King Kong is a collective project founded in 2005 at Milan by Federico Sarica and Ivano Atzori with the aim to create a new core for the most creative minds. "We Didn't Invent Anything" shows through illustrations, photos and texts all the protagonists (artists, graphics, ecc) met during the years. 96 pages to describe the King Kong philosophy: "Do It Yourself".

This book presents one of the finest private collections of Italian manuscripts ever assembled after the First World War. Comparable only to the legendary Cini Collection in Venice, it was formed by Robert Lehman to complement his fathers holdings of early Italian panel paintings. Included are works by the major schools of illumination in southern Italy, Umbria, Tuscany, Emilia, Lombardy, and the Veneto. Also represented are works by three of the principal artists in the history of Italian painting: Duccio di Buoninsegna, Stefano da Verona, and Cosimo Tura.

Classics Under the Magnifying Glass Italy’s most precious painting treasures dissected Surreptitious messages, concealed myths, and historical truths lie hidden in the great works of the Italian Renaissance, behind heavy gold leaf and religious symbology. Although often obscured by the archaic language of historical painting, careful analysis and expert interpretation bring these images to life. Discover masterpieces of the most beloved creative epoch in this fascinating art historical inquiry. Images of war, romance, birth, and knowledge, works of the Italian Renaissance have much to say, when given a voice. Rose-Marie and Rainer Hagen do just that—pulling apart each of the 12 featured paintings with all the talent of true detectives to offer an illuminating portal to the past. From Michelangelo’s The Creation of Adam to Ucello’s The Battle of San Romano, from Antonello da Messina’s St. Jerome in His Study to Pinturicchio’s Penelope with the Suitors, the artworks under investigation are a diverse representation of the period’s innovation and brilliance, sourced directly from some of the most impressive collections in the world, including the Uffizi, Prado, and National Gallery London.

The first treatment of Venetian woodcarving and woodcarvers, focusing on 13 works of particular interest in and outside of Venice.