African-American Art
African American Visual Arts: From Slavery to the Present
African American Visual Arts
From Slavery to the Present
Paperback      ISBN: 0807859338

In African American Visual Arts Celeste-Marie Bernier introduces readers to the sheer diversity, range, and experimental nature of African American art and artists and considers their relationship to key motifs within black culture and black experience in North America. The book traces the major developments in African American visual culture from its beginnings in the ceramics and textiles of slave artisans to later contributions in the twentieth and twenty-first centuries to the fine arts and abstract expressionism, sculpture, installation art, video art, and computer graphics.

Bernier analyzes the work of twenty-one artists, including Elizabeth Catlett, Jacob Lawrence, William Edmondson, Howardena Pindell, Charles Alston, Romare Bearden, Norman Lewis, Betye Saar, Horace Pippin, and Kara Walker. She highlights key but frequently neglected and little-discussed black artists, situating their works within their specific historical and political contexts. Bernier provides a new understanding of their relationship to fundamental themes of the black experience such as black stereotyping and caricature in mainstream discourse, poverty in the inner city, and the division between the rural and the urban.

The Afro-American Tradition in Decorative Arts
The Afro-American Tradition in Decorative Arts
Paperback      ISBN: 0820312339

Covering basketry, musical instruments, wood carving, quilting, pottery, boatbuilding, blacksmithing, architecture, and graveyard decoration, John Vlach seeks to trace and substantiate African influences in the traditional arts and crafts of black Americans. It is a widespread tradition, he observes, readily visible in areas such as the coastal regions of South Carolina and Georgia but discernible as well in places far to the west and north. With the aid of more than two hundred photographs and numerous maps, diagrams, and drawings, Vlach not only examines the form and content of the artifacts and structures but also relates them to the complex cultural context from which they sprang--the interwoven strands of African and European influence.

Originally published in 1978 as the catalog to a major exhibit by the Cleveland Museum of Art, this book was among the first to describe and analyze the achievements of African American artisans. It is now recognized as a landmark work, the standard in its field, and is widely used by historians, folklorists, anthropologists, and sociologists.
The Art & Activism of Marion Perkins: To See Reality in a New Light
The Art & Activism of Marion Perkins
To See Reality in a New Light
Paperback      ISBN: 0883783460

The Art and Activism of Marion Perkins: "To see reality in a new light" edited by Julia Perkins, Michael Flug and David Lusenhof preserves the art of Marion Perkins (1908-1961), a self-taught sculpture who became one of the most important visual artists in the Chicago Renaissance. Now fifty years after his death, Perkins work has inspired a new audience of artists, art enthusiast and art historians to study the rich cultural history of Chicago's black artists and writers. This book includes commentary, photography and documents from the 2009 year-long exhibit held at the Chicago Public Library's Vivian G. Harsh Research Collection of Afro-American History and Literature. Third World Press was pleased to partner with the Harsh Society on the production of this book, which will serve as the official archival record of the exhibit.On preserving the art and legacy of Marion Perkins"Through his art, Marion Perkins imparted social and political commentary on the injustices and challenges faced by African Americans during the 1930s, 40s, and 50s. This catalogue is a tribute to the man and the exhibition "'to see reality in a new light' the Art & Activism of Marion Perkins," which marked the first comprehensive survey of his legacy and contribution to the landscape of American art." --Julia Perkins

Barkley L. Hendricks: Birth of the Cool
Barkley L. Hendricks
Birth of the Cool
Hardcover      ISBN: 0938989448
Barkley L. Hendricks: Birth of the Cool accompanies the first career retrospective of the renowned American artist Barkley L. Hendricks. Hendricks was born in 1945 in Philadelphia. His unique work contains elements of both American realism and postmodernism, occupying a space between the portraitists Chuck Close and Alex Katz and the pioneering black conceptualists David Hammons and Adrian Piper. Hendricks is best known for his life-sized portraits of people of color from the urban northeast. His bold portrayal of his subject's attitude and style elevates the common person to celebrity status. Cool, empowering, and sometimes confrontational, Hendricks' artistic privileging of a culturally complex black body has paved the way for today's younger generation of artists.

This richly illustrated book contains 100 color images of paintings created from 1964 to the present. It focuses primarily on the artist's full-figure portraits, as well as lesser known early works and the artist's more recent portal-like landscape paintings. The catalog includes the most comprehensive bibliography on Hendricks to date, a timeline of the artist's life, and an interview with the artist by Thelma Golden, Director and Chief Curator at the Studio Museum in Harlem. It also includes essays by Barkley L. Hendricks, Duke University art historian Richard J. Powell, exhibition curator Trevor Schoonmaker, and Franklin Sirmans, Curator of Modern and Contemporary Art at the Menil Collection.

