Published to accompany an exhibit at the gallery, in New York City, from April to June 1998. Offers examples of the modern resurgence of the traditional writing form as practiced by 21 artists. The many black-and-white illustrations and 11 color plates are supported with an introduction to the genre, discussions of the artists and their work, and an interview with American artist Brice Marden. No index. Distributed in the U.S. by U. of Washington Press. Annotation c. by Book News, Inc., Portland, Or.

Like most of China's amazing archaeological discoveries, the terracotta army was found by accident. It came to light in 1974 when local farmers were drilling a well. Since then, remarkable discoveries at the First Emperor's burial site have ben ongoing, revealing the wealth of China's ancient past. With contributions from leading scholars, China's Terracotta Warriors presents a panoramic view of Qin artistic, military, and administrative achievements under the powerful ruler sho proclaimed himself First Emperor of China. In addition to findings from his tomb complex, it examines the period of Chinese history preceding the First Emperor's reign (246-210 BCE) and his establishment of the Qin empire and dynasty in 221 BCE. The Qin state had been in existence for over half a millennium before the First Emperor came to the throne, and its rulers had played their parts in the evolution of a small state into a superpower. Only in recent years has that history been revealed through a series of remarkable and often accidental discoveries of tombs and burials of early Qin royals and aristocracy. In the absence of substantive and reliable written sources, it is this archaeological evidence which provides clues to Qin's rise from state to empire. China's Terracotta Warriors is published to accompany exhibitions at the Minneapolis Institute of Arts and the Asian Art Museum of San Francisco. Liu Yang is curator of Chinese art at the Minneapolis Institute of Arts. The other contributors are Edmund Capon, Albert Dien, Liu Yunhui, Jeffery Riegle, Eugene Wang, Jay Xu, and Yuan Zhongyi.

Presents three hundred works that represent every form of Chinese visual art, from sculpture and ceramics to installation and performance art, and pairs each with a brief descriptive essay that places the work in its context.

Chinese ceramics are among the most widely admired and collected in the world. From elegant Song celadons to decorative Ming vases and colorful Qing famille rose, ceramics produced in China have influenced taste and daily life globally. This new design history draws on the V&A’s comprehensive collection to look at the production, consumption, aesthetics, and transfer of Chinese ceramics Stunning new photography illustrates more than 200 pieces, including previously unpublished objects. It also explores ceramics made in the twentieth and twenty-first centuries, from Republic period porcelain to propaganda ware and studio pottery, a first for any survey history of the subject.

Looks at Chinese papercuts, shadow puppets, woodblock prints, textiles, embroidery, and clothing, and symbols and legends used in Chinese folk art

Traditional embroidery patterns are photographed full-size for the artist and craftsman