American Art
Featured Items
Momentary
Momentary
Hardcover      ISBN: 1623260329
The momentary beauty of Sage Vaughn’s butterflies is palpable. These impossibly lovely, delicate creatures appear to have magically landed or violently crashed, oozing their colorful pigment like blood-stained marks across the canvas. The dichotomy of these delicate and ephemeral creatures co-existing over images of gritty urban life creates a contrast that is layered, mysterious, and up for interpretation. Vaughn’s butterflies appear as choreographed naturet–their drips echoing his early beginnings as a graffiti artist. Sometimes juxtaposed against the likes of mundane interiors, forests, or the Russian punk band Pussy Riot, Vaughn’s distinctive paintings create provocative relationships between the built and natural environment. The effect is dreamlike and almost hypnotic, as swarms of butterflies concurrently live and die in graceful formations that are at once heart-breakingly beautiful and sublimely melancholy. Sage Vaughn is an LA-based painter and illustrator who is best recognized for his wildlife series. Moustachioed, eccentric, and consistent, Vaughnworks in his studio from 9 a.m. to 6 p.m. and has been quoted as an artist with a blue-collar work ethic. As a child, Vaughn and his father, who wasalso a painter, would spend hours on end at the LA Zoo sketching animals all day. As a teenager, growing up in the San Fernando Valley in the late 70s and early 80s, Vaughn was greatly influenced by the punk movement and graffiti art. Vaughn’s current Wildlives paintings focus on the juxtaposition and coexistence of humans and animals, drawing comparisons between their inherent liberty, freedom, and survival skills. He has had widely acclaimed solo shows in New York, Geneva, and London and has been featured in a group show at MOCA in LA, curated by the Beastie Boys’ Mike D.
David Smith: Collected Writings, Lectures, and Interviews
David Smith
Collected Writings, Lectures, and Interviews
Paperback      ISBN: 0520291883
This comprehensive sourcebook is destined to become a lasting and definitive reference on the art and aesthetic philosophy of the American artist David Smith (1906–1965). A pioneer of twentieth-century modernism, Smith was renowned for the expansive formal and conceptual ambitions of his broadly diverse and inventive welded-steel abstractions. His groundbreaking achievements drew freely on cubism, surrealism, and constructivism, profoundly influencing later movements such as minimalism and environmental art. By radically challenging older conventions of monolithic figuration and refuting arbitrary distinctions between painters and sculptors, Smith asserted sculpture’s equal role in advancing modern art. This compilation of Smith’s poems, sketchbook notes, essays, lectures, letters to the editor, reviews, and interviews underscores the ways his writing articulated his private identity and promoted the social ideals that made him a key participant in contemporary discourses surrounding modernism, art and politics, and sculptural aesthetics. Each text is annotated by Susan J. Cooke with historical and contextual information that reflects Smith’s process of continually reviewing and revising his writings in response to his evolving aspirations as a visual artist.
Art of the American Indian Frontier: The Chandler-Pohrt Collection
Art of the American Indian Frontier
The Chandler-Pohrt Collection
Paperback      ISBN: 0295973188
Art of the American Indian Frontier examines an incomparable collection of nineteenth-century Native American art from the North American Woodlands, Prairie, and Plains. The collection resulted from the efforts of Milford G. Chandler and Richard A. Pohrt, whose early childhood fascination with the Indian frontier past evolved into a deep and comprehensive interest in Native American ceremonies, beliefs, and art. Though neither was wealthy or enjoyed the sponsorship of a museum, they traveled extensively early in the twentieth century, buying or trading for objects they could not resist. This volume presents the Detroit Institute of Art's Chandler-Pohrt collection with detailed documentation and commentary. Clothing and accessories of porcupine quill and buckskin, woven textiles, bags, beadwork, necklaces, rawhide paintings, smoking pipes, tools, vessels and utensils, pictographs, and visionary paintings are portrayed in 220 stunning color plates. Complementing the illustrations are essays dealing with historical context, ethnographic issues, and the lives and philosophies of the collectors.
