Artists in Residence
A Guide to the Homes and Studios of Eight 19Th-Century Painters in and Around Paris
Paperback ISBN: 1892145006
Open to the public, the homes and studios of eight celebrated nineteenth-century painters—Vincent van Gogh, Claude Monet, Gustave Courbet, Eugène Delacroix, Gustave Moreau, Rosa Bonheur, Jean-François Millet, and Charles-François Daubigny—provide intimate insights into their work and personalities as well as pleasurable day-long itineraries in and around Paris. A writer and a photographer, both of whose work appears frequently in Architectural Digest, present sumptuous portraits of these painters’ lives and times. Travel information includes discriminating hotel and restaurant recommendations; sites of related interest; excursions to nearby châteaux and medieval fortress towns; directions for travel by car and train; museums in Paris with works by each artist; phone and fax numbers and email addresses for all listings.
Boucher and Chardin
Masters of Modern Manners
Paperback ISBN: 1903470757
This book accompanies an exhibition examining the relationships between two works. When seen within the context of contemporary depictions of modish women and fashionable interiors, Boucher and Chardin's paintings acquire a new resonance, showing the rise of a new manner in French genre painting. This provides an opportunity to address undercurrent themes of social history such as the artists' attitudes to fashion, interior decoration and the consumption of tea - a pastime influenced by new trade links with China.
The Complete Masters of the Poster
All 256 Color Plates from Les Maitred De L'Affiche
Paperback ISBN: 0486263096
The most famous artistic compilation ever made of the great age of the poster, featuring works by Cheret, Steinlen, Toulouse-Lautrec, nearly 100 other artists. One poster per page.
The Painting of Modern Life
Paris in the Art of Manet and His Followers
Paperback ISBN: 0691009031
The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafés, parks, and suburban pleasure grounds--the birthplace of those habits of commerce and leisure that constitute "modern life." Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives--be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came into being celebrate the consumer-oriented culture of the Paris of Napoleon III, or open it to critical scrutiny? The revised edition of this classic book includes a new preface by the author.