American Art
Featured Items
American Glass: Masters of the Art
American Glass
Masters of the Art
Paperback      ISBN: 0295977566
Published to accompany an exhibition circulated by the Smithsonian Institution Traveling Exhibition Service. Full-page and smaller photos represent 53 pieces created by 13 glassworking artists. After a brief overview, the text profiles each artist's career, techniques, and approaches. Annotation c. Book News, Inc., Portland, OR (booknews.com)
Winslow Homer: An American Vision
Winslow Homer
An American Vision
Paperback      ISBN: 0714874191
The peerless and comprehensive survey of this important American artist, now available in paperback for the first time This thoroughly researched, immensely readable study on Winslow Homer, one of America's most significant and prolific painters, presents a full account of his life and work and offers a fresh and provocative reassessment of his place in the history of late nineteenth-century art. Homer's work is popular and accessible, and Griffin's text, with its solid documentation, original research and fresh interpretations, has become an essential survey of Homer and his creative output.
New York Cool: Painting and Sculpture from the NYU Art Collection
New York Cool
Painting and Sculpture from the NYU Art Collection
Paperback      ISBN: 0615181058
Edited by Pepe Karmel. Text by Lynn Gumpert, Pepe Karmel, Alexandra Lange, Lytle Shaw.
Elizabeth Peyton: Reading & Writing
Elizabeth Peyton
Reading & Writing
Hardcover      ISBN: 8881587386
Text by Rachael Thomas. Afterword by Enrique Juncosa.
Women Artists of the West: Five Portraits in Creativity and Courage
Women Artists of the West
Five Portraits in Creativity and Courage
Paperback      ISBN: 1555918611
Narrative profiles of five notable women artists who influenced the art of the American West.
Sister Wendy's American Collection
Sister Wendy's American Collection
1st Edition    Hardcover      ISBN: 0060195568
A nun-turned-art expert travels to six American museums in search of masterworks of painting and sculpture.
Nexus New York: Latin/American Artists in the Modern Metropolis
Nexus New York
Latin/American Artists in the Modern Metropolis
Paperback      ISBN: 0300158963
Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enríquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquín Torres-Garcia, José Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas.
Facing History: The Black Image in American Art 1710-1940
Facing History
The Black Image in American Art 1710-1940
Hardcover      ISBN: 0938491393
Traces realistic and racist images
Natural Magic: Salted Paper Prints in North America
Natural Magic
Salted Paper Prints in North America
Hardcover      ISBN: 0295994908
The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate—in other words, they ushered in the medium of photography. The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities the massing of light and the softening of detail—while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America—Canada, the United States and Mexico—faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making—defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847–1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.
Warm: A Landmark Exhibition
Warm: A Landmark Exhibition
Paperback      SKU: 1199485934