First published in 1995, this gives new insight into the Bloomsbury group of writers and artists. The book traces the group from its beginnings in the early 20th century to the old age of its founders and the legacy that lives on. Illustrated throughout, this is a collection of portrait studies, decorative images, line drawings and photos.
Michael Angelo da Caravaggio (1571-1610) had an amazingly colorful and adventurous career, full of dramatic contrasts. He was a religious artist who used prostitutes and castrati as his models; a mystic with a police record; the favorite of Cardinals and the Pope's portrait painter, who committed a murder; an outlaw from the Roman hills, lionized at Naples; a Knight of Malta imprisoned in a Maltese dungeon; hunted by hired assassins in a vendetta with an unknown enemy; horribly disfigured by sword cuts in a Neapolitan brothel. Ironically, he died on a lonely Tuscan beach after receiving a pardon that would have allowed him to become an even greater painter.
Based on the latest research, but largely written as an adventure story, the book concentrates on the man and his personality, without neglecting the artist. It vividly re-creates his life in early Baroque Italy and as a "monk of war" on Malta.
--The Times (London) Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all. Few artists' letters are as self-revelatory as Vincent Van Gogh's, and the selection included here, spanning the whole of his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his intense relationship with his brother Theo and his attacks of mental illness, the letters contradict the popular image of Van Gogh as an anti-social madman and a martyr to art, showing instead that he was capable of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation.
The letters are linked by explanatory biographical passages, revealing Van Gogh's inner journey as well as the outer facts of his life. This edition includes the drawings that originally illustrated the letters. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This intriguing book on Goya concentrates on the closing years of the eighteenth century as a neglected milestone in his life.Goya waited until 1799 to publish his celebrated series of drawings, the Caprichos, which offered a personal vision of the world turned upside down. Victor I. Stoichita and Anna Maria Coderch consider how themes of Revolution and Carnival (both seen as inversions of the established order) were obsessions in Spanish culture in this period, and make provocative connections between the close of the 1700s and the end of the Millennium. Particular emphasis is placed on the artist's links to the underground tradition of the grotesque, the ugly and the violent. Goya's drawings, considered as a personal and secret laboratory, are foregrounded in a study that also reinterprets his paintings and engravings in the cultural context of his time.
These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance," was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael. This new translation, specially commissioned for the World's Classics series, contains thirty-six of the most important lives and is fully annotated.
From the critically acclaimed and bestselling author of Son of the Morning Star and Deus Lo Volt , a biography that breaks the mold-recounting with stunning immediacy the dark genius behind the renowned Spanish painter. Enigmatic, compelling, darkly brilliant and casually masterful in turn, Francisco Goya changed art forever, although the nature of his influence has been widely interpreted. Degas, for one, lamented that because of Goya he was condemned to painting a housewife in her bathtub. During the vile days of the Spanish Inquisition, Goya painted royalty, street urchins and demons with the same brush, bringing his own distinctive touch to each. This unusual man and his ghastly times are the perfect subject for Evan S. Connell, one of our greatest and least conventional writers. This unorthodox biography shines with wit, erudition and prodigious research. To say Connell is intimate with his subject is an understatement: He seems to be inside Goya's famously impenetrable skin. In a colloquial, wry style, Connell introduces a wealth of detail and a comic cast of weird and eccentric characters-dukes, queens and artists-as lewd and incorrigible a group as history has ever produced
When the French painter Th odore G ricault died in 1824 at the age of thirty-three, he was mourned as one of the most promising artists of his generation. He was also one of the most controversial, endowed with a character marked by Byronic paradoxes. The cult of G ricault's personality cast him as "genius, athlete, martyr, and romantic ghoul." Indeed, it was the stinging aftermath of an illicit affair with his beautiful young aunt that propelled G ricault into the artistic obsession that would yield his masterwork, The Raft of the Medusa.The God of Spring opens in Paris in 1818, as the upheavals of the French Revolution, the Empire, and the Restoration come to fruition in the aftermath of a naval disaster caused by criminal negligence and tinged with political scandal. Mesmerized by the tales of betrayal, madness, murder, and cannibalism aboard the life raft of the scuttled French frigate Medusa, G ricault takes as his muses two of its survivors. His canvas pits man against nature, its dominant image a doomed sailor futilely raising his hand toward the clouds and salvation.
In an era when American artists didn't count and women were expected to stay home, Edith Gregor Halpert burst onto the fledgling New York gallery scene, defying all cultural and societal rules. In 1926, Halpert, just twenty-six years old, opened one of the first art galleries in Greenwich Village and set about turning the art world upside down. Her Downtown Gallery, which she ran for forty-four years, laid the groundwork for the art market's modern era, and its aggressive promotion and sales tactics. Halpert cultivated the most illustrious art collectors of the day, invented the market for folk art, and pushed the first group of American artists working in a modern vernacular into the history books, including Stuart Davis, Jacob Lawrence, Georgia O'Keeffe, Ben Shahn, and Arthur Dove. Despite all this, Edith Halpert herself has been lost to history. Until now.
In The Girl with the Gallery, journalist Lindsay Pollock brings Halpert and her era vividly back to life, tracing the story of how this remarkable woman, who started out a penniless Jewish immigrant, made it her mission to fight for American art and artists. Illlustrated with eight pages of full color photographs, this is biography at its finest, an unforgettable story of class, money, vanity, jealousy, and tragic loss.