Currents of Change: Art and Life Along the Mississippi River, 1850-1861
Currents of Change
Art and Life Along the Mississippi River, 1850-1861
Paperback      ISBN: 0816644527
Powerful and beautiful, the Mississippi River holds some of the nation's most interesting scenery and treasured history. Although the river had long been a channel for trade, the 1850s marked the transformation of the Mississippi River from a travel route to a vital conduit for cultural, artistic, and architectural ideas from Louisiana to Minnesota.Minneapolis Institute of Arts curators Jason Busch and Christopher Monkhouse have culled public and private collections to assemble an exhibition of fine and decorative arts from along the river during the period from 1850 to 1861, a time of unprecedented economic and technological change throughout the country. Currents of Change brings together art in all media: paintings, prints, drawings, furniture, silver, ceramics, textiles, and sculpture-many of which have never before been showcased in a national exhibition. Each of the 150 objects presented demonstrates the development of culture and design along the Mississippi River, honoring and preserving the artistic history of the era.The fully illustrated Currents of Change includes color plates and black-and-white photographs. Monkhouse, Busch, and Janet Whitmore, a freelance art historian, each contribute an essay to the publication. Monkhouse examines the development of America's artistic identity with the Mississippi River through Longfellow's Song of Hiawatha and Evangeline. Busch uses furnishings and portraits by artists like Thomas Sully and Alexander Roux to trace patterns of patronage and decoration along the river. Whitmore explores the Mississippi River landscape, people, and architecture in paintings by artists such as George Caleb Bingham and Henry Lewis.Jason Busch is assistant curator at the Minneapolis Institute of Arts.Christopher Monkhouse is curatorial chair at the Minneapolis Institute of Arts.Distributed for the Minneapolis Institute of Arts
Anonymous Was a Woman
Anonymous Was a Woman
Paperback      ISBN: 0312041861
Juxtaposes color reproductions of samplers, quilts, and needle-pictures with excerpts from the diaries and journals of eighteenthand nineteenth-century women
Year 1 Rewind: A Survey of Graffiti, Street and Urban Art
Year 1 Rewind
A Survey of Graffiti, Street and Urban Art
Hardcover      ISBN: 0867197129
Before Ever After: The Lost Lectures of Walt Disney's Animation Studio
Before Ever After
The Lost Lectures of Walt Disney's Animation Studio
Hardcover      ISBN: 1484710819
BEFORE EVER AFTER is a compilation of never-before-seen lecture notes from classes that were held in preparation for the production ofSnow White. Walt knew that to fulfill his once-impossible dream of crafting a feature-length animated film,he had to establish an on-campus art school for his staff. He hand-picked Don Graham, a respected instructor from the Chouinard Art Institute, to hold classes on entertainment, drawing, and acting and was also innovative enough to document the thought process behind the nascent art form of feature animation.Guest lecturers included Frank Lloyd Wright who spoke about art philosophy and USC psychology professor Dr. Boris Morkovin who talked about humor. Previously unseen outside of the Disney studios, these lecture notes contain the wisdom behind the artistry that audiences generation after generation have come to appreciate inSnow White, and this wisdom also provided the artistic foundation for many films to come.
Nexus New York: Latin/American Artists in the Modern Metropolis
Nexus New York
Latin/American Artists in the Modern Metropolis
Paperback      ISBN: 0300158963
Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enríquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquín Torres-Garcia, José Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas.
Winslow Homer: An American Vision
Winslow Homer
An American Vision
Paperback      ISBN: 0714874191
The peerless and comprehensive survey of this important American artist, now available in paperback for the first time This thoroughly researched, immensely readable study on Winslow Homer, one of America's most significant and prolific painters, presents a full account of his life and work and offers a fresh and provocative reassessment of his place in the history of late nineteenth-century art. Homer's work is popular and accessible, and Griffin's text, with its solid documentation, original research and fresh interpretations, has become an essential survey of Homer and his creative output.
Elizabeth Peyton: Reading & Writing
Elizabeth Peyton
Reading & Writing
Hardcover      ISBN: 8881587386
Text by Rachael Thomas. Afterword by Enrique Juncosa.