraving, constructions,weaving, photography, printmaking, and textile design.For the revised edition, a new chapter maps the latest developmentsacross each of Australia’s geographical regions. Updated information andsome twenty new illustrations highlight the impact of urban living, thegrowth of local art centers, and the rise of women artists—all testifyingto Aboriginal art’s continued dynamism and vitality.Wally Caruana was Senior Curator of Aboriginal and Torres StraitIslander Art at the National Gallery of Australia, Canberra, from 1984to 2001.
Paperback ISBN: 0714837520
Aboriginal Australian Art
Paperback ISBN: 1876334029
Art in Australia
From Colonization to Postmodernism
Paperback ISBN: 0500203016
Does Australian art have a history or is it just a series of belated footnotes to European and American artistic development in the last two centuries? Does it always express some essential "Australian sensibility"? Christopher Allen's book argues that Australian art does have a history of its own from the beginning, not because of an inherent "Australianness," but because of the objective conditions of a society transplanted to a remote and strange place. Artists brought with them current European styles, but everything acquired a subtly different meaning in this new setting, as old resources were applied to new problems. The starting point of Australian art history, as of Australian history in general, is the question of inhabiting a new continent. From the colonist trying to form an image of home in a foreign landscape to the postmodernist discovering in Australia the epitome of a homeless condition, it has rarely been absent from the most important art.
Artefacts of Encounter
Cook’s Voyages, Colonial Collecting and Museum Histories
Hardcover ISBN: 0824859359
The Pacific artefacts and works of art collected during the three voyages of Captain James Cook are of foundational importance for the study of art and culture in Oceania. These collections are representative not only of technologies or belief systems but of indigenous cultures at the formative stages of their modern histories, and exemplify Islanders’ institutions, cosmologies and social relationships. Recently, scholars from the Pacific and further afield, working with Pacific artefacts at the Museum of Archaeology and Anthropology (MAA) at University of Cambridge, set out to challenge and rethink some longstanding assumptions on their significance. The Cook voyage collection at the MAA is among the four or five most important in the world, containing over 200 of the 2,000-odd objects with Cook voyage provenance that are dispersed throughout the world. The collection includes some 100 artefacts dating from Cook’s first voyage. This stunning book catalogues this collection, and its cutting-edge scholarship sheds new light on the significance of many artefacts of encounter.
Sacred Gods from Polynesia
Paperback ISBN: 064233448x
The Polynesian concept of atua — of gods, figurative objects and associated beliefs — developed over thousands of years and spread throughout the region. The superb examples of sculpture illustrated in this volume provide an island-by-island insight into this rich and intriguing heritage. Intrepid seafarers first discovered Polynesia 3000 years ago and, gradually, the region came to be inhabited by the communities established by these explorers. Across central and eastern Polynesia, from the Cook, Austral, Society and Marquesas islands, the Tuamotu Archipelago, Tahiti, Rapa Nui, the Hawaiian Islands and Aotearoa New Zealand, unique, yet coherent, societies developed. With that a complex and sustaining spiritual world came into being. Sculptures of ancestral gods connected the Polynesians with Te Po, the supernatural world, giving them strength and sacred knowledge. A hierarchy of supernatural beings — atua — resides within Te Po, inhabiting animals and birds, or particular aspects of the landscape. Among the atua were the deified spirits of human ancestors, particularly those famous for their invincibility, political strength or navigation skill. Polynesians created, revered and communicated with their atua in a relationship of profound intimacy. This way of life suffered a violent rupture with the arrival of Christianity in the 18th century. It is this volume’s privilege to chronicle the integral role played by the atua in Polynesian daily life through images and text that convey the power of a still-living culture.
Hardcover ISBN: 1907533451
This unprecedented book charts the development of Australian art since 1800, from early Aboriginal paintings and the work of the first colonial settlers to contemporary artists whose work reflects their culturally diverse influences. The book celebrates key moments in the Australian canon and showcases more recent artists such as Tracey Moffatt, Fiona Hall, and Vernon Ah Kee, who have emerged and established a highly original native art scene. Because the art of this continent is indelibly linked to its epic landscape, this book focuses especially on this complex and evolving alliance, illustrating in some 200 paintings, prints, drawings, photographs, and film and video stills the distinctive Australian terrain, and examining the ways in which Australian artists have sought to negotiate their identities in relation to the extremes of their land.
The Vatican Museums Indigenous Collection
Paperback ISBN: 888271411x
From the ancient Etruscans and Romans, to the Renaissance masters of Michelangelo and Raphael, the Vatican Museums represent an aspect of the history of humanity through art. The Indigenous Australian collection is a little known and an unexplored part of that story. Being amongst some of the earliest known documentations of Australian Indigenous cultures, the collection includes the earliest extant set of Pukumani poles from Melville and Bathurst Islands alongside more recent contributions of artworks and cultural objects, and presents materials that have not been exhibited before in Australia. The responsibility to culturally reconnect relevant contemporary Indigenous communities to their material heritage held in the museum has been realized and is documented in this catalog, which includes a catalog of objects, and essays by Indigenous and non-Indigenous authors. During the process of community visits and consultations, images of the objects brought old and young people together, instigating intergenerational dialogue about the past. Now, in collaboration with communities, the Indigenous collection can be seen in this catalogue and is represented at the heart of the Vatican Museums where the objects have become cultural ambassadors inviting others to come and learn more about Australian Indigenous cultures.