This volume of late 16th and early 17th century love emblems--including mythological, allegorical, and even erotic prints--was amassed around 1620 by an unknown lover. These 143 folios are reproduced in their original size (25.3 x 18.5 cm), and are joined by an Introduction and accompanying descriptions by the author.
This text traces the progression of arts on the Japanese archipelago through periods open to foreign civilizations, and periods closed against all outside influence. The authors demonstrate how the native Shinto veneration of the forces in nature underlie the Japanese love of natural materials.
Text block is pulling away from the binding at top of spine. All pages are still attached.
This newest Watercolor Made Easy title combines the drama of beautiful sunsets with the splendor of oceanscapes, making a perfect guide for any aspiring landscape artist. Accomplished watercolorist Thomas Needham begins with basic watercolor techniques and tips specific to rendering seascapes and sunsets, such as preserving the white of the paper, painting soft blends, and creating realistic reflections. Then he offers step-by-step projects that guide artists from initial sketches to impressive, colorful works of art.
"Mr. Russell's book is the first by a non-Korean to explain the rise of Korea's entertainment industries....the book could hardly be more approachable."--Wall Street Journal
"For a country that traditionally received culture, especially from China but also from Japan and the United States, South Korea finds itself at a turning point in its new role as exporter."--The New York Times
From kim chee to kim chic South Korea came from nowhere in the 1990s to become one of the biggest producers of pop content (movies, music, comic books, TV dramas, online gaming) in Asia--and the West. Why? Who's behind it? Mark James Russell tells an exciting tale of rapid growth and wild success marked by an uncanny knack for moving just one step ahead of changing technologies (such as music downloads and Internet comics) that have created new consumer markets around the world. Among the media pioneers profiled in this book is film director Kang Je-gyu, maker of Korea's first blockbuster film Shiri; Lee Su-man, who went from folk singer to computer programmer to creator of Korea's biggest music label; and Nelson Shin, who rose from North Korea to the top of the animation business. Full of fresh analysis, engaging reportage, and insightful insider anecdotes, Pop Goes Korea explores the hallyu (the Korean Wave) hitting the world's shores in the new century.
Mark James Russell is a freelance writer who lived in Korea for 13 years, specializing in Korean pop culture. His articles have appeared in the New York Times, Wall Street Journal, Foreign Policy, Newsweek, The Hollywood Reporter, Billboard, and other publications. He has also written extensively from around Asia, from Mongolia to Japan to Thailand. He currently lives in Spain.
Dust Jacket : Near Fine. Limited, numbered (1158 out of 2500) slipcaed edition.
A overview of an art form born over 35 years ago and now ubiquitous. It is divided into three sections: the first examines how certain artists have used the video camera as an extension of themselves; the second deals with the use of narrative; and the third with the hybridization of technology.
A visually dynamic homage to the paperback. In 1968, John Leonard, then editor of The New York Times Book Review, listed the many merits of mass-market paperbacks: "They can be stuffed in purses, left in buses, dropped in toilets, used as coasters, eaten and thrown away. Their covers can be ripped off Their spines can be broken To buy a paperback today is to buy the means of revenging oneself on Western culture." Fast-forward forty years. Leonard's affectionately flippant assessment may need to be revised as the explosion of digital media threatens the livelihood of the printed word. More than an act of revenge on Western culture, to buy a paperback may be a means of preserving one of its more charismatic--and socially, politically, and aesthetically influential--species. Breathless Homicidal Slime Mutants celebrates the mass-market paperback and gives it its due. A vibrant tour that starts with books from the late nineteenth century up to today, examining the most popular genres--mystery, romance, Westerns, how-to, cooking, and diet, and highbrow literature packaged for the broader audience--it focuses on the history of the art and design of the format and how it is inseparable from the history of American literacy, tastes, and mores of the twentieth century.
From the master chronicler of the marvelous and the confounding-author of "Mr. Wilson's Cabinet of Wonder"-here is a much-anticipated new collection of more than twenty pieces from the past two decades, the majority of which have never before been gathered together in book form.
Lawrence Weschler is not simply a superb reporter, essayist, and cultural observer; he is also an uncanny collector and connector of wonders. In "Vermeer in Bosnia," whether he is reporting on the aftermath of the Yugoslav wars (and noticing, for example, how centuries earlier Vermeer had had to invent the peace and serenity we so prize in his work today from a youth during which all of Europe had been as ravaged as Bosnia) or dissecting the special quality of light in his beloved hometown of Los Angeles, Weschler's perceptions are often startling, his insights both fresh and profound.
Included here is Weschler's remarkable profile of Roman Polanski-written years before the release of The Pianist, yet all but predicting the director's confrontation with the Holocaust in that film-alongside an equally celebrated portrait of Ed Weinberger, a young designer crushed and yet hardly bowed by an extreme form of Parkinson's disease. Here is Weschler limning his own experience as the grandson of an eminent Weimar-era composer, and then as the befuddled father of an eminently fetching daughter. Here is Weschler on Art Spiegelman, David Hockney, Ed Kienholz, and Wislawa Szymborska.
Here, in short, are some of the most dazzling pieces from Lawrence Weschler's own brimming cabinet of marvels.
The Northwest Coast totem pole captivates the imagination. From the first descriptions of these tall carved monuments, totem poles have become central icons of the Northwest Coast region and symbols of its Native inhabitants. Although many of those who gaze at these carvings assume that they are ancient artifacts, the so-called totem pole is a relatively recent artistic development, one that has become immensely important to Northwest Coast people and has simultaneously gained a common place in popular culture from fashion to the funny pages.
The Totem Pole reconstructs the intercultural history of the art form in its myriad manifestations from the eighteenth century to the present. Aldona Jonaitis and Aaron Glass analyze the totem pole's continual transformation since Europeans first arrived on the scene, investigate its various functions in different contexts, and address the significant influence of colonialism on the proliferation and distribution of carved poles. The authors also describe their theories on the development of the art form: its spread from the Northwest Coast to world's fairs and global theme parks; its integration with the history of tourism and its transformation into a signifier of place; the role of governments, museums, and anthropologists in collecting and restoring poles; and the part that these carvings have continuously played in Native struggles for control of their cultures and their lands.
Short essays by scholars and artists, including Robert Davidson, Bill Holm, Richard Hunt, Nathan Jackson, Vickie Jensen, Andrea Laforet, Susan Point, Charlotte Townsend-Gault, Lyle Wilson, and Robin Wright, provide specific case studies of many of the topics discussed, directly illustrating the various relationships that people have with the totem pole.
Errata: http: //www.washington.edu/uwpress/books/Jonaitis_errata_24.pdf
Mehndi, the ancient art of painting on the skin with henna, beautifies the body, rejuvenates the spirit, and celebrates the joys of creativity and self-expression. More than just a temporary tattoo, mehndi offers us a way to participate in a centuries-old tradition still practiced in India, Africa, and the Middle East.
In this stunning and authoritative book, Loretta Roome traces the origins and meanings of traditional designs, demonstrates how to create them on the skin, and reveals the recipes, tools, and techniques needed to paint designs that range from simple to complex. The result of years of research and the author's experience as one of the nation's foremost mehndi artists, Roome's book offers practical information, creative inspiration, and many suggestions for enhancing the playful, intimate, sensual, erotic, and spiritual aspects of the ancient and amazing art of mehndi.