Barbs, Prongs, Points, Prickers, and Stickers
A Complete and Illustrated Catalogue of Antique Barbed Wire
Paperback ISBN: 0806108762
On the Great Plains, a land barren of wood and rock for the traditional rail and stone fences, the wire fence was a logical invention. Hundreds of barded-wire designs were invented, and the more practical patents were manufactured and shipped west at great profit. Today collectors are carefully searching out that wire for both enjoyment and historical interest. This book was designed to provide a well-organized identifying, classifying, and cataloguing system for the many designs and variations of barded wire. Nearly one thousand drawings and three indexes to patents, inventors, and manufacturers provide an immediate means of identification.
Behind the Camera
1st Edition Hardcover ISBN: 0316006939
Offers insight into the work and methods of the celebrated American illustrator, describing with lavish reproductions of numerous works his efforts at the sides of skilled photographers who combined models, props, and locations that served as the basis of Rockwell's iconic images.
The Epic History of Art in America
1st Edition Hardcover ISBN: 0679426272
The companion volume to a eight-part, PBS series traces the history of art in America, from the early works of Native Americans, through its richly varied evolution, to the present day, including critical commentaries, anecdotes, profiles, and hundreds of illustrations. TV tie-in. 100,000 first printing.
Masters of the Art
Paperback ISBN: 0295977566
Published to accompany an exhibition circulated by the Smithsonian Institution Traveling Exhibition Service. Full-page and smaller photos represent 53 pieces created by 13 glassworking artists. After a brief overview, the text profiles each artist's career, techniques, and approaches. Annotation c. Book News, Inc., Portland, OR (booknews.com)
African Origins of an American Art
Paperback ISBN: 094580251x
Through the prism of America's most enduring African-inspired art form, the Lowcountry basket, Grass Roots guides readers across 300 years of American and African history. In scholarly essays and beautiful photographs, Grass Roots follows the coiled basket along its transformation on two continents from a simple farm tool once used for processing grain to a work of art and a central symbol of African and African American identity. Featuring images of the stunning work of contemporary basket makers from South Carolina to South Africa, as well as historic photographs that document the artistic heritage of the southern United States, Grass Roots appears at a moment when public recognition of the Gullah/Geechee heritage is encouraging a reexamination of Africa's contribution to American civilization. Working with basket makers from Charleston and Mt. Pleasant, South Carolina, historian Dale Rosengarten has been studying African-American baskets for over 20 years and brings her research up-to-date with interviews of artists and the results of recent historical inquiry. Anthropologist Enid Schildkrout draws on her research in West Africa and museum collections around the world to explore the African antecedents of Lowcountry basketry. Geographer Judith A. Carney discusses the origins of rice in Africa and reveals how enslaved Africans brought to America not only rice seeds but, just as important, the technical know-how that turned southern coastal forests and swamps into incredibly profitable rice plantations. Historian Peter H. Wood discusses the many skills that enslaved Africans contributed to the settlement of the Old South and at the same time used to resist the conditions of their servitude. John Michael Vlach, a leading authority on African American folk art, discusses the history of visual depictions of plantation life. Fath Davis Ruffins, a specialist on the imagery of popular culture, sheds light on the history embedded in old photographs of African Americans in the Charleston area. Cultural historian Jessica B. Harris explores the tradition of rice in American cooking and the enduring African influences in the southern kitchen. Anthropologist and art historian Sandra Klopper sketches the history of coiled basketry in South Africa, illuminating its evolution from utilitarian craft to fine art, parallel to developments in America. Anthropologist J. Lorand Matory traces the changing meanings of Gullah/Geechee identity and discusses its appearance as a significant force on the American cultural scene today. Dale Rosengarten is curator of special collections at the College of Charleston library. Theodore Rosengarten teaches history at the College of Charlestona and University of South Carolina. Enid Schildkrout is chief curator and director of exhibitions and publications at the Museum for African Art, New York.
Modern Art in America 1908-68
Paperback ISBN: 0714875244
A radical re-evaluation of American modernism through four generations of artists and their work – now in paperback. "That rarity of rarities, an opinionated but not eccentric scholarly history by a veteran museum curator whose every page crackles with original thinking and bears the stamp of a preternaturally sharp eye? Excellent reproductions and crisp typography complement the lucid prose." —Wall Street Journal Twentieth-century art in America has long been understood in two very separate distinct halves: pre-World War II, often considered as inferior and provincial; and the triumphant, international post-war work that made a complete break with everything that went before. Agee discovers exciting new connections between artists and artworks, which strongly suggest that 1945 was not such a dividing line in art history after all. His fresh research offers an innovative approach and a brilliant take on art history.