Publication of the Nasher Museum of Art at Duke University
Basquiat
Basquiat
Paperback      ISBN: 1858945194

Jean-Michel Basquiat was only twenty-seven when he died in 1988, his meteoric and often controversial career having lasted for just eight years. Despite his early death, Basquiat's powerful oeuvre has ensured his continuing reputation as one of modern art's most distinctive voices. Borrowing from graffiti and street imagery, cartoons, mythology and religious symbolism, Basquiat's drawings and paintings explore issues of race and identity, providing social commentary that is shrewdly observed and biting. This bestselling book, now available in a compact edition, celebrates Basquiat's achievements in the contexts of the key influences on his art. It not only re-evaluates the artist's principal works and their meaning, but also explains what keeps his painting relevant today.
Bearden's Odyssey: Poets Respond to the Art of Romare Bearden
Bearden's Odyssey
Poets Respond to the Art of Romare Bearden
Paperback      ISBN: 0810134896

Borrowing from Romare Bearden's aesthetic palette and inspired by his Odysseus series, Bearden's Odyssey gathers, for the first time, poems from thirty-five of the most revered African diaspora poets in the United States. Poetic echoes come forth in themes of inspiration with historical intersections of one of the greatest visual artists of the twentieth century.

The award-winning editors, Kwame Dawes and Matthew Shenoda, assemble an esteemed literary congregation, with original poems by Chris Abani, Rita Dove, Lyrae Van Clief-Stefanon, Ed Roberson, Aracelis Girmay, Yusef Komunyakaa, and more. With a powerful foreword by Nobel laureate Derek Walcott and stunning visual reproductions of select Bearden masterpieces, this anthology fuses art and literature, standing as a testament to Romare Bearden's power and influence in the contemporary artistic world.

Betye Saar: Still Tickin'
Betye Saar
Still Tickin'
Hardcover      ISBN: 0979893666

Betye Saar (born 1926) is a legend. For 60 years, she has created powerful artworks that question traditional roles and representations of African Americans and women in the US, as well as deeply personal works about her family history and spirituality. Betye Saar: Still Tickin' considers the breadth of the artist's career and its key themes. To contextualize Saar's works, this volume includes writings by the artist from the 1970s to the present day as well as a recent interview with Saar in which she discusses her artistic practice and her views on history, including the current debate about police violence in the US. "My art becomes an explorer, a tracer of forgotten tribes, a seeker of sanctified visions," explains Saar. "These works are what I leave behind."

Betye Saar: Uneasy Dancer
Betye Saar
Uneasy Dancer
Paperback      ISBN: 8887029679
Uneasy Dancer brings together over 80 works including installations, assemblages, collages and sculptures by the pioneering Los Angeles artist Betye Saar (born 1926) produced between 1966 and 2016. This handsomely designed volume presents Saar's work as a copiously illustrated timeline, with numerous documentary images and exhibition details.

"Uneasy Dancer" is an expression Saar has used to define both herself and her artistic practice: "my work moves in a creative spiral with the concepts of passage, crossroads, death and rebirth, along with the underlying elements of race and gender." Through her use of found objects, personal memorabilia and derogatory images that evoke denied or distorted narratives, Saar developed a powerful social critique that challenges racial and sexist stereotypes deeply rooted in American culture.
Beyond Mammy, Jezebel & Sapphire: Reclaiming Images of Black Women
Beyond Mammy, Jezebel & Sapphire
Reclaiming Images of Black Women
Hardcover      ISBN: 0692803173

Engaging a wide range of experiences, techniques and materials, the nine artists featured in this volume challenge the images of black women that continue to pervade our culture and influence perceptions: stereotypes such as the suffering mama, the angry black woman and the temptress. Brought together in this publication, works by Romare Bearden, Mildred Howard, Wangechi Mutu, Lorna Simpson, Kara Walker, Robert Colescott, Ellen Gallagher, Alison Saar and Mickalene Thomas disrupt expectations and replace simplistic narratives with nuanced, sophisticated meditations on contemporary identity.

Black and Blur
Black and Blur
Paperback      ISBN: 0822370166

"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In Black and Blur-the first volume in his sublime and compelling trilogy consent not to be a single being-Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jos Esteban Mu oz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.